IMDb-BEWERTUNG
6,7/10
1888
IHRE BEWERTUNG
Der Fotograf Richard Billingham kehrt in die schmutzige Ratswohnung außerhalb von Birmingham zurück, wo er und sein Bruder aufgewachsen sind.Der Fotograf Richard Billingham kehrt in die schmutzige Ratswohnung außerhalb von Birmingham zurück, wo er und sein Bruder aufgewachsen sind.Der Fotograf Richard Billingham kehrt in die schmutzige Ratswohnung außerhalb von Birmingham zurück, wo er und sein Bruder aufgewachsen sind.
- Regie
- Drehbuch
- Hauptbesetzung
- Nominiert für 1 BAFTA Award
- 18 Gewinne & 25 Nominierungen insgesamt
Empfohlene Bewertungen
Definitely not a film for taking your partner on a first date
Sadly there are families like this all around Britain.
Well done Richard for giving them a voice so authentically. Every actor was brilliant and like all good writing was given time to show their situation.
The child actors were amazing .little angels I wanted to wisk away to something better.
The parents needed to attend a 'SureStart' centre.
I hope this director gets the chance to further his career.
A worthy successor to the wonderful Ken Loach.
Well done Richard for giving them a voice so authentically. Every actor was brilliant and like all good writing was given time to show their situation.
The child actors were amazing .little angels I wanted to wisk away to something better.
The parents needed to attend a 'SureStart' centre.
I hope this director gets the chance to further his career.
A worthy successor to the wonderful Ken Loach.
Dark, upsetting and slightly depressing, brought about by excellent actors, filming and direction. Like the genre of plays like the birthday party, entertaining mr sloane and abigails party it combines tragic with everyday people's lives.
Ray & Liz 2018 (on film4 ) it's a grim study of a family (2 boys) living in poverty with their parents. I'll say it again It's grim, the parents have little aspiration beyond the day to day existence but for the kids it's about surviving. The film made by the older of the two children, he clearly escaped the rut of poverty. It's immensely watchable in a fly on the wall kind of the way ( watch the film to see what I mean) Essential viewing for fans of social realism. 8/10.
Firstly it's set in the Black Country - NOT Birmingham!
Lots of very authentic scenes, very well done.
A lot of people will struggle with it, but having been brought up around the same time, I can see the parallels.
When I realised the story was working-class centred, I felt optimistic as there is plenty of highly acclaimed films within this sub-genre that have been made in the past. The most notable directors making these are probably Ken Loach and Mike Leigh.
This film sees the directorial debut from Richard Bellingham, who seems to be showing his childhood from his upbringing in Birmingham.
What I liked about it the most was authentic look it had in every department. From the surroundings, to the sets, costumes and performances.
I was intrigued by the decisions in jumping from two timelines as wells as it got me wanting to know how the journey was going to develop into destination that we see in the opening scene.
The tone had mixes of comedy, strong British drama and some disturbing despicable moments.
The latter made it feel tricky to root for any characters as I just pityed them for the remainder of the film.
Then while the final act did mildly fill the gaps in the story from the opening scene, I just felt it could have been executed better and maybe be more impactful.
I didn't think much of it in the end. It is fairly solid throughout and there was nothing wrong in terms of the production department. The authenticity of the time period was the most impressive aspect and it was an interesting enough working-class story.
But finding it hard to feel sympathy for the characters and not feeling the story being completed made it also look a bit unfulfilled.
With many stronger directors out there showing similar stories, this particular feature I think could feel lost. But there is potential for a strong story to come out of Richard Bellingham both as a director and as a writer. So maybe see this a film as a work in progress.
Rating: 7/10
This film sees the directorial debut from Richard Bellingham, who seems to be showing his childhood from his upbringing in Birmingham.
What I liked about it the most was authentic look it had in every department. From the surroundings, to the sets, costumes and performances.
I was intrigued by the decisions in jumping from two timelines as wells as it got me wanting to know how the journey was going to develop into destination that we see in the opening scene.
The tone had mixes of comedy, strong British drama and some disturbing despicable moments.
The latter made it feel tricky to root for any characters as I just pityed them for the remainder of the film.
Then while the final act did mildly fill the gaps in the story from the opening scene, I just felt it could have been executed better and maybe be more impactful.
I didn't think much of it in the end. It is fairly solid throughout and there was nothing wrong in terms of the production department. The authenticity of the time period was the most impressive aspect and it was an interesting enough working-class story.
But finding it hard to feel sympathy for the characters and not feeling the story being completed made it also look a bit unfulfilled.
With many stronger directors out there showing similar stories, this particular feature I think could feel lost. But there is potential for a strong story to come out of Richard Bellingham both as a director and as a writer. So maybe see this a film as a work in progress.
Rating: 7/10
Wusstest du schon
- WissenswertesAlle Einträge enthalten Spoiler
- VerbindungenFeatures Kinder des Zorns (1984)
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- Erscheinungsdatum
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- Ray y Liz
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- Budget
- 700.000 £ (geschätzt)
- Weltweiter Bruttoertrag
- 59.919 $
- Laufzeit1 Stunde 48 Minuten
- Farbe
- Seitenverhältnis
- 1.37 : 1
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