The Strange Ones

There are positive and negative things about The Strange Ones but overall the movie is not good enough to be remembered. The positive things would be the acting and the filming, that wasn't bad but unfortunately not good enough to make this movie special. The bad thing is that the story is slow and it doesn't have a high entertaining level, and even if there is some mystery building in the end it just fails to deliver. To me The Strange Ones is just an average movie, a movie you watch out of boredom and continue to watch without much interest. I didn't fall asleep while watching it but it was a close call.

This film deals with some darker subject matter but it's done quite well. The characters and story is subtle but effective, it's not for everyone but if you stick with it you can find it to be effective. I would recommend it to anyone who enjoys slower dramas with meaningful visuals and music with sharp but small dialogue, but just know that it does deal with darker and disturbing subject matter.

Prepare to be perplexed. I don't know what I watched, but it was well played. I may have to re-watch it a couple of times to bend my mind around what is happening in the story. It's surely confounding, but it doesn't feel like a mind-trip. It nags on me as if, perhaps, I wasn't following closely enough and missed important plot artifacts.

This one firmly classifies as a psychological thriller, it is far more cerebral than action-oriented and it's not suited for lazy popcorn viewing. It's strongly atmospheric and leads the viewer questioning what is real, imaginary or a dream. The film nods at several interpretations of events.

The run time seems short, and I've read elsewhere online that this movie is based off of a short film, a possibility that does makes sense. One element I found distracting is how much Pettyfer resembles Ryan Phillipe both in appearance and mannerism, it's like Phillipe was deliberately channeled.

I may change my rating following subsequent viewing. I suggest watching a trailer or two before deciding if this film thrills you or kills you.

I like atmospheric. I like edgy. I like esoteric. I just don't like to be bludgeoned into a stupor with it. That's what watching the mega-weird murder mystery drama "The Strange Ones" conspired to do to me.

The only remotely redeeming aspects to recommend here is the spooky score by a pair of killer flutists and the performance of the great character actor Gene Jones.

The rest of this plodding trash can be tossed deep into that creepy cave and abandoned.

Greetings again from the darkness. Having been well received at film festivals throughout 2017, this film is journey of patience for both the characters and its viewers. Co-directors Christopher Radcliff and Lauren Wolkstein have expanded their 2011 short film into their first feature length film, and though some evidence of 'stretching' is present, so is a somber, moody style that provides an interesting look and feel.

It's more mysterious and atmospheric than it is thriller, and at times it even has a "Twilight Zone" vibe. Nick (Alex Pettyfer) and Sam (James Freedson-Jackson) are traveling together as brothers, though we never really believe they are related. An impending dread hovers around each move they make, and the film tortures/teases us with unspecified relationships and connections. Nick and Sam are semi-desperate and clearly on the run, yet it's not until the end when things somewhat come together.

Young Freedson-Jackson is the key to the film, and his facial reactions are critical. His astounding blank stares seem to hold meaning. It's a bleak film with a gloomy tone, and while I'm all for slow and deliberate story-telling, the technique is usually more effective when there is a reason for it. This is a deep cut indie that lacks mass appeal, but for those patient enough to commit, the supernatural aura will likely keep you engaged for the run time.