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Annette

  • 2021
  • 12
  • 2 Std. 21 Min.
IMDb-BEWERTUNG
6,3/10
23.832
IHRE BEWERTUNG
Marion Cotillard and Adam Driver in Annette (2021)
Trailer Launch
trailer wiedergeben1:47
9 Videos
99+ Fotos
Romantisches EposDramaMusikalischRomanze

Ein Stand-up-Comedian und seine Frau, eine Opernsängerin, haben eine 2-jährige Tochter mit einer überraschenden Gabe.Ein Stand-up-Comedian und seine Frau, eine Opernsängerin, haben eine 2-jährige Tochter mit einer überraschenden Gabe.Ein Stand-up-Comedian und seine Frau, eine Opernsängerin, haben eine 2-jährige Tochter mit einer überraschenden Gabe.

  • Regie
    • Leos Carax
  • Drehbuch
    • Ron Mael
    • Russell Mael
  • Hauptbesetzung
    • Adam Driver
    • Marion Cotillard
    • Simon Helberg
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,3/10
    23.832
    IHRE BEWERTUNG
    • Regie
      • Leos Carax
    • Drehbuch
      • Ron Mael
      • Russell Mael
    • Hauptbesetzung
      • Adam Driver
      • Marion Cotillard
      • Simon Helberg
    • 291Benutzerrezensionen
    • 244Kritische Rezensionen
    • 67Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 18 Gewinne & 54 Nominierungen insgesamt

    Videos9

    Aug 20 on Prime Video
    Trailer 1:47
    Aug 20 on Prime Video
    Official Trailer
    Trailer 1:54
    Official Trailer
    Official Trailer
    Trailer 1:54
    Official Trailer
    Annette
    Trailer 1:47
    Annette
    Annette
    Trailer 1:54
    Annette
    Annette
    Trailer 1:46
    Annette
    Annette
    Clip 2:31
    Annette

    Fotos373

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    + 366
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    Topbesetzung99+

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    Adam Driver
    Adam Driver
    • Henry McHenry
    Marion Cotillard
    Marion Cotillard
    • Ann Defrasnoux
    Simon Helberg
    Simon Helberg
    • The Accompanist
    Devyn McDowell
    Devyn McDowell
    • Annette in Prison
    Angèle
    Angèle
    • Special Guest
    • (as Angèle Van Laeken)
    • …
    Natalia Lafourcade
    Natalia Lafourcade
    • Special Guest…
    Sinay Bavurhe
    • Chorus Girl
    Franziska Grohmann
    • Chorus Girl
    Rachel Mulowayi
    • Chorus Girl
    Christiane Tchouhan
    • Chorus Girl
    Iman Europe
    • Chorus Girl
    Lauren Evans
    • Chorus Girl
    Cindy Almouzni
    • Chorus Girl
    Danielle Withers
    • Chorus Girl
    Julia Bullock
    Julia Bullock
    • Six Women Member
    Claron McFadden
    • Six Women Member
    Natalie Mendoza
    Natalie Mendoza
    • Six Women Member
    Kiko Mizuhara
    Kiko Mizuhara
    • Six Women Member
    • Regie
      • Leos Carax
    • Drehbuch
      • Ron Mael
      • Russell Mael
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen291

    6,323.8K
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    Empfohlene Bewertungen

    luckyallstar

    My rating is 'Being John Malkovich' out of 10.

    I am confused on how I feel about this movie. At times I hated it. At others I was simply fascinated by it. And most interesting to see were the reactions. I've never seen so many people leave the cinema. And at the same time so many of those who did make it to the end be completely flabbergasted once the credits roll. The audience was confused and seemingly expected to see more. Like some Marvel after credits scene explaining or adding something.

    The things I hated: In short, at times the movie does seem like a pretentious pseudo-intellectual fart-sniffing contemporary theatre/performance art. The songs.

    The things I liked: many things are satirical. And most importantly, the twist at the end grounds the sillyness back to reality and puts it into a new perspective. But also, Adam Driver. The songs.

    What an interesting experience overall.
    5brankocerny

    Exhibitionist emotional manipulation

    This might be an unpopular opinion here as the film was selected to open Cannes, and so clearly the committee of experts saw a lot of artistic merit to it. To me, however, it felt like a student play that tries so so hard to be avant-garde that it forgets to be anything else.

    I went to a premiere in Prague and halfway in, people were leaving the theater in droves. That's not necessarily the sign of a bad film to me - not everything is for everyone. I still wanted to like it: I like stylized films. I enjoy the surreal. I'm here for the modern musical, genre-melding, society critique. But I had to fight the growing urge to leave myself.

