Tremors 6 - Ein kalter Tag in der Hölle

If nothing else, Tremors: A Cold Day in Hell is a vast improvement over Tremors 5 in every single way. Unlike the previous entry, this sequel feels more tonally similar to the first four Tremors films. The humor is more tongue-in-cheek (and yes, way more juvenile), the special effects are improved, and the whole affair is about as entertaining as one could reasonably expect from a direct-to-DVD sequel that's the sixth in a series.

Michael Gross continues to appear to be having a great time playing Burt Gummer, who is just as over-the-top and nutty as ever. Most actors simply would be phoning it in at this point, but Gross makes the best of the so-so script and meager budget to elevate the material to something actually worth watching. Jamie Kennedy, returning as Gummer's son, is thankfully given way better dialogue than he had in Tremors 5, and delivers one of the most enjoyable performances of his career. The supporting cast is fine, although leaves much of a lasting impression. The real stars of the movie, of course, are the graboids. They still look don't quite as cool as they did in the original Tremors, though given that the first one was a theatrical release while the sequels have all been direct-to-DVD, that's hardly a big surprise. While the monsters would benefit from having more money put behind them, they at least aren't Syfy original movie quality. Like Tremors 5, Tremors: A Cold Day in Hell is gorier than the other sequels, and there's a fair amount of blood to go along with the monster attacks. It would be great to one day get an R-rated Tremors film, but this one works well enough as a PG-13. If I had to guess, a Tremors 7 isn't more than a few years away. As long as Gross comes back and the filmmakers can come up with a fresh take, I'll gladly check it out. 6/10

It's incredible what Tremors has accomplished over the years, 6 movies, a television series and almost a second. Who'd have thought that we'd still be seeing them released in 2018 and it hasn't even been rebooted!

Burt Gummer returns again to tackle a Graboid infestation and for the second movie in a row his son is along for the ride. This time however instead of desert these giant worms have taken residence in snow.

Great gimmick right? Shaking things up, trouble is it's not. We have one scene involving snow and the rest is...............desert basically. That's right they've squandered the entire gimmick and because of that we just have yet another Tremors film.

Now I really enjoyed Tremors 5 and would consider it second only to the original movie, that's why it saddens me to say that perhaps this should be it. The last movie felt fresh, this felt more than stale and brought absolutely nothing new to the table at all. Each previous movie had an identity, brought new creatures, new interesting characters, new gimmicks. Here, there's nothing despite the broken promise of the snow setting.

With Michael Gross being the only recurring star to have been in every movie I have to tip my hat to him for being excellent as always. Jamie Kennedy, less so but I'm slightly bias on that front.

A Cold Day in Hell isn't bad, it's just reminder that some things really should come to an end.

The Good:

Michael Gross

Script has its moments

The Bad:

Jamie Kennedy

When will they learn? Practical effects > CGI

Very paint by numbers stuff

Don't get me wrong, I liked some of the earlier sequels, despite their rapidly increasing inferiority, but Tremors has officially reached a new low with this entry. Tremors 5 was already really pushing it with the addition of Jamie Kennedy. You should know your series is in trouble if you think that adding an aged, barely trying Jamie Kennedy to the mix is your idea of bringing new life to a property.

Kennedy is even worse this time around. Did they let him write his own dialogue this time or something? Everything he says is either just some completely unimportant observation, some horribly flat joke, or part of the painfully bad fan-fiction-y romance subplot with a woman that's clearly several leagues away from his own. Pretty much every word out of his mouth is senseless and irrelevant or extremely cringey (or both).

Most of the rest of the cast isn't much better. Terrible dialogue almost all around and most of them are written to be so dumb that you're surprised they were even able to tie their own shoes. When Michael Gross is heavily out-acting everyone else in a movie, you should know that something is seriously wrong.

All the effects are CG now, and it's actually not terrible CG, but neither does it do anything at all impressive. Despite the environment change this is still just more of the exact same thing we've already seen many times before, just with even less effort going into it.

Really, let's be honest here. Most of the sequels have just shamelessly recycled the exact same formula from the first one and we all know it. It was funny the first few times, but enough is enough. Look, I love a good "so bad it's good" horror as much as the next guy, but there's nothing to like here. It's not funny in either the intentional or unintentional senses, there's not one bit of memorable action or gore, so what's the point?

I see that there are some die-hard Tremors fans that are willing to swallow another spoonful of the same old stew that's been sitting out in the sun all these years because they're so nostalgically attached to this property for whatever reasons, but to anyone else this is just a plain old bad movie, the kind that no one's even going to remember existed in a year.

