Loveless

Moscow, 2012: Zhenya (Maryana Spivak) and Boris (Aleksey Rozin) are a miserably married couple preparing for a divorce as they try to sell their apartment. Each has a new lover as they prepare for their new lives but both are negligent of their tormented twelve-year old son, Alyosha (Matvey Novikov) - thus causing a major twist in the story.

Director/co-writer Andrey Zvyagintsev created a sensation with the very powerful "Leviathan" released in 2014. The earlier film was very critical of the authorities in Russian society (which irked actual Russian authorities) while "Loveless" is critical of the degradation of Russian individuals and society in general. Some characters are more attached to their smartphones than to the people around them. Boris is attached to the endless news cycle. (In one such scene, it is fascinating to hear the biased Russian media's take on the troubles in Ukraine a few years back).

Boris's worst characteristic is his extreme indifference to others while Zhenya is a verbally abusive monster. It is easy to despise her for the way she treats her husband and son but her story is brought to the forefront when the viewer witnesses her with her equally monstrous mother (Natalya Potapova). At this point the viewer sees Zhenya as someone at both ends of the tragic "unwanted child" syndrome - a trait that is sadly hereditary.

Among Zvyagintsev's gifts is the way he handles sex scenes. Rather than the quasi-pornography that is rampant in modern films, the sex scenes in this film are actually erotic and intimate. And despite the film's title, they do represent rare moments when people are loving toward each other.

He is also adept at maintaining a bleak mood throughout the film - one that reflects most of the characters and the society around them. There is an extended scene that involves an abandoned building. One can't help but observe that the building looks functional and even pleasant in some rooms. Like some of the human characters, it was unnecessarily neglected and left to rot.

The epilogue of "Loveless" takes place a few years after the main story. Without giving anything away, its conclusion is sad yet not altogether surprising considering the scenes that preceded it. It's the right conclusion for a very good film with very powerful performances. And its subtle jab against the degradation of people via modern technology is not just a Russian problem; it's truly universal. - dbamateurcritic

Loveless is a depressingly profound experience.

It paints the world as it is, not shying away from showing the bitter emptiness, disconnect and sorrow (which we usually choose to ignore) that surrounds our society. The desperate search for happiness, the unbelievable selfishness, lack of compassion and love, as the title suggests, that seperates generations of people in our modern times of self-absorbed("anti")social media. The film manages to achive these incredible feats (without being preachy) in its fantastically written and acted multi-layered and complex characters, whom as the story goes on beautifully unravel from just simple despicable people to characters that you understand and by the end sort of empathize with and pity (though not all of them: the character of the father is kind of an exception, he's a bit underdeveloped). Though our main characters represent what is wrong with our society, Loveless manages to keep a hopeful balance showing the good side as well with its selfless side-characters, the search party.

Andrey Zvyagintsev's direction is immaculate, from the beautiful cinematography, with its lingering shots of the dreary Russian winterlands and cityscapes filling you with a sense of melancholy and loneliness, to the authentic writing and the tragic story itself.

Loveless is a tough watch that challenges the warped values of the 21st century, holding a mirror towards our modern society, still unable to escape the same endless cycle it's always been trapped in. A dour but realistic meditation on humanity's need for love.

/as schmaltzy or cheesy as this review sounds I assure you the film is the furthest thing from being those things./

My wife and I frequently find ourselves wondering why so many people we know decided to even have children in the first place, so little priority do they give them in their lives. They act like children are a roadblock to all of these exciting things they would otherwise be doing, instead of recognizing them as exciting things in their own right and probably more likely to enrich their lives in ways that matter than any of the other endeavors these people seem so fixated on. But they don't recognize this, and as a result the kids suffer for it.

"Loveless" is a bleak and scathing indictment of this kind of modern-day parenting, a world of selfish adults pursuing their petty little enjoyments while ignoring the children they voluntarily brought into the world. It's a tough film to watch, though not as tough as I thought it would be. The little boy at the center of the story isn't in the film very long before he goes missing, so we're spared scenes of the misery he feels at home with a super bitch of a mom and a checked out dad. The couple of scenes we get are enough. Then, the film turns into a "L'Aventurra" like odyssey as the parents and authorities go looking for him. What makes the film tough to watch more than anything are the horrid characters that populate it. These people may have once been happy, and maybe have the potential to be happy again, but if so we see no signs of it. These are wretched souls who take their misery out on each other, and walking out of the movie theater after this film was over was like walking into the fresh air after being trapped in a dank crawl space. The film is claustrophobic in its nihilism.

But, and this is a big "but," despite the above paragraph that makes this film sound like a chore to sit through, it's actually a wonderful movie and fascinating in a morbid kind of way. It's bleak to be sure, but people who are exhilarated by good film making can leave even a bleak movie on a high if it's done well, and this is one of those films.

Nominated for a 2017 Academy Award for Best Foreign Language Film from Russia.

Grade: A

Tells a tragic story with a beautiful and cold cinematography. Features powerful performances (specially with the roles of the mother, the father and the grandmother) although it suffers from a slow pace throught its long runtime. There were two scenes which I found particulary remarkable, those being: the one in the morgue and the argument with the grandmother. I felt some lack of character development and I wish I could have seen more of the kid, since we pretty much just followed the parents' point of view. Overall, the film managed to keep me interested and plugged even with a slow rythm, the acting and the direction of photography were its main strenghts. 7.7

...but as unfailingly engrossing as any film i've ever seen.

This is as dark as any theme comes but portrayed with such incredible realism that it will make you wince. Wounded, damaged, soulless parents that take your breath away. And although we meet the son only a short time, I personally felt such ache & pain for him, it was palpable. The scene with him in the bathroom one of the most devastating ever filmed. And yes, all the allegories & metaphors execute beautifully...about Russian, our society, technology & narcissism. Far more if you care to dig deeper. you will NOT easily get this film out of your head & that's testament to all involved.