Saras Tagebuch

El cuaderno de Sara follows the story of a spanish lawyer that tracks down her sister, an aid worker, to a violent zone in the congo.

Once the film begins, you are reminded an awful lot of times that africa is a violent and complex place, very different to Madrid. Our main character seems completely incapable of walking the streets without getting lost or fade helplessly into the chaos, finding comfort only in white-abundant places like hotels and bars. I understand that this is the point of the character, she being naive and ignorant, but the movie ends with her being almost as ignorant as the beginning.

The movie has an abundance of opportunities to come to a profound realization, the whole arc of her sister revolves around this fact, but evades a closure for easier subjects. Cute selfies with black kids are nonstop, as are many other aid-tourism behaviors, and even when the conflict it depicts is similar to the reality of not just the congo but many mineral -rich places in Africa, they are never tied to existent names or events. Acting is Ok, and some shots are spectacular, but that is a cheap ploy to simply ignore the failure that is the story.

If you are really interested in learning about the subject, and in my opinion everyone should, you should watch Beasts of No Nation and The Siege of Jadotville both from Netflix. The later, even when is the account of a white group of soldiers fighting on behalf of the UN in the congo, does more to bring the actual causes and consequences of our thirst for minerals than this movie.

A Spanish woman named Laura: Belen Rueda, travels to Center Africa looking for her beloved and long-time lost younger sister Sara : Marian Alvarez. After learning by a photograph that her sister is at Goma region, she sets out to look for the missing Sara accompanied by an ex-soldier boy called Jamir: Ivan Mendes, who relunctantly accepts to help her. Both of whom begin a risked travel to the darkest heart of Africa with abundant dangers, attacks and assaults from Uganda, via Rwanda, across the frontier from Eastern Democratic Republic Congo until Goma. There rules a ruthless warlord nicknamed the Hawk, El Halcón, who carries out bloody razzias and slaughters.

Brooding and thought-provoking flick concerning interesting themes, such as : recruiting of soldier children, human exploitation by extreme labouring about mineral Coltan, horrible African conditions where life has not value and death shows up in every corner of the way , violent African wars commanded by brutal warlords who cause massacre, destruction and chaos. Cast is pretty well. Belén Rueda gives a fine acting as the valiant Spanish lawyer decided to undertake a perilous mission but her own spirit and mind will take on an ominous reality. Marian Alvarez is the good sister who sacrifices herself for the unfortunate African people. Along with a nice support cast such as : Enrico Lo Verso, Marta Belaustegui, Apali, Ramón Barea, Cardona, Nick Devlin and Iván Mendes as the young boy and ex- soldier child who helps and saves lives.

It contains a colorful and brilliant cinematography by David Omedes who photograps perfectly the lush African jungle. Being filmed on location in Uganda and Tenerife, Canary Islands, Spain. As well as an emotive and sensitive musical score by Julio de la Rosa who captures the adequate ambient. The motion picture well written by Jorge Guerricaechevarria, Alex de la Iglesia's ordinary writer, was competently directed by Norberto López Amado. He is a good professional, a fine craftsman who has directed a few films as Nos Miran and La Decision de Julia and a lot of TV series such as : El comisario, El internado, Herederos, Plan America, Acusados, 14 Abril la Republica, Tierra de lobos, El Principe, Toledo, Capitan Alatriste, El tiempo entre costuras, El Rey, Mar de plástico, El incidente, La verdad, Secretos de estado, Brigada Costa del Sol, Hernán. Rating 6.5/10. Above average. The yarn will appeal to Belén Rueda fans.

A tale of a Moronic Spanish woman whose idiotic quest to find her less bright sister in the war torn Congo leaves in her wake countless bodies of friends and foes because she has the gray matter of a marsupial and always places herself and others in harms way .. her continuing propensity to make the wrong descision defies credulity.

The story had a chance to be enthralling. It missed, but not badly. A story of a disastrous Central African drug/diamond/or in this case minerals human tragedy is compelling on its own. This movie also tries to throw in a sibling re-unification thread, which I found lacking. The story of the sister and her young African guide/translator was the star interaction of the movie. However; as with so many movies, the overuse of dramatic shootings and narrow escapes becomes nearly comical. Our heroine is shot at a thousand times, is surrounded numerous times, and ambushed a few more times for good measure. We even get car chases and plane disasters. It was as if the director wanted to make "James Bond goes to an African civil war." I still liked the movie. The acting was solid and they did capture the feel of living in Africa in the 21st Century.

I read another review, where the reviewer made a good point. It seems like the Western world needs someone the audience can root for. Someone they see and can feel and relate to. That person is our female protagonist in this case. And while that is more than a fair point, try not to let this get your focus of the main issues of the movie.

Genocide, hunger, murder, rape and a general abuse of power. But this does not give us a look into the higher powers who "control" this. We get to the ground, down and dirty and go on the look for our sister. Well the sister of the main actress that is. She was missing and now it seems like there is a glimmer of hope. Hope they can reunite and go back "home". But on her way, she finds a new friend. A friend that is troubled, but a friend is useful to her. Someone you should not judge prematurely or even with other moral standards than the ones he has to obey and live by. This may sound weird, but once you've seen it, you'll get it. A really well thought of movie, that takes its time (maybe a bit too long at times), but is really worth your time, if you have the faintest interest in the subject