Gauguin

Gauguin: Voyage to Tahiti

Gauguin: Voyage to Tahiti is aptly titled.

It's a pity the pace slowed.

Gauguin: Voyage to Tahiti is not a particularly bold film. Nevertheless, it is a film about a very bold person who escapes his bohemian life and introduces a bit of bohemia in the extremely relaxed nation of Tahiti.

I am unsure about the true nature Gauguin. The first part of the film seeks to present him as a man that was abandoned by his wife and family before their planned voyage to Tahiti. In return, he abandons them and lives a life of mild debauchery in a hut by the beach in Tahiti. I presumed the film was a little easy on Gauguin here; he seems to hit the ground running when he arrives and soon forgets his rather laborious family.

The film then obeys a common narrative of a man dealing with a midlife crisis by throwing himself into an affair with young girl - Tehura (a tribal Tahitian offering).

While the script may disappoint; the casting, performances and cinematography are all superb.

Gauguin might be selfish and possessive, but he certainly has conviction. This is certainly something Vincent brought to the screen superbly.

This film touches on a few similar themes to Jane Campions excellent film 'The Piano'. You could almost consider this film to be The Piano through a male lens.

It's a pity the pace of the film slowed. I couldn't help but feel that there is a better film that could have been made here. Perhaps more of his history in Paris would have created a better juxtaposition on what Gaugin left?

However, Gauguin threw himself into a new life and a new art. This above anything else is the most enticing thing about the film. It may inspire.

Bitter sweet inspiration about a man who truly struggled for his art.

I've been a fan of Vincent Cassell for years and he is the only reason why I wanted to see this movie when I saw the poster in a near by theater. Cassell plays Paul Gauguin, an artist who was willing to give up everything: his wife, his 5 children, all to travel down to Tahiti in hopes that the journey would make him a better artist. While down there he stars a romance with a woman who becomes his muse.

Cassell, himself was so good in the movie. It was a mixed bag of emotions as Cassell portrays a very selfish man who give up way too much to become a starving artist holding on to the dream that he would find pure inspiration. It was indeed a struggle, but Cassell's performance also show a man who was focus on living his best life.

Another great yet low key performance was done by Tuheï Adams who plays Tehura, the muse who became the focus of many of Gauguin's painting. I felt the two of them together had enough chemistry to keep the movie going.

Overall, I went to see this movie for Vincent Cassell and I'm very stratified with his performance enough to be interested in the man he portrayed (ignoring how a movie set in the late 1800s is painting a clear picture of what Gentrification looks like today.) Plus Tuhei Adams was a pleasant bonus and I hope to see more of her.

Some good moments in this story of Paul Gauguin and his Tahitian period, emphasizing his relationship with Tehura, but mostly I found the film overly self-indulgent, and narcissistic on the part of the film creators. I am a bit critical on the subject since Gauguin is my favorite Impressionist, more brilliant in my mind than Vincent. If it had been tighter, with less stream of consciousness and more emphasis on the narrative it would have been more effective. Paul Gauguin has been played by George Sanders (as "Strickland" in Maugham's The Moon and Sixpence) Anthony Quinn, David Carradine, and now Vincent Cassel. All good in their way, each capturing elements of the artist's personality. Surprisingly, of all the actors to play Gauguin David Carradine gives the best performance. Find it if you can in another so-so try at capturing this story, Gauguin the Savage.

Just gorgeous, well acted, beautifully and invisibly directed, though some seem to miss the subtle way the cinematography flattens the spaces and abstract the shapes like Gauguin's best artwork does. Cassel is mesmerizing and looks uncannily like Gauguin's self portraits. His portrayal can make us understand the he had no choice but to paint, and all costs.

The simple loving relationship between Paul and Tehura is worn down and corrupted in the same way the People of Polynesia were by sickness and greed introduced by the colonizers. The innocent playful fun, the jealousy, suspicion and pain... this film tells a story that shows there is no running away from the human condition.

This film fails in every possible way. Even the cinematography manages to flatten the lushness of Tahiti. But the story line is worse.

One has to wonder how and why it is near impossible for modern people to reconcile that Gauguin can be both a despicable pedophile and a great artist? I guess this is the fruit of ever decreasing interest in the classics, where literature for 3,000 years did not have the difficulty we have today in portraying real or archetypical legendary persons as both great personages and contemptible.

Consider that the entire film fails to mention, even once, this "wife" was 13 years old. That his relationship with her, and the natives, is a refection of his own selfish and predatory individual colonialism. Even his abandonment of his wife and children in France, attested to as abandonment in the sourced biographies, is inverted into them not wanting to come with him.