Politische Dokumentarfilme und persönliche Memoiren prallen bei dieser Auseinandersetzung mit der komplexen Wahrheit hinter der Auflösung zweier brasilianischer Präsidentschaften aufeinander... Alles lesenPolitische Dokumentarfilme und persönliche Memoiren prallen bei dieser Auseinandersetzung mit der komplexen Wahrheit hinter der Auflösung zweier brasilianischer Präsidentschaften aufeinander.Politische Dokumentarfilme und persönliche Memoiren prallen bei dieser Auseinandersetzung mit der komplexen Wahrheit hinter der Auflösung zweier brasilianischer Präsidentschaften aufeinander.
- Für 1 Oscar nominiert
- 6 Gewinne & 16 Nominierungen insgesamt
- Self - Ex-Presidente
- (as Lula da Silva)
- Self - Primeira Dama
- (as Marisa Letícia)
- Self - Juiz Federal
- (as Sérgio Moro)
- Self - Ex-Executivo da Petrobras
- (Archivfilmmaterial)
- Self - Ex-Diretor da Petrobras
- (Archivfilmmaterial)
- Self - Ex-Presidente do Grupo Odebrecht
- (Archivfilmmaterial)
- Self - Senador (PT)
- (Archivfilmmaterial)
Zusammenfassung
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What lacks in this film, I think, are basically two things. Not in production or structure, in any way, but in narrative.
At the same time that Petra's perspective of brazilian society adds to the experience of the movie, like her interesting backstory and presence in important political moments (awesomely shown), I feel like a certain degree of a clearer impartiality would really benefit the story that is told. Of course that, being a personal telling of Brazil's history like this movie is, will inevitably include opinions, which are fairly presented. But I can't help but to think that watching a little more of the other side of the political scandals, against the subjects of the film for example, would really be of benefit - not only to the movie to be it's best and completest version it can be (by showing how complicated "choosing a side" can be), but concomitantly inviting a wider public that can watch and rate it fairly, and discuss more easily by having both sides widely expressed.
The second lacking, in a way, is the proposal of many unanswered questions. Probably it is intentional. Maybe by the fact that the story told in this documentary isn't yet completed in reality, and most of the questions are still unanswerable today; or maybe because of the willingness of the director to portray this political scenery in a personal way, proposing that the narrator wants to show it hasn't means to respond to what will happen. Either way, some answers would enrich, I think, the narrative.
Being a Brazilian myself, with a burning love for cinema, getting impressed by the quality of filmmaking and real moments, portrayed in a production from where I come from, was a really awesome feeling - although this film has a bit too much filming of Brasilia's buildings and beauty-shots. The technical aspects of the film are impressive, even more by the content of rare moments of our recent history - a feeling of "being there" I don't get since watching Poitras' Academy-awarded "Citizenfour".
It's really worth it to watch this film, even if you disagree with the points presented. To admire the handling of a great filmmaker, that has great patience and structure to tell a perspective. This movie is a bright sign in the future of brazilian cinema.
Some people will say it's a biased, leftist portrait of events. Others will say it portrays the lamentable political coup that led to presidents Dilma Rousseff's impeachment and Lula's imprisonment and the rise of the far-right politics in Brazil.
Maybe both sides are right. It portrays a contemporary yet not domestic phenomenon: the pollarization of politics - the divergence of political attitudes to ideological extremes - which seems to be happening in different parts of the world (see the U.S.A, for example).
On a personal note, this movie touched me deeply and I couldn't help but think that politics no longer (if ever) means to serve society, but personal interests. Politcs has become a disclosed, shameless power play. And how does the population witness it? Some people stopped thinking about purpose and started rooting for the players.
In that sense, this movie is about dreams: it doesn't matter who wins. If we don't start making smart choices, everyone's going to lose. I just hope people wake up in time.
Co-written, co-produced & directed by Petra Costa, the documentary establishes her political leanings early on by offering some background context that shaped her worldview and then narrates the events that led to her nation's current state by taking us through the rise & fall of two presidencies. But it isn't an impartial take.
When seen from an outside perspective, the documentary serves as a warning for numerous other democracies around the world whose fabric is both threatened & failing, including my own. Costa allows the plot to unfold at an unhurried pace so viewers can take in all the information but it only manages to be riveting in bits n pieces.
Overall, The Edge of Democracy is an extensively researched & brilliantly narrated documentary but it is also diluted by the filmmaker's own political preference and is going to polarise many. Nonetheless, it does rather well as a cautionary tale and paints an unnerving portrait of the future that's in store when the foundations on which a nation functions are ignored.
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- WissenswertesBrazil's biggest newspaper, 'Folha de S. Paulo', requested an interview with Lula in prison during the 2018 presidential election campaign. However, Supreme Court Justice Luiz Fux ruled against the interview taking place, as the team reportedly feared it would ruin Bolsonaro's chances at the election; a decision which was only overturned in April 2019.
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Petra Costa: A Greek writer said that democracy is only working when the rich feel threatened. Otherwise, oligarchy takes over. From father to son, son to grandson, from grandson to great grandson, and so successively.
- VerbindungenFeatured in The Oscars (2020)
- SoundtracksCanto de Ossanha
Written by Baden Powell and Vinicius de Moraes
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- Laufzeit
- 2 Std. 1 Min.(121 min)
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- Seitenverhältnis
- 1.78 : 1