    The positives first: you can see the budget at work, the set design and photography are fabulous. Even the 4th wall breaking beginning with the director himself kicking off the film was kind of cheekily confident and got me excited. The pacing is intense and there's a lot of energy. The leads are obviously fantastic actors.

    None of that saves the film, however. For being so tightly paced and filled with intensity and musical numbers - it's actually really boring. All the songs follow the same lazy pattern and so while you enjoy the first couple, eventually you find out it's really just people singing one sentence over and over to a rock/opera backdrop.

    Adam Driver's performance, especially on stage as a comedian, is powerful - but he kind of stays in just one gloomy tortured emo cry baby position and you don't get to see much of his redeeming qualities (like you did in, say, A Star is Born). Marion Cotillard's characters is essentially just a figure head for kindness and purity who doesn't get much real space to act.

    The film is long but the story basic and utterly predictable. There is a lot of emotional manipulation. You're shown a lot of "gasp" shots like Adam Driver performing oral sex on his pregnant wife, her wiping herself on the toilet, and the story overall develops into more and more troubling areas. This comes with a growing visceral gut punch: the general reception of the film where I saw it was people were feeling kind of anxious and sick to their stomach. That could be a good thing, some of the most powerful cinema is very visceral and art doesn't have to be pretty - if only there were some real substance to justify that. But if you just show the inevitable tragic decline of a family and tightly pack increasingly disquieting sights and atmosphere - but don't really show any real development to your characters or give the audience a proper chance to care about them because everything is delivered just as a singing chapter title - well what you get is 2.5hrs or visually stunning emotional manipulation that is hollow at its core.

    The whole thing left me feeling like an artist who is so preoccupied with being artsy that he forgot what's beautiful about art in the first place. If anyone finds its heart, please point me to it.
    7gnekhin

    Is it a movie or a bizzare modern opera?

    This film reminded me of a new wave of opera directors, who, it seems, only want to find an interesting way to make another performance and not to tell a new exciting Story. I assume that opera directors don't have to find new stories anymore, as the audience doesn't even want a new story, they are much more interested in an another original look at the existing one.

    With all this out of the way, I think, that "Annette" is not being understood correctly. The story (even if it's slow and dull) isn't the only thing that makes a movie. If you find yourself watching this film again, pay attention to the acting and editing of the movie. If not for editing I would have assumed that I'm watching a recording of a modern opera or a theater piece. That's why I can recommend this film only to the dauntless among you, namely to the opera fans, who want to see something modern without an additional classical orchestra, and also to the "Sparks" fans, who no matter what will be really happy to hear "Spark" songs in an expensive musical video with a transparent plot.

    I have 2 grades for this picture. If I was grading a movie I would have given it 6/10. If opera than 8/10. At average the picture gets 7/10.
    7paul-allaer

    Highly unusual yet profoundly traditional opera/musical drama

    As "Annette" (2021 release; 140 min.) opens, the brothers Ron and Russell Mael and the rest of their band Sparks are in the studio, bursting into "So May We Start". Ron and Russell soon leave the studio, and walk outside onto the street, soon joined by Adam Drive, Marion Cotillard, and others from the cast. Adam and Marion soon change into their characters, resp. Henry, a stand-up comedian, and Ann, an opera soprano. Henry and Ann are in the middle of a whirlwind romance... At this point we are 10 min. Into the movie but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

    Couple of comments: this is the latest film from French director Leos Carax ("Les Amants du Pont-Neuf"). Here he takes and builds on an original story from Ron and Russell Mael, who also wrote all of the music and lyrics. The Mael brothers are of course the brains behind the long-running L. A. rock band Sparks, whose commercial heydays were in the 1970s with albums like Kimono My House, and Propaganda. They thought up this by today's standards highly unusual film, which brings an opera/musical drama to life. As in a real opera, the plot advances slowly but steadily, and runs quite long. In that sense, this is a very traditional opera/musical drama. The title character Annette refers to the daughter born to Henry and Ann, and all I will say is that it isn't your usual baby... Just watch! Let me address the many outright negative reviews on here: what in the world were you expecting? This isn't your run-of-the-mill superheroes movie (the many, many, many Marvel films come to mind) or popcorn action movie (the Fast & Furious franchise comes to mind). "Annette" is a one-of-a-kind, completely original film, the likes of which are frankly rarely made anymore these days, and for that we should be very, very thankful. Is the film without flaws? Of course not (for example, Henry's second standup-up segment, set in Vegas, runs far too long and doesn't advance the plot). If you saw the excellent "Sparks Brothers" documentary earlier this year, you already knew that a sizeable part of "Annette" was shot in Belgium (Brussels and Bruges, in particular). Being originally from Belgium myself, I had a fun time trying to match up which scenes had been filmed there. Last but not least, the production budget for this film was an incredible $15 million, a mere pittance by Hollywood standards.

