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IMDbPro

Die Verlegerin

Originaltitel: The Post
  • 2017
  • 6
  • 1 Std. 56 Min.
IMDb-BEWERTUNG
7,2/10
168.577
IHRE BEWERTUNG
BELIEBTHEIT
1.911
218
Tom Hanks and Meryl Streep in Die Verlegerin (2017)
A drama about the unlikely partnership between The Washington Post's Katharine Graham, the first female publisher of a major American newspaper, and editor Ben Bradlee, as they race to catch up with The New York Times to expose a massive cover-up of government secrets that spanned three decades and four U.S. Presidents. The two must overcome their differences as they risk their careers -- and their very freedom - to help bring long-buried truths to light.
trailer wiedergeben2:33
54 Videos
99+ Fotos
DokudramaPolitischer ThrillerPolitisches DramaZeitraum: DramaBiographieDramaGeschichteKriegThriller

Eine Vertuschung, die vier US-Präsidenten einbezog, veranlasste die erste weibliche Zeitungsverlegerin des Landes und einen knallharten Chefredakteur, sich einem beispiellosen Kampf zwischen... Alles lesenEine Vertuschung, die vier US-Präsidenten einbezog, veranlasste die erste weibliche Zeitungsverlegerin des Landes und einen knallharten Chefredakteur, sich einem beispiellosen Kampf zwischen Journalisten und Regierung anzuschließen. Angelehnt an wahre Begebenheiten.Eine Vertuschung, die vier US-Präsidenten einbezog, veranlasste die erste weibliche Zeitungsverlegerin des Landes und einen knallharten Chefredakteur, sich einem beispiellosen Kampf zwischen Journalisten und Regierung anzuschließen. Angelehnt an wahre Begebenheiten.

  • Regie
    • Steven Spielberg
  • Drehbuch
    • Liz Hannah
    • Josh Singer
  • Hauptbesetzung
    • Meryl Streep
    • Tom Hanks
    • Sarah Paulson
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,2/10
    168.577
    IHRE BEWERTUNG
    BELIEBTHEIT
    1.911
    218
    • Regie
      • Steven Spielberg
    • Drehbuch
      • Liz Hannah
      • Josh Singer
    • Hauptbesetzung
      • Meryl Streep
      • Tom Hanks
      • Sarah Paulson
    • 534Benutzerrezensionen
    • 458Kritische Rezensionen
    • 83Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 2 Oscars nominiert
      • 21 Gewinne & 116 Nominierungen insgesamt

    Videos54

    Trailer #1
    Trailer 2:33
    Trailer #1
    A Guide to the Films of Steven Spielberg
    Clip 2:31
    A Guide to the Films of Steven Spielberg
    A Guide to the Films of Steven Spielberg
    Clip 2:31
    A Guide to the Films of Steven Spielberg
    Hypothetical
    Clip 1:15
    Hypothetical
    Dig In
    Clip 0:57
    Dig In
    The Post: Dig In
    Clip 0:57
    The Post: Dig In
    The Post: Hypothetical Question
    Clip 1:11
    The Post: Hypothetical Question

    Fotos214

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 208
    Poster ansehen

    Topbesetzung99+

    Ändern
    Meryl Streep
    Meryl Streep
    • Kay Graham
    Tom Hanks
    Tom Hanks
    • Ben Bradlee
    Sarah Paulson
    Sarah Paulson
    • Tony Bradlee
    Bob Odenkirk
    Bob Odenkirk
    • Ben Bagdikian
    Tracy Letts
    Tracy Letts
    • Fritz Beebe
    Bradley Whitford
    Bradley Whitford
    • Arthur Parsons
    Bruce Greenwood
    Bruce Greenwood
    • Robert McNamara
    Matthew Rhys
    Matthew Rhys
    • Daniel Ellsberg
    Alison Brie
    Alison Brie
    • Lally Graham
    Carrie Coon
    Carrie Coon
    • Meg Greenfield
    Jesse Plemons
    Jesse Plemons
    • Roger Clark
    David Cross
    David Cross
    • Howard Simons
    Zach Woods
    Zach Woods
    • Anthony Essaye
    Pat Healy
    Pat Healy
    • Phil Geyelin
    John Rue
    John Rue
    • Gene Patterson
    Rick Holmes
    Rick Holmes
    • Murray Marder
    Philip Casnoff
    Philip Casnoff
    • Chalmers Roberts
    Jessie Mueller
    Jessie Mueller
    • Judith Martin
    • Regie
      • Steven Spielberg
    • Drehbuch
      • Liz Hannah
      • Josh Singer
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen534

    7,2168.5K
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    Empfohlene Bewertungen

    8CineMuseFilms

    a true story showing why the media is despised by despots

    The term 'fourth estate' was coined in 1841 by philosopher Thomas Carlyle when he said that the Reporter's Gallery was far more important than the 'three estates' of parliament. This titbit of history tells us the battle lines over 'fake news' are as old as 'the press' itself. It is also the context for The Post (2017), a dramatic thriller and civics lesson about the media's role in checking government power. The Post shows why the media is despised by despots and is thus essential viewing for anyone wanting to better understand today's shambolic attacks on the media.

