Madeline's Madeline

I disagree with the 1 Star review who says this movie has no reason to exist. Everyone is different right? I'd say mental illness is one of the more worthy themes to explore in a film. It's really well edited and shot. It's got some laughs. It's a bit erratic and dark and anxious, like the main character. The music and sound design is great. I'd say the 3 principal characters (Madeleine, her mum, the director) all give performances worthy of an Oscar nom. Yep, it's got an experimental vibe, it's kinda weird, but it's not eraserhead weird. Enjoy.

I watched the whole film, but I have absolutely no idea what it was about. It is intolerable, indecipherable and incoherent. There's no plot. Avoid at all cost.

I had no idea what to expect from this, but it turned out to be such a visceral, well-done atmospheric and experimental film.

We were able to get this movie on DVD from our public library. My wife chose to skip it, not her kind of movie.

Watching it I didn't expect to "enjoy" it. In fact there is nothing enjoyable about it. However there is something compelling about it, maybe in the same way that we can be fascinated watching a train wreck. I couldn't stop watching it.

Don't take my comment wrong, I believe the filmmaker made exactly the movie she wanted to make. But she is of the experimental camp, a quote from her is "The beautiful thing about making art is the enormous possibility of failure." In other words make a movie you want and don't worry whether anyone will actually like it. Woody Allen is also that way but to me Allen makes much better movies.

Nothing seemed authentic to me and maybe that is the point. While I can give it reasonably high marks for the quality of what was produced, the movie, I cannot consider it a good movie. I watch movies mainly for a good story and and characters that I like. This one doesn't have either. It is more like watching a train wreck and marveling at the debris.

//Revelation Film Festival Review//

Arthouse films are often labelled with different adjectives that can split audiences. What some might label as pretentious, others might consider as a masterpiece. Madeleine's Madeleine oscillates between both sentiments but through its sheer force of its own conviction proves to be a startling achievement.

The story follows Madeleine (an excellent debut from Helena Howard), a young performer recovering from a recent mental breakdown. As her personal life starts taking on a central role in a play she is rehearsing, Madeleine's grip on reality becomes increasingly tenuous. The lingering question is: is it art imitating reality or the other way around? Madeleine's Madeleine is an unconventional take on mental illness, but what part of mental illness is conventional?