Jackals

Imagine your child has decided to identify with a cult. Not just any hippy, love is the answer, group of petal pushers. This one is calculated, large in numbers, and not prone to losing members.

The history of Jackals screenplay was written early in the torture porn industry created by Saw, Hostel, and Wolf Creek. Years later, the script was finally realized, ironically, by Saw editor and director Kevin Greutart. Let the games begin.

First of all, the Halloween influenced opening is solid and grabs you from the get go. Silent, yet violent and revealing. Soon after, an off-road kidnapping takes place; all the while mirroring a small family unit taking solace in a cabin.

Colliding head on, the plot takes shape. The kidnapping is that of said families estranged son/boyfriend/brother in an attempt to deprogram him from the cult he fell in to. Credit to Stephen Dorff as the military deprogrammer, getting lean and mean while still staying sympathetic to the family.

Soon, as expected, the cult come knocking at the door; wanting a sheep from their flock back home. Enter the home invasion aspect of the film. Outside, the cult wants their member back. Inside, the family refuses to give up their own.

Had this film been made when it was meant to be, it would have been released theatrically along side Saw IV and Hostel 2. Jackals does feel a bit dated, however, there is a lot of heart injected into each of the characters. Good and bad. So much so, that a sequel wouldn't be out of line. It's rare to find a DTV film that asks you: How far will you go to save a member of your family; even if it costs you the remainder of the rest of them.

It's difficult to make movies this terrible. This is one where you wonder how on earth this was made and does someone have pictures of Steven Dorff doing something very embarrassing? In short, the audience isn't told much about what is really going on because that would ruin any sense of understanding what is going on and why. There is a cult that wears masks when they want to feel scary and they are using knives to slice up people in an awkward "we're in a movie" sort of way. After an opening of senseless violence, you are taken to the cabin in the woods where you learn that a father has grabbed his son and his friend who apparently are now a part of a cult. Dorff plays the deprogrammer.

The acting is terrible. Dorff can't save the film and it's clear that they couldn't pay for him to be on screen very long. But not only is the acting terrible but the dialogue is laughably stilted and awkward. The longer it goes on the more you wonder why on earth you're watching because every character acts about as dumb as you'd expect in a bad B-horror movie.

And as was asked by the forgettable girl, why didn't this gang just break the windows and bull rush the cabin and kill all of them. Wouldn't be too difficult. But if they did, you would have all this scary imagery going on to prolong the movie for an interminable hour to create something that resembles The Void. "We must have all our cult people stand motionless in the dark with masks on to create a semblance of something scary that could only be explained by a movie director choreographing this charade." Even the scared family is trying to figure out what on earth the father is trying to do since even stupid people wouldn't act the way he is.

I actually haven't provided any spoilers. I'll just say that the movie deliberately doesn't provide you what you should know because it needs something to get you to watch until the end. Why? Who cares? This is not just bad. It's spectacularly bad.

I'm really sorry about Jackals but man what a letdown it turned out to be. I was hoping for something more like You're Next or The Void, but far from it. Typical The Strangers kind of movie, when you hope to see something good, some action, some natural decisions, instead, bore fest.

Can't believe it ended just like that, a conclusion that made the run time of the movie completely useless, with nothing to show whatsoever. Really little to offer and even less to make you feel about it, you get no sympathy for the characters, no desire to see what happens next, who's next, you're just in for the ride cause you pressed Play.

All in all, Jackals is definitely a No. Pass!

Cheers!

A family employ a former Marine to kidnap and help reverse the brainwashing that their one son has under gone when he joined a dark and dangerous evil cult. The members want him back and lay siege to the family's isolated house. Jackals has a very basic plot but that does not matter, this movie is an exercise in terror and suspense, of violence and darkness. It is well acted and shot, the location gives a real feel of isolation and helplessness. The cult members, all dressed in leather and wearing creepy animal style masks, look terrifying. The movie is set several decades before it was made, I don't know why - perhaps it was to eliminate the ability of any body trapped inside the family home to use their cell 'phone and call for help? (needless to say the landline had been cut off). Overall a pretty decent 85 minutes, better than The Strangers.

A cult demands the return of their member after his family kidnaps him. My only problem is that about halfway through the family should have cut their losses. The returns diminish ridiculously after that. However, it is a given that people act stupidly in a horror movie. If you can't get behind that most fundamental of horror movie tropes then don't bother. And voila, we have the scenario where I can dig the hell out of this movie even with that big of a beef. I love the evil that flourishes throughout the cult, down to the kidnapped son. I love the high tension all the way through. I do hate the women, especially the young mother but I think the writer has a bias there.