Madness in the Method

As long as he is remembered at all, Jason Mewes will be known as Jay of Jay and Silent Bob. In that cycle of movies from Clerks through to Clerks 2 (and soon Jay and Silent Bob Reboot) , two things were clear, the guy was genuinely funny and not a professional actor. This wholly fictional movie kind of takes that and runs with it.

Mewes is desperate to break out as a serious actor and gets hold of a legendary book on method acting that will change his life. Yes, this entire movie hinges on a paperback book with a forgettable title. And that book literally drives Jason Mewes insane.

The shocking thing is that Mewes is a literal sociopath in this movie as he rather violently rampages through Hollywood trying to get a coveted role in a buzz filled drama being directed by his frequent costar Brian O' Halloran (of Clerks, Mallrats, etc.).

First off, in true Kevin Smith fashion, every name actor in this movie is a cameo, including, oddly Kevin Smith. I actually thought based on the advertising that this movie was going to be an interesting, fictionalized retelling of their long time friendship and working relationship. It's not. This is strictly a vehicle for Mewes and, as an actor, the guy actually shows surprising range and ability. But as a director he falls flat.

This movie is slapstick as hell sometimes but gets oddly dark in other places and Mewes cannot handle the tonal shifts at all. Honestly, by the end, I was more than ready for the thing to be over and a little surprised by how real the movie gets in some places, (Smith and Mewes get into a screaming match over the latter's well publicized struggles with addiction) followed by something really silly like Mewes going to murder a professional rival with a nail.

Along the way. one of the guys who wrote the movie keeps popping up as an annoying and unfunny idiot detective determined to bring Mewes down. Tough guy character actor Vinnie Jones (The Midnight Meat Train, Snatch) gets blamed for his crimes at one point, and the late Stan Lee wonders into one scene for a title drop moment.

I laughed a few times but the flick just isn't that good. I think with better writing and direction Jason Mewes actually could turn in a really solid performance but this isn't the movie that will break him through. Although he may get more work off it in the future.

First, this is te best performance and appearnce that Kevin Smith has had since Jay and Silent Bob struck back. Maybe Jason Mewes should be directing Kevin Smith Fikms. THen again, maybe Kevin should stop writing garbage that isn't even good enough for VOD.

If you are a fan of these two, then this movie will entertain you. Truth be told, with better casting, this film could have been as good as JASBSB, I think they tried to pad the cast with names like Danny Trejo, Dean Caine, Vinnie Jones and Terry Hatcher, but none of them are anchors and together, they come off as eclectic. Gina isn't girlfriend material. I don't buy her in movies unless she's acting tough. She's got the beauty and body, but appears to not want to show it.

After Jay and Bob reboot, I official gave up on Kevin, but JM showed promise here. He also is no leading man, but again, this movie was the best thing I have seen either of these two in in almost two decades.

I wouldn't add this to my collection, but it's a solid watch as long as it's free on Prime.

You have to love Jason Mewes, The debut of Mewes as director is not perfect, (which isn't a bad thing), but is fun, something that we need nowadays, plus, this blend of fiction with some real life events are handled in a very professional way, the cameos are perfect, and watching Stan Lee was great... I really hope this is the beginning of a series of movies where you can see Mewes and friends acting and having fun... Some people may not like it, but I loved to watch it!

If you are a fan of the Kevin Smith universe, you can expect to enjoy this film tremendously. A little shakey, but never uninteresting, there are 4 or 5 laugh out loud moments for Jay and Silent Bob fans and enough chuckles to make you feel like watching it again. I give this a 6 overall, but a solid 9 for View Askew folks!!! Congrats Jason Mewes, you made a real movie.

This isn't great british comedy, Hot Shots or Best in Show, but it is entertaining. If you look for the perfect comedy, this isn't it, but it you're happy enough with a comedy that does produce actual laugh out loud moments (in difference to the wast majority of romcoms) and plenty of chuckling moments this is a great pick. This does have some really original comedic scenes and in others it dares to go for it, several things do not work some works but doesn't belong or rather ad to the movie itself. (I do not see this as a spoiler as it is the name of the movie, but if you think it is dont read the following sentence). The parody of method acting and that it's really not acting but relative madness is quite fitting. For a laid back saturday or sunday when the rain poors down you can do alot worse.

The cinematography isn't the best, it's to raw - a trick used in low budget movies is usually to upscale the equipment and boost the contrast/bloom (afaik) to get a more expensive looking result - it's not used here. Something that does bring the grade up is the adaptation of it to the parody at hand, which works well. The acting is what you can exspect, not aced but neither bad, Vinnie Jones does a solid performances and Gina Carano (which i personally have hopes for to become the first female Bond) even as alluring doesn't perform as well as could be anticipated. There are some seeworthy side roles - Vinnie jones, Terri Hatcher, Stan Lee and Mickey Gooch Jr (which doesn't nail the has been ex cop but isn't too far from landing a decent performance - as that role pays homage to several well known spoofs and roles in known movies that is essentially better than anticipated).

*Most moviebuff will probably find this entertaining, there are plenty of homages and spoofs on other movies in it (note that they aren't as clear as mainstream usually feeds) - notice how the camera angles and cinematography change severely to mimic known pieces at a handful of times.