    The facts of the story became world news. By the mid-1960s, most Americans were losing faith in the nation's prospects of an honourable conclusion to three decades of conflict in Vietnam. While various Presidents told Americans that success was assured, the top-secret Pentagon Papers revealed that national policy was based on a litany of lies. Former military analyst Daniel Ellsberg notoriously leaked the Papers to the New York Times, but publication was suppressed by court order. The rival Washington Post acquired a copy and had to decide whether to publish and risk the paper's future, or not publish and lose the respect of its journalists.

    A dramatic high-tension wire is strung between Post heiress and socialite Katherine Graham (Meryl Streep) and her hard-core news editor Ben Bradlee (Tom Hanks). They are polar opposites: she is a darling of the establishment, uncertain of her ability and fearful of losing not only the business but her social standing. Bradlee is a truth-seeking journalist who mistrusts lawyers and would publish at any cost. Described as "the most highly classified documents of the war", the President commands an army of lawyers threatening Armageddon if the paper goes to print. The film's period set design is brilliant: the reporter's room is a galley of buzzing typewriters and the printing press a mechanical maze of oiled steel grinding out papers in a frantic atmosphere of unrelenting deadlines. Against this background, the pre-feminist newspaper owner must make a decision that could bring down a President. When the choice is made, the Post must then face presidential retaliation via the Supreme Court.

    This story requires no narrative embellishment, nor does it need dramatic performances to convey the high-stakes of an extraordinary moment. The casting of stars and support is excellent. Streep and Hanks give their most understated performances of recent times; no other contemporary actors could have filled these roles with their authority and authenticity. Spielberg's direction keeps the events unfolding at a brisk pace to leverage the tension curve upwards while sticking close to the facts. This is masterful storytelling based on an important event that resonates into the modern era.
    7Jared_Andrews

    Solid, Important Historical Drama

    Is it cliché to call this movie an Oscar cliché?

    Even if the answer is yes, that's The Post, in a nutshell. It hits all the right beats. Serious historical drama (it covers a newspaper contemplating printing government lies about the Vietnam War), mega-famous director (Spielberg), and beloved, award-winning stars (Streep and Hanks). To top it all off, this movie is timely. A movie about newspaper courage at a time when our nation's free press is under attack, it's almost too perfect. Delicately arrange all these ingredients nicely on a fancy dish, and we should have a five-star meal. But we do not. Instead, the result is something that is just fine. It's a lower-middle class version of Spotlight.

    That likely reads harsher than I intend it. Spotlight is incredible. Mentioning any movie in the same breath is an honor. The Post is a perfectly adequate, important movie, not a Best Picture winner. There's no shame in that.

    There's very little blatantly wrong with the movie. Grading via a high school-style rubric would result in an A for following all the instructions and including all the required criteria. Yet, it does not quite reach the level of "WOW."

    Figuring out why it doesn't "WOW" is tricky. Maybe shooting and editing a movie that quickly (reportedly completed in only a few months) is too tall a task even for a master like Spielberg.

    Tom Hanks and Meryl Streep play the leading roles and do so fantastically. Streep is especially strong in capturing the hesitancy of a woman in charge who doesn't act like she's in charge. This is the other element that's important for 2018. Women can lead effectively and bravely. She slowly learns that she is fully capable of seizing control and making the tough decisions, just like any successful leader.

    The supporting actors all likewise play their roles well, without exception. Everyone feels a bit underutilized, which I suppose they understood when they accepted the parts. The inclusion of so many famous faces could be viewed as a statement emphasizing the importance of the film.

    While I mentioned that there is very little blatantly wrong with the movie, I did personally find certain parts troublesome. Specifically, I call attention to the beginning and ending. Without spoiling anything, they felt oddly out of place, or at the very least, they felt unnecessary.

    Perhaps Spielberg included them to make clearer the message of the movie. He wanted to establish the stakes. I didn't think we needed that. Movie viewers are smart enough to understand what makes this movie important. Thankfully, the movie avoided becoming overly preachy, aside from a couple sigh-worthy instances.