    "Annette" premiered at this year's Cannes film festival to positive buzz. It opened in select theaters for a 2 week theater run, and this weekend it premiered on Amazon Prime, where I caught it. Frankly, I felt that the movie got better as it went along and the drama unfolds before our very eyes. If you are in the mood for an opera/musical drama or simply are a fan of Sparks, I'd readily suggest you check this out, be it on Amazon Prime, Amazon Instant Video or eventually on DVD/Blu-ray, and draw your own conclusion.
    JohnDeSando

    Wildly creative musical on love and fame from the wildly eccentric Sparks Brothers.

    The art pop band Sparks (Ron and Russel Mael), recently featured in Edgar Wright's documentary, The Sparks Brothers, has crafted a bizarre, surreal, and all-too-real film that explores the consequences of fame, child exploitation, male stupidity, and marriage. It's a smart rarity, where the characters mostly communicate in song and nothing is safe, not even love.

    Henry (Adam Driver), a successful comedian, loves opera singer, Ann (Marion Cotillard, but fame for both is a deal breaker. You've heard it all before (A Star is Born anyone?), and to some extent the disintegration of their marriage is close to a cliché, but their singing and the lack of haranguing or bitter tirades almost has you thinking they can make it. To those adoring fans on the outside, their union is perfect.

    With the entrance of their baby girl, Annette, and Ann's exit, Henry is left to his own devices relying on others to care for her but becoming obsessive about Annette's gifted voice. It doesn't take him long to exploit her talent around the world and for the fates to catch up with him.

    Driver is particularly effective as a towering talent (his comedy act is unusually odd and bright), brooding and elusive. Although Cotillard could always carry a picture (La Vie En Rose), this one belongs to Driver, whose character is as charged as his performance.

    Special credit must be given to the Sparks bros, who wrote the story and the music, evocative of Brian De Palma's Phantom of Paradise and any Sondheim, and to French director Leos Carax, whose off-center vision helps Annette be a wildly different take on the ravages of fame and the hubris of men.

    Slow and eccentric for some, just quirky and insightful for others, this romance is artistically enough for anyone wanting a worthy drama that happens to be a musical.

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    Handlung

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    • Wissenswertes
      While the stars of the film perform most of their own live singing, Marion Cotillard's operatic vocals are dubbed by Catherine Trottmann.
    • Zitate

      [first lines]

      The Narrator: Ladies and gentlemen, we now ask for your complete attention. If you want to sing, laugh, clap, cry, yawn, boo or fart, please, do it in your head, only in your head. You are now kindly requested to keep silent and to hold your breath until the very end of the show. Breathing will not be tolerated during the show. So, please take a deep, last breath right now. Thank you.

    • Crazy Credits
      There is an additional scene that plays over the end credits.
    • Verbindungen
      Featured in MsMojo: Top 10 Best Musical Movies of 2021 (2021)
    • Soundtracks
      So May We Start
      Written by Ron Mael, Russell Mael and Leos Carax

      Performed by Sparks, Adam Driver, Marion Cotillard and Simon Helberg

    Top-Auswahl

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    FAQ

    • How long is Annette?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 16. Dezember 2021 (Deutschland)
    • Herkunftsländer
      • Frankreich
      • Deutschland
      • Belgien
      • Japan
      • Mexiko
      • Schweiz
      • Vereinigte Staaten
    • Offizielle Standorte
      • Aerofilms (Czech Republic)
      • CG Cinéma (France)
    • Sprachen
      • Englisch
      • Französisch
    • Auch bekannt als
      • Món Quà Bất Ngờ
    • Drehorte
      • Münster, Nordrhein-Westfalen, Deutschland(LVM Headquarters at Kolde-Ring 21, as LAPD exteriors)
    • Produktionsfirmen
      • CG Cinéma
      • Tribus P Film
      • Théo Films
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    Box Office

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    • Budget
      • 16.562.200 € (geschätzt)
    • Weltweiter Bruttoertrag
      • 3.688.261 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      2 Stunden 21 Minuten
    • Farbe
      • Color
    • Seitenverhältnis
      • 1.85 : 1

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