IMDb-BEWERTUNG
7,4/10
17.409
IHRE BEWERTUNG
120 BPM. Das ist die durchschnittliche Herzfrequenz. Die Protagonisten von "120 BPM" widmen sich leidenschaftlich ihrem Kampf gegen die Gleichgültigkeit gegenüber AIDS.120 BPM. Das ist die durchschnittliche Herzfrequenz. Die Protagonisten von "120 BPM" widmen sich leidenschaftlich ihrem Kampf gegen die Gleichgültigkeit gegenüber AIDS.120 BPM. Das ist die durchschnittliche Herzfrequenz. Die Protagonisten von "120 BPM" widmen sich leidenschaftlich ihrem Kampf gegen die Gleichgültigkeit gegenüber AIDS.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 50 Gewinne & 62 Nominierungen insgesamt
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This movie is not perfect, but its flaws are outshone by its facets. The most sparkling among those is Arnaud Valois, who is smoking hot as Nathan, one of the ACT UP campaigners who this film follows. Good acting, a warm heart and a realism that is hard to find in big idea movies are also highlights of this film. Yes, an awful lot of it takes place in meetings in a lecture theatre, but these scenes actually had my heart racing, so true were they to the reality of activist politics - trying to decide if you should speak up or let a point pass, understanding both sides of an argument but knowing that the purpose of a meeting is to make a choice, hating someone's ideology but trying to maintain a working relationship with them. In this way, the movie finds its relevance to today. If politics is to be taken back from careerists and corporations to instead deal with real problems such as climate change and growing income and wealth inequality, it will require everyday people to take their cue from 120 Battements Par Minute and turn up to meetings, argue points of order and collectively decide how to act.
The two main shortcomings of the film are its earnestness and its length. Even just cutting fifteen minutes from it could have made the film easier to take, and there is probably half an hour that could have gone. In some ways it's stuck trying to tell a Hollywood story at a European pace, and as a consequence it does drag at times.
I was prepared for the earnestness, as I had seen the previews, but there are still a few times when it felt more like instruction than entertainment. However, there are also moments of levity and it's worth giving up an extra half hour of your time to see a film that is as profound, important and relevant as this one.
The two main shortcomings of the film are its earnestness and its length. Even just cutting fifteen minutes from it could have made the film easier to take, and there is probably half an hour that could have gone. In some ways it's stuck trying to tell a Hollywood story at a European pace, and as a consequence it does drag at times.
I was prepared for the earnestness, as I had seen the previews, but there are still a few times when it felt more like instruction than entertainment. However, there are also moments of levity and it's worth giving up an extra half hour of your time to see a film that is as profound, important and relevant as this one.
Tragic account of the early 90s AIDS epidemic, and the actions of a group of activists in Paris. It's a very dialogue heavy film but also intertwines a tender love story. Nahuel Pérez Biscayart is absolutely astounding as 'Sean'. And the acting is so hugely impressive across the board, it almost feels like the viewer is attending the activists weekly meetings at times. A powerful film.
Dear movie freaks, yesterday I went to film festival and I choose to watch this movie because of a reason: I already brainwash by Hollywood, so I want to watch other movie. This one is coming from France. As far as I know about French movies, they are sarcastic, well-presented, full of sex scenes, and shows the reality or humanity of marginalized people, and sometimes have clear ending. This movie 120 BPM has contributed to value up French movies this year and I do not so surprised if this movie was appreciated in Festival de Cannes. 120 BPM is a movie about the movement to prevent AIDS in the early 1980s in France, where at that time condoms were uncommon, despite of free-sex society. The scenes, cinematography, and main story about this movie is quite simple, but sharp in giving meaning, so that in each take, they have grammar of the scene and I could imagine they had shooting in many angles, as this movie could represent AIDS prevention in every angle of the story. Just like other French movies, this movie has sex scenes and hard language, so that if there are teenagers with you, I suggest you to explain more. The Director here also gives some real footages of the movement, so audience could have mental image of what was going on at that time, especially from the sad scenes, audience will remember the whole story as the critic for French government at that time (the President was Francois Mitterand, from French Socialist Party). Quite different from Brave Heart, this movie also wanted to say the AIDS prevention movement is for everyone, not for leftist people and I think this clear idea that had been founded the acting of all actors of this movie, deserve a high acclaim from many film festivals, including film festivals in Indonesia, my hometown. Thank you for 100% Manusia, an Indonesian NGO, who deliver this movie to our eyes.
This film remains timely despite it's historical perspective of French Protesting to advance HIV research and viable medical treatment. Funding is always precarious as politics, stereotypes and access to prevention remains limited almost 40 years later. Definitely a film to see.
(120) Beats per minute is a great french movie which deals with the AIDS epidemic, set in France in 90s. A must-see film. I think probably one of the best movie of the year. Awards : "Grand prix" and Queer palm of Cannes film festival 2017. So, talk about it with your (girs/boy)friend(s),parents and even pets. Enjoy this movie ; )
Wusstest du schon
- WissenswertesRobin Campillo and co-screenwriter Philippe Mangeot drew on their personal experiences with ACT UP in developing the story. One scene was also based on Campillo's experience with the AIDS epidemic, as he said "I've dressed up a boyfriend on his death".
- PatzerAfter the incursion in the lab, in the background of the group gathered in the subway, a Score Games ad is visible. The first Score Games shop opened in 1992 in Paris, although the action is supposed to be set in 1989.
- VerbindungenFeatured in Nach einer wahren Geschichte: Act Up, la rage de vivre (2022)
- SoundtracksSmalltown Boy
Performed by Bronski Beat
Lyrics and Music by Steve Bronski, Larry Steinbachek and Jimmy Somerville (as James Somerville)
(c) Bronski Music Ltd.
(p) 1984 Warner Records 90 Ltd
Editions BMG Rights Management (UK) Ltd.
With permission from Warner Music France, a Warner Music France Company, from Warner Chappell Music France and from BMG Rights Management France
Remixed by Arnaud Rebotini
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- 120 Schläge pro Minute
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 5.383.899 € (geschätzt)
- Bruttoertrag in den USA und Kanada
- 125.189 $
- Eröffnungswochenende in den USA und in Kanada
- 8.566 $
- 22. Okt. 2017
- Weltweiter Bruttoertrag
- 7.702.934 $
- Laufzeit
- 2 Std. 23 Min.(143 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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