IMDb-BEWERTUNG
5,3/10
1475
IHRE BEWERTUNG
Ein stilvoller, sexy Film über die Reise eines jungen Mannes in eine ungewöhnliche Form der Escort-Arbeit, die in einer imaginären Vision des Londoner Stadtteils Soho spielt.Ein stilvoller, sexy Film über die Reise eines jungen Mannes in eine ungewöhnliche Form der Escort-Arbeit, die in einer imaginären Vision des Londoner Stadtteils Soho spielt.Ein stilvoller, sexy Film über die Reise eines jungen Mannes in eine ungewöhnliche Form der Escort-Arbeit, die in einer imaginären Vision des Londoner Stadtteils Soho spielt.
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The film will not get widespread acclaim as it is a classic, non-classic, arty film in the same way that Betty Blue, Withnail & I, Donnie Darko, Jonny Suede and Cool World were.
It's a showcase for the undoubted talents of Harris Dickinson, a man who exudes charm and emotion - also in real life, which will get him far in a transition from indie to mainstream.
Keep an eye out for him.
The cinematography is very much like watching a play transposed to cinema, the set (small) scenes and lighting just seems like someone has taken a moderately successful stage-play and done a somewhat lazy transposition to the screen. I appreciate that budgets might have been small, but producing for the stage vs cinema is a very different thing.
don't get me wrong, I like the slightly surreal aspects (the parent's dining table) but the execution didn't quite make it, it's just a too too literal translation of the set-design and the lighting-design onto screen which just doesn't work.
I don't want to be harsh, because there are precious few interesting indie movies out there but its not 'grand budapest hotel' or 'gods own country'
a solid 6, but with a different producer / designer / director then it could have been better. can't really fault the actors at all.
I've continued watching, after the 1st 'chapter', it does move into other directions!
don't get me wrong, I like the slightly surreal aspects (the parent's dining table) but the execution didn't quite make it, it's just a too too literal translation of the set-design and the lighting-design onto screen which just doesn't work.
I don't want to be harsh, because there are precious few interesting indie movies out there but its not 'grand budapest hotel' or 'gods own country'
a solid 6, but with a different producer / designer / director then it could have been better. can't really fault the actors at all.
I've continued watching, after the 1st 'chapter', it does move into other directions!
I found this film very campy and funny. Maybe thats not what was intended? It was sort of like a 70s gay art film. In a good way. Two of the cast stand out: Harris Dickenson in the lead and Jonah Hauer-King. If there really were rent boys like this I might be tempted.
This film attempted to do more than it was capable of. I think it's just too artsy idk. Definitely not for me.
Synopsis: Postcards from London is a 2018 British drama film directed by Steve McLean. It is McLean's follow-up to his 1994 film Post Cards from America, which he based on the work of David Wojnarowicz. The film follows a teenage boy Jim (played by Harris Dickinson), who escapes his rural Essex town for London, only to find himself involved with a team of high-class gay escorts in Soho.
Postcards from London is a 2018 British drama film directed by Steve McLean. It is McLean's follow-up to his 1994 film Post Cards from America, which he based on the work of David Wojnarowicz. The film follows a teenage boy Jim (played by Harris Dickinson), who escapes his rural Essex town for London, only to find himself involved with a team of high-class gay escorts in Soho.
Synopsis: Postcards from London is a 2018 British drama film directed by Steve McLean. It is McLean's follow-up to his 1994 film Post Cards from America, which he based on the work of David Wojnarowicz. The film follows a teenage boy Jim (played by Harris Dickinson), who escapes his rural Essex town for London, only to find himself involved with a team of high-class gay escorts in Soho.
Postcards from London is a 2018 British drama film directed by Steve McLean. It is McLean's follow-up to his 1994 film Post Cards from America, which he based on the work of David Wojnarowicz. The film follows a teenage boy Jim (played by Harris Dickinson), who escapes his rural Essex town for London, only to find himself involved with a team of high-class gay escorts in Soho.
I'm a sucker for Caravaggio, so that was enough to draw me in. But there's a lot more to this film. It's not everyone's cup of tea, and I can understand people thinking it's pretentious, but I don't think it is. It's whimsical, imaginative, original, and beautiful to look at. Don't expect Bergman or Almodovar. Just enjoy an odd, sexy bit of story telling.
Wusstest du schon
- WissenswertesSteve McLean's first film in 24 years.
- VerbindungenReferences Spartacus (1960)
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Details
- Erscheinungsdatum
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- Auch bekannt als
- Открытки из Лондона
- Drehorte
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Box Office
- Bruttoertrag in den USA und Kanada
- 5.312 $
- Eröffnungswochenende in den USA und in Kanada
- 2.686 $
- 11. Nov. 2018
- Weltweiter Bruttoertrag
- 15.548 $
- Laufzeit
- 1 Std. 30 Min.(90 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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