Eine Frau kehrt zu ihrer orthodoxen jüdischen Gemeinde zurück, der sie wegen ihrer Anziehungskraft auf eine Jugendfreundin aus dem Weg gegangen ist. Bald nach ihrer Rückkehr werden ihre Leid... Alles lesenEine Frau kehrt zu ihrer orthodoxen jüdischen Gemeinde zurück, der sie wegen ihrer Anziehungskraft auf eine Jugendfreundin aus dem Weg gegangen ist. Bald nach ihrer Rückkehr werden ihre Leidenschaften neu entfacht, während sie die Grenzen des Glaubens und der Sexualität erkunden.Eine Frau kehrt zu ihrer orthodoxen jüdischen Gemeinde zurück, der sie wegen ihrer Anziehungskraft auf eine Jugendfreundin aus dem Weg gegangen ist. Bald nach ihrer Rückkehr werden ihre Leidenschaften neu entfacht, während sie die Grenzen des Glaubens und der Sexualität erkunden.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 5 Gewinne & 36 Nominierungen insgesamt
Empfohlene Bewertungen
Rachel Weisz and Rachel McAdams do a great job playing the two childhood friends (Ronit and Esti) who meet again years later, only to discover that their feelings for each other haven't changed. Alessandro Nivola plays the young rabbi husband (Dovid) of Rachel McAdams character (Esti), and portrays him beautifully.
I encourage you to see it. I doubt that you'll regret it.
The film is about a woman who returns to a very strict Orthodox Jewish community when her father dies. While there she sees her former lover who is now married. The problem is the fact that people in the Jewish community do not know about the relationship that has occured and also because a lesbian affair is frowned upon in the community. Both women also must deal with harboring the feelings that they have for each other, while attempting to maintain their standing in the Jewish community.
The first thing that's instantly noticeable about the film is its depth into an Orthodox Jewish world. The films backdrop is its strict nature and how a lesbian romance must be hidden from the community. Rachel Weisz and Rachel McAdams are great in this as expected, and have great chemistry. Their intimate scenes (which are very very intimate) are believable and are a strong point in selling the romance. I always knew McAdams was a talent since she had a good showing on season 2 of True Detective.
The film reminded me of A Fantastic Woman in a way because in that film there is a struggle to accept a transgender person, although the implications in that film are more hostile. I also couldn't help but compare this film to Carol (which is one of the very best films of the decade). Its nowhere near the levels of Carol but does a decent job for what the film is. There are lapses where the film seems slow and it suffers from its best moments being purely when Weisz and McAdams share the screen. Its still a worthy watch, just don't expect anything spectacular.
6/10
The complexity of the two leading lady roles must have drawn an abundance of female actresses and the two Rachels are close to perfect.
The Q&A was particularly revealing.
The young and very witty director shone at the Q&A.
This was his first English language film from this Spanish speaking Chilean director and for him to put together a smooth running evenly paced film with such complexity is very illustrative of his talent and abilities.
As to which female role is the supporting role I am not sure. They are both very good roles.
The editing left much to be desired-scenes are awkwardly edited where you can see it's a different take of the same scene. Many of the edits simply appeared ham-handed and amateur.
Continuity also seems an issue; the progress of the story is chunked out, like skipping around chapters in a book. The screenplay lacks the dialog which would convey the depth of the story and it's characters.
The actors are quite good but not able to fill all the missing bits of good filmmaking. The score was musically fine but seems to have been written for a different movie. The pacing too, is slow and awkward like much of this film.
The Rachels handled what little they had to work with well. The sex scene was interesting and respectfully shot but again, the editing sucked all the life out of this love story.
Though I think this film was a missed opportunity, the potential for a well-written and directed sequel could fix what didn't work in this outing.
I really wanted to like it but kinda didn't.
Wusstest du schon
- WissenswertesThroughout the movie Esti Kuperman (Rachel McAdams) is shown wearing a wig. This wig is called a sheitel and is worn by some Orthodox Jewish married women in order to conform with the requirement of Jewish law to cover their hair.
- PatzerIn the scene where there are prayers in the house of mourning ("Shiva") the men and women are seen as intermingling. However, in a very orthodox Shiva service there would be complete separation of the genders - indeed, in a small house, such as the one depicted, they would be in separate rooms.
- Zitate
Ronit Krushka: Esti, do you think I should go back early?
Esti Kuperman: No... no. No, I don't think you should leave at all.
- VerbindungenFeatured in WatchMojo: Top 10 Amazing Movies You Missed This Spring (2018)
- SoundtracksThe Last Beat
Written by Matthew Herbert
Performed by Matthew Herbert (as Herbert)
Published by Soundslike Music
All rights administered by Bucks Music Group Limited
Courtesy of Accidental Records
(c) 2001 Accidental
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
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- Auch bekannt als
- Desobediencia
- Drehorte
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Box Office
- Budget
- 6.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 3.498.782 $
- Eröffnungswochenende in den USA und in Kanada
- 237.393 $
- 29. Apr. 2018
- Weltweiter Bruttoertrag
- 8.003.180 $
- Laufzeit1 Stunde 54 Minuten
- Farbe
- Seitenverhältnis
- 2.35 : 1