In naher Zukunft kontrolliert die Technologie nahezu alle Aspekte des Lebens. Aber als Gray, ein bekennender Technikfeind, seine Welt auf den Kopf gestellt bekommt, ist seine einzige Hoffnun... Alles lesenIn naher Zukunft kontrolliert die Technologie nahezu alle Aspekte des Lebens. Aber als Gray, ein bekennender Technikfeind, seine Welt auf den Kopf gestellt bekommt, ist seine einzige Hoffnung auf Rache ein experimentelles Computerchip-Implantat namens Stem.In naher Zukunft kontrolliert die Technologie nahezu alle Aspekte des Lebens. Aber als Gray, ein bekennender Technikfeind, seine Welt auf den Kopf gestellt bekommt, ist seine einzige Hoffnung auf Rache ein experimentelles Computerchip-Implantat namens Stem.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Gewinne & 26 Nominierungen insgesamt
- Kara
- (Synchronisation)
- Eron Keen
- (as Harrison Gilbertson)
- Stem
- (Synchronisation)
- Technician
- (as Dr Stephanie Demkiw)
Empfohlene Bewertungen
*in a deep, movie-voice over voice* some guys kill his wife, and now he's seeking revenge".
But this film surpassed my expectations, and was a well-worth experience. Not only was I correct about the cinematography being exciting and engaging, but the plot actually strung together compelling way. This film came out of nowhere for me, and now, it's a memorable film that accomplishes the most important goal of any great film: gets the audience to keep wondering about it.
Since I don't want to go into spoilers, I'll say one last thing: pay attention to the Foley artist's work. The sound design is poignant and additive to the experience. It reminds me of the clever usage of music from Baby Driver. Nothing is wasted and is always enriching of the world building. With Baby Driver, the music was giving us Baby's personal experience. Here, the sound effects give us Grey's point of view. Didn't experiences, but both are elevated through sound, masterfully.
I genuinely want to see it again. If the trailer interested you at all, go see it. It's worth your while.
The accident really does change the movie up, and the tone, it really is well worth a look, the ending may come as a surprise for some.
Very good, 8/10.
Wusstest du schon
- WissenswertesDuring the fight scenes, the camera often tracks Grey so that he remains in the middle of frame. According to director Leigh Whannell, this was achieved by hiding a phone somewhere on actor Logan Marshall-Green, which the cameras could then pair to and follow with as much accuracy as possible.
- Patzer(at around 33 mins) Stem asks Grey to hold the drawn tattoo in front of his eyes in order to read it for him. However, Stem already has the picture (since he has drawn it) in his memory, so there was no logical reason to re-scan it again for the purpose of reading it.
- Zitate
Grey Trace: See, you thought I was a cripple but you didn't know that I'm a ninja.
Stem: While I am state of the art, I am not a ninja.
- Crazy CreditsIn lieu of text, the production companies and title are instead narrated by an artificial female voice, represented visually by sound waves.
- VerbindungenFeatured in Chris Stuckmann Movie Reviews: Upgrade (2018)
- SoundtracksSmokestack Lightning
Written by Howlin' Wolf (as Chester Burnett)
Performed by Howlin' Wolf
Published by Arc Music Corp/Jewel Music (Australia)
By kind permission of the Music Sales Group
Under exclusive license from Geffen Records
Licensed courtesy of Universal Music Australia Pty Limited
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Details
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- Herkunftsländer
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- Upgrade: Máquina asesina
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Box Office
- Budget
- 5.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 11.977.130 $
- Eröffnungswochenende in den USA und in Kanada
- 4.670.905 $
- 3. Juni 2018
- Weltweiter Bruttoertrag
- 16.706.680 $
- Laufzeit1 Stunde 40 Minuten
- Farbe
- Seitenverhältnis
- 2.35 : 1