IMDb-BEWERTUNG
5,6/10
29.850
IHRE BEWERTUNG
Jay und Silent Bob kehren nach Hollywood zurück, um einen Neustart des Films "Bluntman and Chronic" zu verhindern.Jay und Silent Bob kehren nach Hollywood zurück, um einen Neustart des Films "Bluntman and Chronic" zu verhindern.Jay und Silent Bob kehren nach Hollywood zurück, um einen Neustart des Films "Bluntman and Chronic" zu verhindern.
- Auszeichnungen
- 1 Nominierung insgesamt
Johnny 'Bananas' Devenanzio
- Guy with Banana
- (as Johnny Bananas)
Ernest O'Donnell
- Cast of Clerks
- (as Ernest 'Ernie' O'Donnell)
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When they learn that their alter egos are the subject of a reboot the eponymous Jay and Silent Bob head off to Hollywood to prevent the film from being made. Along the way they encounter some unexpected cargo and learn some home truths/unexpected life lessons whilst undertaking this journey...
Whilst I found the Jay and silent Bob reboot to be fairly enjoyable it did not really get the belly laughs from me that the original film got; although I am prepared to accept that I watched the original film at the cinema and haven't watched it since. Therefore, perhaps as I'm now quite a bit older (and believe me it's depressing for me to hear teenagers refer to people born before the 1990's as being old - like dude wtf??). However, there is a slight issue in watching 2 men who are in their late 40's still trying to behave like they are in their 20's. In fairness, the film offsets this slightly with Jay's character being forced to grow up a bit, but somehow it just doesn't work quite as well here or come off as convincingly.
The story in itself is quite flimsy and silly and in some ways it's hard to overlook the fact that this film may have merely acted as a very cheap way for a lot of cast members from Kevin Smith's previous films just to have something of a reunion. I can imagine that they all had fun making this film, but the feeling is that it was probably more fun for them than it was for the audience.
Not wishing to be too mean I have to admit that the film still has its funny moments and as director Kevin Smith deserves some credit for the self-deprecating approach that he brought to the material (which is arguably one of the film's biggest strengths).
It doesn't touch the original film and the sheer number of cameos shoehorned into the film does make the film reek of desperation, but the film still had some funny moments, but the film itself will probably appeal more to Kevin Smith and his peers rather than a mainstream audience.
Whilst I found the Jay and silent Bob reboot to be fairly enjoyable it did not really get the belly laughs from me that the original film got; although I am prepared to accept that I watched the original film at the cinema and haven't watched it since. Therefore, perhaps as I'm now quite a bit older (and believe me it's depressing for me to hear teenagers refer to people born before the 1990's as being old - like dude wtf??). However, there is a slight issue in watching 2 men who are in their late 40's still trying to behave like they are in their 20's. In fairness, the film offsets this slightly with Jay's character being forced to grow up a bit, but somehow it just doesn't work quite as well here or come off as convincingly.
The story in itself is quite flimsy and silly and in some ways it's hard to overlook the fact that this film may have merely acted as a very cheap way for a lot of cast members from Kevin Smith's previous films just to have something of a reunion. I can imagine that they all had fun making this film, but the feeling is that it was probably more fun for them than it was for the audience.
Not wishing to be too mean I have to admit that the film still has its funny moments and as director Kevin Smith deserves some credit for the self-deprecating approach that he brought to the material (which is arguably one of the film's biggest strengths).
It doesn't touch the original film and the sheer number of cameos shoehorned into the film does make the film reek of desperation, but the film still had some funny moments, but the film itself will probably appeal more to Kevin Smith and his peers rather than a mainstream audience.
Clerks 2 was brilliant. Everything after that has been one terrible film worse than the last. Please stop. You are destroying your own legacy with these outings. Love you man. Now rest and do something else. Please.
I can't rate this any better than a "3", while the original is funny this one just misses almost all the marks.
What do you get when you have two 50 year old men playing characters created as and meant to cater to grunge stoner 90s kids? Mostly you get re-jokes. Most of us who were a Kevin Smith fan haven't enjoyed a lot of what he has produced in a very long while. "Jersey Girl" was pretty good.
This movie is just unconvincing, lazy and offensive. I wonder how bad "Clerks 3" will be? This one is just a really poor effort.
What do you get when you have two 50 year old men playing characters created as and meant to cater to grunge stoner 90s kids? Mostly you get re-jokes. Most of us who were a Kevin Smith fan haven't enjoyed a lot of what he has produced in a very long while. "Jersey Girl" was pretty good.
This movie is just unconvincing, lazy and offensive. I wonder how bad "Clerks 3" will be? This one is just a really poor effort.
Time takes its toll and it even takes its toll on your comedy chops. Not a whole lot of funny in this movie. it feels forced and uncomfortably so in some scenes. save yourself some money and just rewatch the first one.
Following his near-death heart attack, Kevin Smith self-finances a film that redefines self-indulgence. A film in which he casts his friends and family, and not only allows you to catch up with characters from his previous films, but is impenetrable to anyone without a working knowledge of them.
Having learned that Hollywood is planning a reboot of "Bluntman and Chronic" a failed superhero franchise from a decade past. Jay (Jason Mewes) and Silent Bob (Kevin Smith) must again cross the country from New Jersey to California to stop the movie, based on themselves, from being made. A chance encounter has Jay reunite with Justice (Shannon Elizabeth) who informs him that he has a daughter, Millennium (Harley Quinn Smith).
If, by any chance, you're planning on watching this movie having not previously watched the films that make up Smith's view-askew-niverse, just don't. 'Impenetrable' really is the right word, character's come and go without explanation, many lines are call backs to something that happened, or was said in one of the previous movies and without that back knowledge I'm not sure that the film would even make sense to you. This is not to say that with that prior knowledge, the film is brilliant, or good, or even passable. The flaws are apparent, even to those of us that do have it. The performances are generally poor, the story is weak (even if you accept the meta-commentary aspect of the film rebooting "strike back") and most of the jokes don't land. It is a tick box exercise in seeing a character, or actor again, with everything else hung around that. I'm so happy that Jason Mewes is still alive to be in the film that this seems like a churlish comment, but his dentures bend his lips into such an odd pout I kept thinking that it was someone else and it was a constant distraction.
However. As it came to an end - I found I couldn't bring myself to actually hate it. There was just enough in the moments with Ben Affleck, Chris Hemsworth, Stan Lee, Millie's interactions with Jay and the stuff at Chronic-con to drag the score up a little and make me look forward to, when hopefully shorn of quite as much indulgence, "Clerks 3" and "Mallrats 2" see the light of day.
Having learned that Hollywood is planning a reboot of "Bluntman and Chronic" a failed superhero franchise from a decade past. Jay (Jason Mewes) and Silent Bob (Kevin Smith) must again cross the country from New Jersey to California to stop the movie, based on themselves, from being made. A chance encounter has Jay reunite with Justice (Shannon Elizabeth) who informs him that he has a daughter, Millennium (Harley Quinn Smith).
If, by any chance, you're planning on watching this movie having not previously watched the films that make up Smith's view-askew-niverse, just don't. 'Impenetrable' really is the right word, character's come and go without explanation, many lines are call backs to something that happened, or was said in one of the previous movies and without that back knowledge I'm not sure that the film would even make sense to you. This is not to say that with that prior knowledge, the film is brilliant, or good, or even passable. The flaws are apparent, even to those of us that do have it. The performances are generally poor, the story is weak (even if you accept the meta-commentary aspect of the film rebooting "strike back") and most of the jokes don't land. It is a tick box exercise in seeing a character, or actor again, with everything else hung around that. I'm so happy that Jason Mewes is still alive to be in the film that this seems like a churlish comment, but his dentures bend his lips into such an odd pout I kept thinking that it was someone else and it was a constant distraction.
However. As it came to an end - I found I couldn't bring myself to actually hate it. There was just enough in the moments with Ben Affleck, Chris Hemsworth, Stan Lee, Millie's interactions with Jay and the stuff at Chronic-con to drag the score up a little and make me look forward to, when hopefully shorn of quite as much indulgence, "Clerks 3" and "Mallrats 2" see the light of day.
Wusstest du schon
- Wissenswertes(at around 1h 13 mins) When Jay & Silent Bob are talking to Ben Affleck and he (Affleck) introduces his daughter. The little girl is actually Jason Mewes' real-life daughter, Logan Mewes.
- Patzer(at around 24 mins) There are palm trees visible outside of the Mooby's that is supposedly located in Chicago.
- Zitate
Holden McNeil: I used to think life was all about me. I was the hero of my own story, a Bruce Wayne of one lifelong issue of Detective Comics, so for speak. And then that kid came along and suddenly you realize you're not Bruce Wayne anymore. You're Thomas Wayne. Or Bruce Wayne's mom, whose name escapes me.
- Crazy CreditsThere is a short tribute to Stan Lee during the credits.
- VerbindungenFeatured in Diminishing Returns Diminisodes: Jay and Silent Bob Reboot (2020)
- SoundtracksGoodbye Horses
Performed by Q. Lazzarus
Written by William Garvey
Courtesy of Metro-Goldwyn-Mayer Music Inc.
Under License from Universal Music Publishing Group
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Untitled Jay and Silent Bob Reboot
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 10.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 4.589.490 $
- Eröffnungswochenende in den USA und in Kanada
- 93.520 $
- 20. Okt. 2019
- Weltweiter Bruttoertrag
- 4.691.248 $
- Laufzeit
- 1 Std. 45 Min.(105 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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