Tremors is dead. Let it rest in piece already.

Chances are, if you're watching "Tremors: A Cold Day in Hell", you're either a die-hard fan of the long-running cult franchise, or you just stumbled across it on Netflix and put it on in a whim. Either way, you could definitely do a lot worse. As far as sixth-films in low-budget schlock series go... "A Cold Day in Hell" is pretty serviceable. Sure, it never quite recaptures the wonderful mixture of thrills and laughs that the original had in spades. Heck, it's not even one of the better entries in the series. But it is a fun one for sure. And as a fan of "Tremors" for well over twenty years, I enjoyed every silly moment of it.

Burt Gummer (Michael Gross) and his loud-mouthed son Travis (Jamie Kennedy) are in for a new adventure when graboids appear in the Canadian arctic. Together with a host of new characters, including a beautiful graboid-enthusiast (Jamie-Lynn Money) with a surprising tie to Burt's past, they set out to destroy this deadly threat. However, things take a dark turn when ole' Burt realizes he's been infected with a deadly graboid-based parasite, and will need to capture one alive in order to find a cure!

Part of the thing I've always loved about "Tremors" is the fact it's one of the few horror (well, horror-comedy) series that really and honestly cares about continuity. These films are peppered with references and callbacks, and "A Cold Day in Hell" is perhaps the most bombastic of the bunch in this respect. A large portion of the plot hinges on events that occurred several movies back, and it gives the movie a sort-of fun appeal that rewards longtime franchise fans. "Tremors" is almost episodic in that sense, and I really dig the direction they're taking the series in.

The central cast is also pretty darned good. As always, Michael Gross is the stand-out among them, and Burt is as likable (and wonderfully unlikable) as ever. You really get the sense that Gross absolutely loves the series to death, and he never phones it in. I also really liked Jamie Kennedy this time around. Scandalous, I know! Kennedy has gotten his share of flack in the past due to his poor choices in film roles, but I think "Tremors" is a good fit for him. I particularly thought he did quite well when given some honest emotional beats to work with later in the film. Jamie-Lynn Money is also incredible adorable and quite a good fit for the series, as a sort-of awe-struck oddball that's pulled into the journey. Unfortunately, the rest of the cast is otherwise generally forgettable though, and tend to sort-of disappear into the background.

Direction is handled by Don Michael Paul, whom also helmed the supremely underrated fifth entry in the series. While I could do with a little less shaky-cam, Paul does quite well for the most part with the script by series veteran John Whelpley. I've really admired how he's able to work with what is clearly a microscopic budget, and gives the movies a sense of scope that a lesser filmmaker would certainly lack. This looks and feels like a $30 million dollar film... when its actual budget is probably only about one-tenth that.

Unfortunately, all this praise does come with one pretty severe trade-off. And that's the fact that... this movie is pretty darned silly. Even by "Tremors" standards. There's a definite over-reliance on goofy gags and dopey character beats that start to feel a little contrived after a while. Especially in the first half, which is pretty much just a bunch of jokes and one-liners strung together by a loose storyline. The structure is also quite scattershot in the first act, and the film moves a bit unevenly. I have the sneaking suspicion that there wasn't a finished script when filming began, and it was written on the fly. And yeah... a few too many jokes fall flat on their face.

Thankfully, the sheer fun-factor at play does help you get through these issues, and by the midway point, the film course-corrects into sheer "Tremors" bliss. You just gotta get through about a half hour of nonsense before you start getting to the good stuff.

On the whole, this "Tremors" fan was generally pretty pleased by "A Cold Day in Hell." Yeah, you gotta contend with a somewhat lame opening act and some unfunny gags before it starts to get good. But once it gets going, you'll definitely forgive it for its faults. Strictly as a longtime series fan, I'm giving it a pretty good 7 out of 10. It won't win over any newcomers, but it'll get the job done for people who have followed this delightful series from the beginning.

There are sequels where it doesn't mean anything if you have or have not seen the previous entry (or entries for that matter). The Tremors franchise really is different in that sense. It also does evolve. Though some may miss the good old days of practical effects (versus the CGI we get).

We get recurring characters though and some may feel a bit too comfortable in their sense of humor for my taste. Especially the one you may know from the Scream franchise. Don't get me wrong, I loved his schtick in that other franchise, it just seems a bit redundant here. Our main hero (unlikely hero to be frank, especially considering the journey he took from the very early days of Tremors) remains as stoic and "fun" (I would consider him funny but others may not) as ever.

So while the movie overall is flawed, anyone liking the Tremors movies and has kept watching them, will not be too disappointed. Nicely done for anyone who still cares