Sobald zwei übereifrige Polizisten von der Macht suspendiert werden, müssen sie in die kriminelle Unterwelt eintauchen, um ihre angemessene Entschädigung zu erhalten.Sobald zwei übereifrige Polizisten von der Macht suspendiert werden, müssen sie in die kriminelle Unterwelt eintauchen, um ihre angemessene Entschädigung zu erhalten.Sobald zwei übereifrige Polizisten von der Macht suspendiert werden, müssen sie in die kriminelle Unterwelt eintauchen, um ihre angemessene Entschädigung zu erhalten.
- Auszeichnungen
- 5 Nominierungen insgesamt
Empfohlene Bewertungen
Having said that, this was unquestionably a serious character-driven film that had many sad and serious undertones but also welcome moments of light humour. I believe this was absolutely deliberate by a very out-there and intelligent director who brought an initially slow script to life and copperfastened by excellent acting throughout, particularly from Gibson and Vaughn.
For me, it is the real-life questions that are asked of us, the viewer, not during this excellent film, but long afterwards, that mark this film out from many others which have considerable less impact.
I would most definitely recommend this film as an excellent watch. But you will need to pass the endurance test of the first half or so, and then you will get your reward over the second half.
Zahler takes his sweet time developing characters before the big event goes down, as the heist doesn't occur until around the 90 minute mark in this 158 minute film. The dialogue is sharp and often funny, and the characters are all fully drawn. The performances are very good, with Gibson and Kittles the stand-outs. There are a few surprising moments, as well as the over-the-top ultra-violence that is a Zahler hallmark, although this one is less gory than his previous efforts. The film looks more professional, as well, with good, atmospheric cinematography. Recommended to fans of crime films and noir, but only if they have the patience for a slow build-up.
Wusstest du schon
- WissenswertesVince Vaughn, while working with Mel Gibson on Hacksaw Ridge, showed Gibson the screenplay for this film, and talked-up writer/director S. Craig Zahler and his vision. Gibson was responsive to the material and agreed to star immediately.
- PatzerWhen we first see the getaway car near the end, it's a white Chevrolet Tahoe. In the next scene it's inexplicably a white Dodge Durango. Then it goes back to being a white Chevrolet Tahoe again.
- Zitate
Brett Ridgeman: Is that a guy or a girl singin' that song?
Anthony Lurasetti: Can't tell.
Brett Ridgeman: Not that there's much of a difference these days.
Anthony Lurasetti: I think that line was obliterated the day men started saying we're pregnant when their wives were.
- VerbindungenFeatured in Elements of a Crime: The Making of 'Dragged Across Concrete' (2019)
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Al otro lado de la ley
- Drehorte
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Box Office
- Budget
- 15.000.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 660.132 $
- Laufzeit
- 2 Std. 38 Min.(158 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1