Newsies - Das Broadway Musical

this is a solid musical- really well done across the board, and full of high octane energy. The close ups are great- really makes you connect to the characters. Kara Lindsay and Jeremy Jordan are some of the most talented people to ever grace Broadway, and hearing them rock the rafters is quite an experience!!

Also, the person who gave this 2 stars without watching the whole thing is really unfair (movie junkies that hate the stage adaptation. They exist.) In no way did Newsies fail- this 2017 live version made over 3 million dollars in just 3 days at movie theaters, and ran for 1,000 performances on Broadway. The changes made totally make sense as a whole- adding a strong female arc was a great move as it was desperately missing in the movie,,, and you ask why did they open with Santa Fe- because it's more realistic. It's refreshing to see opening scenes like this. Just two people having a conversation. A lot of Tarantino films are like this as well!

In just one word fantastic. As a Broadway fan I was so happy that Disney put this on.

I have been a Newsies fan since the beginning. I know the songs word for word. I also am a fan of the broadway musical, and I know they have to adapt it to the stage but there are to many deviations for me. Like the family story line and the change of Denton's character to Katherine's. Then still singing King of New York. Song in different spots in the plot, songs having a slower temple then the movie, and the end result of the strike all together. I am generally a person who says if it isn't broken don't fix it. But I am still impressed with the musical. I will still watch both and complain about the difference and annoy my husband the whole time. Lol.

Having been a serious fan of the original 1992 film with Christian Bale, I was excited to learn they made a stage production of the show. But then I heard they made some changes to the story for the stage adaption and then I became very skeptical.

Once I finally got to see the show LIVE in person, I was blown away by the entire production and loved the small changes they made. It actually fits better as a live production and the changes were PERFECT.

Once the show and road tour ended, I was so sad to know we'll never get to see this again, but once it was announced that they are bringing the Broadway production to the BIG SCREEN, I was more than excited.

Seeing the cinematic version of the Broadway production gave a whole new perspective on the experience. The drama seems heightened since we now get to see close ups of the characters and every emotional reaction and response. We also get to HEAR every line and word, where on stage, sometimes the lines are run together rather quickly and it's easy to miss certain elements. The lighting, the sound, the editing was BRILLIANT!

Also, the actors were full of extra life and energy and you could see their love and passion for each other and this show. This theatrical experience was OVERFLOWING with Disney magic and I confess, I teared up several times, just because it was SO AMAZING!

If you never saw a Broadway show, or can't get to New York, and if you never saw the Broadway version of Newsies...this is a MUST-SEE! The Music, the Dancing, the Acting, the Performances, the Costumes and Set....everything was SHEER MAGIC and absolutely PERFECT!

I'll never get tired of seeing NEWSIES!

Fortunately, the great performances, singing, and the opportunity for close-ups of the actors make this recording of the stage production of NEWSIES well worth seeing. I feared, however, that they would not know how to film the dance numbers, and I was correct. Too many quick cuts, too many close-ups of only a few of the dancers, detract greatly from the dance numbers. While the camera adds some good rear and overhead shots of the dancers that you can't get in a live performance, these too go by in a flash. The dancers have great technique and energy all on their own. The camera doesn't need to add any movement or energy to the proceedings, like it does when you are trying to cover for poor dancers. These folks are great, but the camera-work doesn't allow us to see them for more than a fraction of a second at a time. If the director wanted to see how Broadway dances should be photographed, all he need do is look at any Tony Awards broadcast--mainly longer shots, with a few angle shots thrown in, and close-ups only when a particular step or piece of business needs to be highlighted. But directors and editors would rather show off than respect the dance.