Trapped

Each generation of movie-buffs has a favourite actor who becomes a part of their lives. Sense of relativity strikes perpetually and you start sharing their moments of emotions like successes and failures. To me this actor is Rajkumar rao . #Trapped left me with a sense of pride to have seen him grow as an actor since LSD. #Shahid #Newton are the nuggets to cherish for decades to come, I am sure #Omerta would be a delightful watch too . India has found its very own Daniel Day-Lewis with simmering layers of excellence, standing on the cusp of becoming a legend. Its exhilarating to see him climbing the ladder of success in today's shallow showbiz, where the number of social media followers decide the popularity of the celebrity. #Bravo

Watch it right now or you will be missing one of most heart touching experiences bollywood has to offer.

we all Can do things we otherwise Wont even think of, only if we are tested under right circumstances. initially after trying everything that every human in his situation would do and even much more, he gives up hope but only after beautiful sign from his GOD he realize that his life is worth living and he cannot waste it , and that was the ONLY motivation he had throughout the story that was dividing the often bleak line between his life and death. And now as i have seen it i don't think anyone could have embodied Shaurya better than Rajkummar who did an amazing job of playing a guy who met his real self in the face of his 'worst nightmare' .

STORY : 10/10 SCREENPLAY AND DIRECTION : 10/10 PERFORMANCE : 10/10 PRODUCTION: movie did a great job of sticking the story to the point and cutting all the unnecessary cost of production. music was commendable.

other than that personally i felt movie also had a tone of modern hi-rise culture under which people have lost the real connection and empathy for others and also as we do not realize how alone and 'TRAPPED' we are until things turn for worse.

If there is one thing that still makes intelligent people go to the movies, it is the little bit of realism that today's independent movies adopt. While Neeraj Ghaywan's Masaan (2015) is one such film that comes to my mind right now, this emotional thriller here is going to be on my mind when I review a next similar-kinda film.

Shaurya (Rajkummar Rao) is a young working-class man who has finally found his purpose through his lady-love Noorie (Geetanjali Thapa), a coworker who is about to get married to someone else. He succeeds in cajoling her to marry and move in with him, but she only has one condition: get an apartment (rented will do) for himself and then they can start complementing each other. Shaurya agrees, pulls up his socks, and gets on with room hunting, only to be the victim of one hasty, badly-made decision.

Starting from the first scene, Rao keeps you hooked with his nuanced performance, as writers Amit Joshi and Hardik Mehta slowly introduce him as this desolate youngster trying to woo one of his coworkers. The tiny amount of playful romance the film uses to kick-start what quickly becomes an ordeal for the relatable protagonist is what essentially works for the film. With shades of subtle humor and realism in every few scenes as the story slowly inches forward, the film tries to address a handful of issues. The primary one being isolation (from the outside life) and its acknowledgment. It is the central theme of the film, which it then goes to explore and come to the point that fear breeds isolation, which can only be overcome by courage.

Other causes it faintly touches are real estate issues, religion, vegetarianism, and self-reliance. While it may be easy to eschew these delicate samples in the film, what you cannot ignore is the sheer simplicity of the plot-line. The film is inherently about Shaurya and his experience as a guy who gets locked up in a flat in a high-rise without food, water, or electricity, which robs him of more than just few days' life. But, what the film tries to say between the lines is something extremely relevant in this time of a connected world where people are moving away from each other.

Motwane's actors are brilliant in their collective act, and are real pleasure to watch. Rao is phenomenal as the taciturn, unlucky guy whereas National Award-winning Thapa mesmerizes me in this short role that she does with finesse and loveliness. Rao has always done roles that demand a great effort, and in here, his efforts have paid off. Of course, many people could have done this, but I cannot think of anyone else who would have done such a great job. The supporting cast are well directed, and support the film in its quest to convey a message or two without inducing ennui. Of course, there are long sequences where the central character just stares into the moonlit sky, but branding them as boring is like disrespecting the art of realistic cinema. Realism, surprisingly, comes with its fair share of bitterness, and Trapped balances it perfectly.

It's an emotional thriller that should be lauded for its experimental nature, minimalistic storytelling, and brilliant overall filmmaking. It wouldn't have been what it is without the arresting music by Alokananda Dasgupta, crisp editing, and fine photography. The sequences and score are going to play with your mood and your emotions as you try to pointlessly help Shaurya get out of the flat. Furthermore, it is obvious that this is a thinking man's film and not a typical Bollywood thriller.

BOTTOM LINE: Vikramditya Motwane's "Trapped" is a brilliant fun- filled thriller made with so much less yet heavy substance that it drives home a point or two and tugs at your heartstrings once or twice all in a 100 minutes. Go watch it at your nearest theater.

Can be watched with a typical Indian family? NO

#Trapped is Indian bollywood path breaking film that holds us from the start to the end. We saw Cast Away,127 hours, Life Of Pi and The Revenant Movie.We were thinking that when our bollywood filmmakers make this kind of survival film? This one is for those people.The best part of this movie is sharp screenplay by Amit Joshi and Hardik Mehta.They covered all little little detail of human nature and psychopaths.Rajkumar Rao takes us alive through all his acts.The background score and elements they have used are just amazing and eye catching.Throwing cardboards,Write by blood,The Chat with rat,eating pigeon and the abstract scenes that affects rajkumar's character are captivating.The one liner message is truly conveyed."Freedom lies beyond fear".Hats off to Vikramaditya Motwane for directing something that was not presented in our cinema and for not giving disturbance interval in the movie.Must watch for alive feeling....