Die Stockholm Story - Geliebte Geisel

This is a strange film to discuss. It's not sure whether it's a comedy, a drama or possibly a thriller. There's not enough tension to make it a thriller, there are some comedic moments, but not enough to make you laugh, and the characters are too thinly portrayed to make you invest in them for the drama to work. But, despite that, it's as fascinating in some ways as a slow-motion car crash - you just can't avert your eyes. Bizarre.

From what I've read this retelling of the 1973 robbery/hostage taking of the Kreditbanken bank in Stockholm is fairly accurate, although, obviously dramatized for a movie. Seems that the hostages, to some extent, had more faith in their well being from the captors than from the government & police. Thus our first widely discussed incident of hostages having some sympathy w/their captors. Both robbers continued, in minor ways, their history of crime after either serving their time or court hearings. Amusingly well acted.

"Their resistance to outside help and their loyalty toward their captors was puzzling, and psychologists began to study the phenomenon in this and other hostage situations." Rachel Lloyd

It doesn't pay to second guess Bianca Lind's (Noomi Rapace) falling for her abductor, Lars Nystrom (Ethan Hawke), in the real life 1973 heist/abduction that originated the descriptor, Stockholm Syndrome. Even as romantic as writer/director Robert Budreau makes the situation, no matter how crazy-charming he makes Lars, the situation, close to life or death, strains credulity.

Although the scene has been regularly described as "absurd" by officials and the media, Budreau and his first-rate actors create a reality that at the very least reminds me of Sidney Lumet's Dog Day Afternoon. Dog is another hostage situation at a bank with Sonny (Al Pacino) seeking funds for a sex change for his lover. Sounds absurd until you feel the human emotions involved; in Stockholm the sympathy flows between mother Bianca, with a weak husband, and the defiant but "soft" Lars.

Lars had been known to save a heart-attack victim at a heist and shows care for the hostages in the Stockholm bank. The two actors are so good, you can forgive his larceny and understand her attraction to him. It is by no means to exculpate Lars or to condemn the police for using gas-what else could they do?

No one would think that the cinematic setups of this heist are an accurate rendition of the Norrmalmstorg robbery, yet the heightened passions; Lars' motive to spring his bank robbery buddy, Gunnar (Mark Strong); and the imperfect strategies of Chief Mattsson (Christopher Heyerdahl) ring true in any situation. Stockholm is a stock situation riddled with humanity, and some light humor (see the bumbling husband), to make an eccentric spin on an old formula.

Enjoy the characters, and let your reality demands take a sideline.

I'm genuinely surprised that (as far as my internet research goes) this bizarre tale is roughly true. I liked the acting, direction and scripting. Although I can see why the way they handle the comedic aspects would put some off. Aren't humans weird!

Stockholm can be described as a fun and comedic film, covering a dark subject matter in order to show its audience how human beings cope with stressful, life threatening situations. The film is based on the Swedish bank heist, and hostage situation, that would later inspire the coining of the phrase "Stockholm syndrome," which describes the phenomenon of a hostage forming a bond with their captor. Of the many things the film does well, what stands above the rest is the films ability to make the audience realize how someone might actually succumb to Stockholm syndrome. The main anti-hero of the story, Lars (Ethan Hawke), shows early on that all he really wants is to get his buddy, Gunnar (Mark Strong), out of jail. You the audience member even find yourself sympathizing with him as over the course of the film he goes out of his way to care for his hostages including letting one of them, Bianca (Noomi Rapace), use the telephone to call her family. The comedy in the film comes across quite well, at some points I found myself audibly laughing, and allows the audience to establish a better connection with Lars. Apart from the story, the 70's aesthetics were executed perfectly with a very pleasing color pallet focusing on shades of orange and teal, wonderful b-roll of a 70's Stockholm, and a few Bob Dylan songs thrown in for good measure. It was very enjoyable to watch and had my interest peaked right from the get-go.