Crucible of the Vampire

Like so many indie low-budget films around at the moment this film had a story that could have turned in to a really good movie, but was spoiled by lack of attention to detail and not giving much thought to creating atmosphere.

Very poor use of lighting for much of the film which felt more like a corporate video at times, and camera angles that didn't allow the viewer to visually construct a world they could become engaged in or be drawn in to.

These are things that don't cost money and don't take much time to give thought to. They had the tools but not the creativity to use them to best effect.

It is such a shame when an indie film has such potential to be really good.

The acting was OK considering the experience of many of the actors - but again it felt like there was significant lack of direction or exploration in the scene.

Then there is attention to detail at the location. It was plainly obvious that this is not someone's house (let alone home), with fire points and commercial hotel like equipment in just about every shot. These could have been easily moved or disguised. Again, attention to detail was lacking.

It is not a bad movie by any means, but don't expect much from it.

Watched this one by chance and was pleasantly surprised, It''s low budget but it still feels like a movie, the plot was kinda forgettable the acting was ok.

The best part of the film imo was the set and location looked really nice especially if you like victorian era buildings, Secondly the sound and music were really good and really loud. The music choice fit and really boosted the tension in some of the scenes.

It's a below average horror movie with some cool scenery a couple good moments but a bit boring;

A young museum curator (Katie Goldfinch) is sent to a country manor a few hours northwest of London to investigate an artefact unearthed in the basement. The family seems nice, but strange things start to mount up, causing the woman to want to flee. Florence Cady is on hand as the questionable blonde daughter of the estate.

"Crucible of the Vampire" (2019) is low-budget Indie horror in the tradition of Hammer Films. Although a flaw surfaces here or there, such as the introduction of Scarlet (Cady), the filmmaking is professional enough. The focus is on creepy mood rather than fast pace or constant thrills, although everything builds to an exciting last act in which the F/X are impressive considering the budget.

Carla Cresswell in the prologue stands out in the female department, a great way to open the movie.

If you don't mind low-budget Indies and are in the mood for spooky atmosphere at an old British mansion in the mold of "Jane Eyre," "House of Usher," "The Others," "Dracula, Prince of Darkness" and "Witchfinder General" (aka "Conqueror Worm"), give it a watch.

The flick runs 1 hour, 44 minutes and was shot in Shropshire, England, which is about 3 hours northwest of London and about 45 minutes northwest of Birmingham.

GRADE: B-

I have stopped writing reviews on IMDB due to the sheer quantity of films we watch.

"Can you get a vampire movie/" my wife asked. As there hadn't been any vampire movies for a long tie I decided to get this. Huge mistake.

This movie is a disaster in every way. The acting, the directing, the dialogue, the 'special' effects, the actors themselves - what a mess. How anyone could have come up with the money for this piece of garbage is a wonder.

Please - spare yourself a waste of 96 minutes and watch paint dry - it will be more interesting.

It would be very easy to dismiss a movie like this, but it's not the total disaster that some have described it as. Certainly there are a number of short set pieces which were engaging. What lets it down is the desire to be too many things: is it a vampire movie, a psychological thriller or a ghost story? is it based on power, revenge, or lust? At various points it tries to be all of these things but sadly never truly manages to be any of them well. There are far too many unnecessary ingredients here, which means that the good ideas don't have room to breathe, and not enough space is given to the viewer to become truly engaged before the plot jumps on to the next part of the story.

Casting is a positive, and despite what has been said, the acting is never terrible. For the most part the central characters deliver their lines well but again, crowded out by too many ideas, the dialogue ends up needing to push the plot forward rather than allowing them to relate especially well to each other. Far too often, the moment any interesting relationship starts to develop, we are shunted on to the next set piece like a passenger on a ghost train. This limits the opportunities for the actors to bring us anything that we might empathise with.

As a classic Hammer enthusiast, I really wanted to enjoy this film, and there are some genuine highlights for fans of the genre that make it worth a look, but like the crucible in the story itself, what could have been a powerful story is left disjointed and half-buried. Every time it piqued my interest, it changed its mind about where it was going. The ambition is admirable, but in the end the characters, the plot, and ultimately the viewer are all left bravely grasping for something that they never quite reach.