Die Verlegerin

I'm a sucker for any movie that involves close-ups of newspapers being printed, but this story was particularly well told - as polished as you would expect from Spielberg, Streep, Hanks and co. It was funny and enthralling and just plain solid storytelling. In fact, Spielberg even managed to tone back his over-the-top-ness. There are few moments where odes of love to the press could be more important. So while there are flaws here (in pacing and in storytelling devices), this is as entertaining and informative of a Saturday night as you could ask for.

In 1971, The New York Times has access to classified documents about the Vietnam War. However, the government uses the justice department to stop the distribution of newspapers claiming violation of the national security laws. Immediately after, the Washington Post has access to similar documents but they decide to face the government and publish the newspapers against the will of their lawyers and investors.

"The Post" is a film directed by Steven Spielberg with the battle between the press and Nixon´s government in 1971. The performances of Meryl Streep and Tom Hank are top-notch as usual and the dramatization of the situation is suspenseful. The truth about the Vietnam War is probably painful for the American people that lost their sons to hypocrite governments. However the right of free press without financial interest from the government seems to be utopic at least in the present days. My vote is seven.

Title (Brazil): "The Post: A Guerra Secreta" ("The Post: The Secret War")

Print media may be dead, but the crusader journalist movie is alive and well. "The Post" is just as much a paean to the newspaper's heyday as it is a warning against corrupt government, complete with top-shelf cast. Given the Washington Post's lasting legacy (to this day), you can easily tell that the Pentagon Papers weren't the certain doom they seemed to spell out for the paper. Yet Spielberg jumps right into the material, creating excitement even in mundane printing press scenes. This is a stirring tale, masterfully directed and timelier than ever. Sure, it's probably Oscar-bait, but you can't argue with that level of quality.

8/10

Spielberg's new drama about the controversial publication of the Pentagon Papers by the Washington Post and New York Times is a well-made and entertaining, albeit not perfect, film. Tom Hanks gives a thorough and enjoyable performance as Ben Bradlee, but it is Meryl Streep who truly stands out in the cast here through her role as Kay Graham. Bob Odenkirk's supporting role is also noteworthy in a very positive sense.

The film is thoroughly gripping, although it sometimes feels paced slightly clumsily through omissions of details that could have been better to include as Spielberg presents the audience with the turbulent politics of the Vietnam era that lead to the intense legal and ideological controversies surrounding the Pentagon Papers. Additionally, a rushed--albeit still very enjoyable--third act makes the viewer feel that the film's running time is a bit too short. The film is an enjoyable watch in a way that other journalism films like "All The President's Men" and "Spotlight"--while better films overall for sure--are not, but its tone is handled well throughout. If Spielberg's dramas have taught me one thing, it's that he clearly knows how to let a specific tone manifest itself throughout the course of a narrative and do that well. The film contains a few moments that feel a bit 'meh' (a very clichéd rather than powerful discussion of the importance of freedom of the press in the second half is one.) While it has neither the high emotional stakes and dramatic tension of "Bridge of Spies" or the clockwork precision of "Lincoln," it is still a very well-acted and entertaining film that I do recommend. 7/10

Is it cliché to call this movie an Oscar cliché?

Even if the answer is yes, that's The Post, in a nutshell. It hits all the right beats. Serious historical drama (it covers a newspaper contemplating printing government lies about the Vietnam War), mega-famous director (Spielberg), and beloved, award-winning stars (Streep and Hanks). To top it all off, this movie is timely. A movie about newspaper courage at a time when our nation's free press is under attack, it's almost too perfect. Delicately arrange all these ingredients nicely on a fancy dish, and we should have a five-star meal. But we do not. Instead, the result is something that is just fine. It's a lower-middle class version of Spotlight.

That likely reads harsher than I intend it. Spotlight is incredible. Mentioning any movie in the same breath is an honor. The Post is a perfectly adequate, important movie, not a Best Picture winner. There's no shame in that.

There's very little blatantly wrong with the movie. Grading via a high school-style rubric would result in an A for following all the instructions and including all the required criteria. Yet, it does not quite reach the level of "WOW."

Figuring out why it doesn't "WOW" is tricky. Maybe shooting and editing a movie that quickly (reportedly completed in only a few months) is too tall a task even for a master like Spielberg.

Tom Hanks and Meryl Streep play the leading roles and do so fantastically. Streep is especially strong in capturing the hesitancy of a woman in charge who doesn't act like she's in charge. This is the other element that's important for 2018. Women can lead effectively and bravely. She slowly learns that she is fully capable of seizing control and making the tough decisions, just like any successful leader.

The supporting actors all likewise play their roles well, without exception. Everyone feels a bit underutilized, which I suppose they understood when they accepted the parts. The inclusion of so many famous faces could be viewed as a statement emphasizing the importance of the film.

While I mentioned that there is very little blatantly wrong with the movie, I did personally find certain parts troublesome. Specifically, I call attention to the beginning and ending. Without spoiling anything, they felt oddly out of place, or at the very least, they felt unnecessary.

Perhaps Spielberg included them to make clearer the message of the movie. He wanted to establish the stakes. I didn't think we needed that. Movie viewers are smart enough to understand what makes this movie important. Thankfully, the movie avoided becoming overly preachy, aside from a couple sigh-worthy instances.

If you're down for a textbook "important history lesson" movie, The Post is for you. Just don't expect to leave the theater in stunned silence, like you did after seeing Spotlight.