    If you're down for a textbook "important history lesson" movie, The Post is for you. Just don't expect to leave the theater in stunned silence, like you did after seeing Spotlight.
    8Mr-Fusion

    Worth the cover price

    Print media may be dead, but the crusader journalist movie is alive and well. "The Post" is just as much a paean to the newspaper's heyday as it is a warning against corrupt government, complete with top-shelf cast. Given the Washington Post's lasting legacy (to this day), you can easily tell that the Pentagon Papers weren't the certain doom they seemed to spell out for the paper. Yet Spielberg jumps right into the material, creating excitement even in mundane printing press scenes. This is a stirring tale, masterfully directed and timelier than ever. Sure, it's probably Oscar-bait, but you can't argue with that level of quality.

    8/10
    8cliftonofun

    Not perfect, but polished and pretty darn great

    I'm a sucker for any movie that involves close-ups of newspapers being printed, but this story was particularly well told - as polished as you would expect from Spielberg, Streep, Hanks and co. It was funny and enthralling and just plain solid storytelling. In fact, Spielberg even managed to tone back his over-the-top-ness. There are few moments where odes of love to the press could be more important. So while there are flaws here (in pacing and in storytelling devices), this is as entertaining and informative of a Saturday night as you could ask for.
    8Hitchcoc

    The True Story Is the True Story

    If you lived through Vietnam and have read and seen the material in the aftermath (including Ken Burns' incredible documentary), there seems little doubt that our leaders were at the center of the deaths of thousands of our dear sons and daughters. From Truman to Eisenhower to Kennedy/Johnson to Nixon, image was what it was all about. The tapes and phone conversations prove this. So when Daniel Ellsberg delivered those damning documents to the New York Times, he brought down evil. Nixon had the world by the butt and overreached. So what about this movie. I have to agree that it wasn't as good as I thought it was going to be. Despite portrayals by real troopers and a masterful performance by Streep, it had a kind of yawn factor. Somehow, there seemed little suspense. Of course, we knew the story, but it never picked up much steam. It needed fine tuning. An interesting continuing commentary in IMDB is the use of a movie forum to perpetuate a soapbox. But to give this film a one or two because it shows the parallels of that time with the one we are living in, is counter to the whole point of reviewing. Anyway, I thought it was a reasonably thoughtful portrayal of a time when government got bigger than it should have.

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    Handlung

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    • Wissenswertes
      In all of the scenes depicting President Nixon on the phone in the Oval Office, Nixon's actual voice is heard from White House tapes.
    • Patzer
      The film shows Washington Post trucks delivering newspapers when the Post's edition of the Pentagon Papers hits the street. The Washington Post did not own delivery trucks. The paper was distributed by independent drivers using their own unmarked trucks, usually white step vans.
    • Zitate

      Meg Greenfield: Listen up, everybody. Listen up. Justice Black's opinion. Okay. "The founding fathers gave the free press the protection it must have to fulfill its essential role in our democracy. The press was to serve the governed, not the governors."

    • Crazy Credits
      The 20th Century Fox logo is shown, but we do not hear the usual fanfare. Instead, we just hear the sound effects of the action in Vietnam which leads into the first scene of the film.
    • Verbindungen
      Featured in The Tonight Show Starring Jimmy Fallon: Michael Shannon/Alison Brie/Jaboukie Young-White (2017)
    • Soundtracks
      Green River
      Written by John Fogerty

      Performed by Creedence Clearwater Revival

      Courtesy of Concord Music Group, Inc.

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    FAQ

    • How long is The Post?
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    Details

    Ändern
    • Erscheinungsdatum
      • 22. Februar 2018 (Deutschland)
    • Herkunftsländer
      • Vereinigte Staaten
      • Indien
    • Offizielle Standorte
      • Official Facebook
      • Official Site
    • Sprache
      • Englisch
    • Auch bekannt als
      • The Post: Los oscuros secretos del Pentágono
    • Drehorte
      • White Plains, New York, USA(Bagdikian using public phones at Hamilton Ave & EJ Conroy Drive)
    • Produktionsfirmen
      • Twentieth Century Fox
      • DreamWorks Pictures
      • Reliance Entertainment
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Budget
      • 50.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 81.903.458 $
    • Eröffnungswochenende in den USA und in Kanada
      • 526.011 $
      • 24. Dez. 2017
    • Weltweiter Bruttoertrag
      • 193.764.664 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      1 Stunde 56 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby Digital
      • Dolby Surround 7.1
      • SDDS
    • Seitenverhältnis
      • 1.85 : 1

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