Die Geiselnahme

A wealthy man (Ken Watanabe) throws a house party for important people, also inviting a world-renowned opera singer (Julianne Moore) to perform.

Sadly, the places turns into a hostage zone, and there will be no easy solutions to end the conflict.

Also starring, as internationally diverse supporting cast of actors as possible. The only name most would recognize is Christopher Lambert. Yes, the original "Highlander". But the only really noteworthy performance comes from Sebastian Koch as the hostage negotiator.

Anyway, the Oscar season is ready to start soon, so "Bel Canto" is sneakig in early to get some attention before the possible heavy-hitters arrive.

I am surprised that, according to IMDb, it's not a festival movie finally arriving cinemas - because everything about it shouts "made for festivals", adding "Look how tasteful I am, surely you can not NOT admire me, now can you?".

Tasteful approach is a good idea because despite it being hostage drama, "Bel Canto" actually hides a comment on modern times' most controversial topic - the migrants flooding to Northern America and Europe.

Sadly, the mastermind behind the movie, the co-writer and director Paul Weitz has not been able or willing to add something interesting to ongoing discussion.

He is good with generic messages such as "can't we all just get along" or "let's give love a chance" which frankly aren't personal or intellectually intriguing enough to match the otherwise ambitious nature of the project.

There are people who certainly could pull this off, turning essentially banal messages into something grand thanks to heartful execution - somehow Michael Jackson with his over the top epic mid-1990's and 2000's ballads springs to mind. Maybe cuz "Bel Canto's" underlying theme is also how the power of music can unite people.

But Weitz is not such a crafty man. In his quest to create something serious and tasteful, he has also avoided anything that would make the watching, you know, exciting. "Bel Canto" is easily the most tedious hostage story that I can recall. (Except the surprisingly powerful finale.)

Following the story, it seems like the authors are striving for something "European" or by all means not "American", so there is almost no action or otherwise intense scenes which would create some suspense.

What we basically have is two groups of people hanging around in this big house, waiting for some resolution, and exchanging a dialogue or two here and there instead.

The restrained approach is not problematic in itself but there's not anything much deeper happening neither. We don't see different characters wrestling with messy feelings which would seem like an expected thing in a life-threatening situation; we don't see them going through emotional crisis; we don't see exactly how the captives' relationships with captors actually develop over time (although we see what they turn into).

Hell, we don't even see much of their everyday life, nor get the sense of how long the whole thing goes on, exactly. There's just a bunch of people hanging around, some of them pointing guns at others.

In short, the "tasteful" detached approach makes the forming of emotional bond with someone or the events in general difficult. I get it, every hostage movie doesn't have to have Samuel L. Jackson to up the "cool" factor... but there really should be more than this.

I have a gut feeling that Paul Weitz was just tired of being known for just lightweight entertainment but ambition to do something memorable doesn't necessarily translate to movie gold. Despite good intentions, "Bel Canto" doesn't satisfy.

Sure, the man is surely capable of offering something beyond lightweight entertainment ("Being Flynn", anyone?) but honestly, he was at his best with early, unambitious efforts "American Pie" and "About a Boy".

His brother and former creative partner Chris Weitz has had a somewhat better run becoming more "serious" filmmaker, with co-writing 2017's "The Mountain Between Us" and directing "Operation Finale" fresh in Netflix.

A few facts: on 17 December 1996, 14 Tupac Amaru guerillas took over the Japanese embassy in Lima, Peru, holding 700 plus people hostage. This total was quickly reduced to 72 hostages. The event lasted 126 days (!), with the result that we all know. Now out of this event, a soggy, inept movie has been made. Paul Weitz has little sense of pace and dramatic effect. The viewer is left thinking 'What does this have to do with anything?' too many times. The hostages have little individuality, are mainly interchangeable; the guerillas have vague motivations that we can only guess at. Julianne Moore and Sebastian Koch have done better work. I had the wish that they had hired Renee Fleming to play the soprano, she would have added a good deal of charm and star quality to this sad effort.

I throughly enjoyed the book and was anxious to see the movie. Found it to be disappointing and lacking. If they had followed the story line closely to that of the book it would have been a great love story to watch unfold. The movie seemed rushed. It didn't allow you to connect to any of the characters. To understand what they were going through or how the bonds were created among a group of strangers made up of hostages and rebel group whose planned did not go at all as they had intended.

My only joy was to see Ken Watanabe cast as Mr. Hosokawa. His acting is always superb. Julienne Moore, while a wonderful actress, unfortunately, was not credible at all as Diva Roxanne Coss. She just didn't fit the description I had in my mind of the character.

It is a beautiful film. But soulless . The theme is generous, the actors are admirables . But you feel nothing. No emotion,no thrill . Only , at the end, the shadow of compassion. Something essential is missing. The director seems in hurry development, the love stories are just sketches , the characters are reduced to few lines. The virtue - the delicacy of unfinished stories. A delicate sketch. But nothing more.

Hardly a realistic plot to narrate, with great perspective though mostly because of Julianne. And somewhere between small doses of suspense and greater of humanity, the film leaves us with the feeling of unfinished business, as if the director wanted simply to proceed without the emotional strength, this movie could bring. It got flat at this very moment anyone expected the power behind the facts. Anyway, it was no waste of time, enjoyable but ...something finally was missing.