Bad Blood

Not a masterpiece, but a solid crime series depicting mafia family in Toronto, raise and fall.

Season 2 however, really turns into a B production, with main character running the entire city on his own, going solo against the world. No bodyguards, associates, soldiers, etc. Script looks scraped together without any afterthought.

Funny enough, season 2 episodes have significantly higher score on IMDM.

First season was ok, season two was just great. Great actors, story and play!!

Kim Koates is an amazing actor. I like him since his role on Sons of Anarchy. This is a great series and probably underrated. This is a mixture of Sons of Anarchy with a touch of Narcos. On the other hand, some plot holes or a bad script make some characters decisions unbelievable. Overall, If you loved The Sopranos and Peaky Blinders, give it a try, it is not as good, but pretty watchable.

A couple of evil twins are sent from Italy by the 'Ndrangheta to take matters in hand and soon start trying to muscle in on Declan's operation. But the mad Irishman isn't giving in without a fight.

Season 2 is action-packed, with a lot of edge-of-your seat scenarios. However, as well as being taut and with no unnecessary scenes or filler, it also manages to produce finely-drawn characters who you can actually care about. Let's hope they can keep the high standards for Season 3.

Perhaps it is unfair to evaluate performances and presentation, but mood is lost when we leave a dramatic scene for a yogurt commercial. But beyond that, there is something oddly flat and pedestrian about this effort. It is interesting to examine the true-life underside of Montreal--the U.S. does not have sole rights to mobsters--but the gravitas of The Sopranos and Boardwalk Empire is sadly wanting here. The still images in the opening credits, particularly Kim Coates (with that vampire-like hooded,coloured eye business)and Paul Sorvino looking like a menacing bulldog provides unfulfilled promise of true explosive threat and menace thatwe expect out of the principals. They aren't helped by a plain-Jane script that doesn't allow for much layering or nuance. The series TALKS rather than really SHOWS. Dialogue provides by-the-numbers exposition. A lot of the acting comes off as theatrical vs authentic. Certainly there are violent scenes but they don't really resonate. The female characters in particular are ill-served---whether a crusading lawyer or politician or mistress---come off as either overly shrill or whiny, whereas no-nonsense street-wise savvy and seductiveness are non-existent. The males do not get off unscathed either, lacking in depth. Scenes of meetings with other mobsters have groups of guys trying real hard to LOOK tough and mean like movie standees trying to exude explosive menace. Using slow motion whenever Anthony Lapaglia strolls around is to suggest a bigger-than-life cold-blooded ruthless lion but we don't FEEL it. (The same approach was used when Colm Feore portrayed Pierre Trudeau several years ago, much to the same toothless effect--no fault in effort by Mr. Feore.) We want to see more home-grown Canadian productions but to distinguish themselves against non-commercial cable networks is a challenge.