IMDb-BEWERTUNG
5,0/10
11.305
IHRE BEWERTUNG
Mary (Taraji P. Henson) ist eine Auftragskillerin, die für das organisierte Verbrechen in Boston arbeitet. Ihr Leben überschlägt sich völlig, als sie bei einem professioneller Auftragsmord, ... Alles lesenMary (Taraji P. Henson) ist eine Auftragskillerin, die für das organisierte Verbrechen in Boston arbeitet. Ihr Leben überschlägt sich völlig, als sie bei einem professioneller Auftragsmord, der komplett schiefgeht, einen kleinen Jungen trifft.Mary (Taraji P. Henson) ist eine Auftragskillerin, die für das organisierte Verbrechen in Boston arbeitet. Ihr Leben überschlägt sich völlig, als sie bei einem professioneller Auftragsmord, der komplett schiefgeht, einen kleinen Jungen trifft.
- Auszeichnungen
- 1 Gewinn & 4 Nominierungen insgesamt
Jose Guns Alves
- Maurice
- (as Jose Gonsalves)
Empfohlene Bewertungen
Action adventure.
Taraji P. Henson is an assassin (Mary) for one of two rival gangs, she completes a hit but feels regret for the youngster she makes into an orphan and takes him under her wing. The start is positive, looks like a retro 70's film, but almost immediately abandons that idea and quickly goes downhill.
The action scenes are dull, the plot is formulaic, and the acting is wooden. For instance, the hit-woman's gunshot wounds magically seem to vanish, there are several gunfights where thousands of bullets are flying around but all miss, basically seen it all before.
What starts well enough loses all potential. Looks like an amateur project. Go and see 'you were never really here' instead.
Taraji P. Henson is an assassin (Mary) for one of two rival gangs, she completes a hit but feels regret for the youngster she makes into an orphan and takes him under her wing. The start is positive, looks like a retro 70's film, but almost immediately abandons that idea and quickly goes downhill.
The action scenes are dull, the plot is formulaic, and the acting is wooden. For instance, the hit-woman's gunshot wounds magically seem to vanish, there are several gunfights where thousands of bullets are flying around but all miss, basically seen it all before.
What starts well enough loses all potential. Looks like an amateur project. Go and see 'you were never really here' instead.
Here's what's good about this movie:
The writing and the directing are just so passionless. Everything is bland and empty. I sincerely think its creators should be screened and treated for depression, because they clearly have nothing in their lives that brings them joy. It feels like they have been trying to leave the industry but were contractually obligated to make five more films before they did, and this was the fourth.
Watching this film, you will get the distinct impression that they never smiled a single time during its making. And neither will you during its watching.
- Taraji Henson
- the marketing
- the premise
- unfortunately, that's it
The writing and the directing are just so passionless. Everything is bland and empty. I sincerely think its creators should be screened and treated for depression, because they clearly have nothing in their lives that brings them joy. It feels like they have been trying to leave the industry but were contractually obligated to make five more films before they did, and this was the fourth.
Watching this film, you will get the distinct impression that they never smiled a single time during its making. And neither will you during its watching.
I mean, it's not the best thing ever, but have you seen the state of action movies today? This is above average in many ways.
A little abbreviated, like the studio messed with it, cut out something and there was nothing left to pad it out. I mean, was Neal McDonough really in it for 30 seconds? Seems like he wouldn't show up but for real work so there's a whole extra movie in there we didn't get to see.
Some weird editing. Two conversations were filmed as over the shoulder from each POV and flipped for each character, sometimes every few seconds!
But overall above average for the action, verging on Very Good for the main dramatic tension. Not least because they do NOT over explain. Who is the main character, really? Who cares! It works.
So, 1 and 2 and 3 star ratings, with minimal reviews? This seems like it was a campaign of hate instead. It's not remotely deserving of such a low rating, at all.
I saw no other political issues, so... racist? Not sure, but it's not that bad at all.
A little abbreviated, like the studio messed with it, cut out something and there was nothing left to pad it out. I mean, was Neal McDonough really in it for 30 seconds? Seems like he wouldn't show up but for real work so there's a whole extra movie in there we didn't get to see.
Some weird editing. Two conversations were filmed as over the shoulder from each POV and flipped for each character, sometimes every few seconds!
But overall above average for the action, verging on Very Good for the main dramatic tension. Not least because they do NOT over explain. Who is the main character, really? Who cares! It works.
So, 1 and 2 and 3 star ratings, with minimal reviews? This seems like it was a campaign of hate instead. It's not remotely deserving of such a low rating, at all.
I saw no other political issues, so... racist? Not sure, but it's not that bad at all.
Killer Mary (Taraji P. Henson) takes out a target but guilt forces her to leave his son Danny alive. It's one year later. Danny is working for abusive criminal Uncle. Mary has been watching him from afar. She tries to come to his rescue but the situation gets out of hand with Uncle. She massacres Uncle and his crew. She does not tell her boss Benny (Danny Glover) who wants to avoid a gang war with Uncle's criminal gang led by Luka, Uncle's nephew. Benny's son Tom is more aggressive.
Henson proves herself to be a solid action lead. The movie lacks good tension and top directions. There are good actors here. There are so many that some of them are no more than cannon fodder. This movie needs to kick it into a higher gear. It's constantly dragged down by a melodrama of guilt and parental instincts. I wonder if the kid had died, this wouldn't a better pure revenge story. She's a better killer than a mom anyways.
Henson proves herself to be a solid action lead. The movie lacks good tension and top directions. There are good actors here. There are so many that some of them are no more than cannon fodder. This movie needs to kick it into a higher gear. It's constantly dragged down by a melodrama of guilt and parental instincts. I wonder if the kid had died, this wouldn't a better pure revenge story. She's a better killer than a mom anyways.
Love Ms Henson. The movie was slow and unfocused. Should have had mob family located in realistic place. Boston really??
The writers and director should have watched a few more movies with Pam Grier as female lead. Maybe even watch domino or the female assassin from John Wick 2.
Characters were weak and one dimensional. Hope sequel is better researched and more character development. Will be watching ?!$
The writers and director should have watched a few more movies with Pam Grier as female lead. Maybe even watch domino or the female assassin from John Wick 2.
Characters were weak and one dimensional. Hope sequel is better researched and more character development. Will be watching ?!$
Wusstest du schon
- WissenswertesLoosely based on the movie Gloria (1980).
- PatzerAfter Danny makes the guy drop his bag in the alley after he shoots his gun in the air, Danny then collapses away from the bag. But when Mary pulls into the alley and walks up to Danny he is found near his bag.
- Crazy CreditsThe film opens with a recreation of the 1965-1974 Screen Gems "S from Hell" logo.
- Alternative VersionenA scene in the trailer where Tom kills a cohort is not featured in the actual movie.
- SoundtracksPapa Was a Rollin' Stone
Written by Norman Whitfield and Barrett Strong
Performed by The Temptations
Courtesy of Motown Records
Under license from Universal Music Enterprises
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Proud Mary?Powered by Alexa
Details
Box Office
- Budget
- 14.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 20.877.013 $
- Eröffnungswochenende in den USA und in Kanada
- 9.959.053 $
- 14. Jan. 2018
- Weltweiter Bruttoertrag
- 21.753.365 $
- Laufzeit1 Stunde 29 Minuten
- Farbe
- Seitenverhältnis
- 2.35 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen