Emma Banville, eine Menschenrechtsanwältin, die dafür bekannt ist, aussichtslose Fälle zu verteidigen, macht sich auf den Weg, um die Unschuld von Kevin Russell zu beweisen, der für den Mord... Alles lesenEmma Banville, eine Menschenrechtsanwältin, die dafür bekannt ist, aussichtslose Fälle zu verteidigen, macht sich auf den Weg, um die Unschuld von Kevin Russell zu beweisen, der für den Mord verurteilt wurde.Emma Banville, eine Menschenrechtsanwältin, die dafür bekannt ist, aussichtslose Fälle zu verteidigen, macht sich auf den Weg, um die Unschuld von Kevin Russell zu beweisen, der für den Mord verurteilt wurde.
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It certainly is worth a better score than it has at present. Script and acting are both good. It is complex enough with several stories going at once. There are a range of characters who inhabit the story and who require some concentration to unravel their roles. It is about people's intertwining lives and how people in powerful positions are able to divert justice to protect their secrets. It is about good and evil and innocence and guilt. It is about parents and children and the power of relationships and the need that is intrinsic in human nature. There is mystery and suspense which drives the characters and story along. In my opinion, it is worth at least an eight. The English know how to deliver a suspenseful series and they excel at keeping the momentum going.
Just finished watching this on ITV plus. Wonderful acting all round. It's quite simply a damn good drama. Lots of dodgy and dark characters. Well paced plot with barely any padding. Well worth the watch. Thanks ITV for bringing it back.
We couldn't stop watching and would love a season 2 tomorrow! Banville was compelling, as was Greenwood. Would love to see these two characters fleshed out even more. Her partners retorts to her demands at the end were brilliant. I'd like to see more of Dom next season (right, get on this!?) I'v managed to watch all Brit TV for the past 6 years & have raved to family members about the quality & depth of programs where no one screams, all women aren't pretending to be tough guys & how USA TV is shite.... to no avail...until we all cut the cord. We all now are members of BritBox, AcornTv, Walter Presents, Netflix, AMZN & the list will expand. As long as you produce shows like Fearless, River, Paranoid, Happy Valley, Norskov, Rita we'll happily live to see the demise of USA crap TV. This wasn't the BEST show ever, but it beats 99% of what we're offered on this side of the Atlantic. More, more more!
I just saw only two episodes of it and i already started liking it. It started slowly with simple plot and makes you watch without a gap waiting for the next episode to air. It reminds me of True Detective but i sense more depth in it. I hope this continues in the next episodes without dragging too much. Script & screenplay is excellent.
Once you got past the awful title sequence and the usual, dull latter-day accompanying title song, this six-part contemporary political thriller made for entertaining watching.
Centring on lost-cause defence solicitor Helen McCrory's Jane Banfield's penchant for taking on tough cases for what might seem on the face of it unsympathetic defendants, she apparently quite happily lets the client and indeed the family of her clients stay over at her place.
The main story here concerns the unsafe conviction of a young father for the murder 14 years ago of a 15 year old girl, mainly down to a confession forced out of him by an over-keen female police detective played by Wunmi Mosaku, who becomes one of the focal points for Banfield's later campaign for the man's release. There's a connected sub-plot too involving a young Syrian mother who is staying at Banfield's pending immigration clearance and whose absent husband is suspected of terrorist sympathies.
The stories take many a twist and turn as you'd imagine over six episodes, involving a female mysterious American "fixer" with her own reasons for keeping the convicted "murderer" in jail, a senior British Whitehall mandarin in on the cover-up and in particular a new, young rising-star Labour politician who they seem to be helping to the top of the so-called political greasy pole, for their own ends. The fixer will stop at nothing to cover her tracks, including blackmail and attempted murder as she reports back to her ruthless U.S. Intelligence bosses and seems to keep one step of Banfield and her investigation until the latter's persistence pays off and the whole house of cards falls down in a dramatic conclusion outside the by-now new Labour leader's house.
While much of the story seemed to credit Banfield with detective instincts of which Sherlock Holmes would be proud, as well as the usual unbelievable coincidences and fantastic high-level connections, the action was fast-moving and carried forward by a fluid production acted out well by a mostly quality cast with Michael Gambon in particularly fine form as the oily, senior British link in the American chain of deception although quite what comedian John Bishop was doing as Banfield's "bit-of-rough" current boyfriend, I'm not quite sure but it didn't have much to do with acting skills.
It didn't look like there were markers laid down for future series featuring the Banfield character which would be a shame as her character is a strong one and one can easily imagine her returning a la "Prime Suspect's" Helen Mirren or "Happy Valley's" Sarah Lancashire, but be that as it may, this was superior small-screen drama well worth viewing.
Centring on lost-cause defence solicitor Helen McCrory's Jane Banfield's penchant for taking on tough cases for what might seem on the face of it unsympathetic defendants, she apparently quite happily lets the client and indeed the family of her clients stay over at her place.
The main story here concerns the unsafe conviction of a young father for the murder 14 years ago of a 15 year old girl, mainly down to a confession forced out of him by an over-keen female police detective played by Wunmi Mosaku, who becomes one of the focal points for Banfield's later campaign for the man's release. There's a connected sub-plot too involving a young Syrian mother who is staying at Banfield's pending immigration clearance and whose absent husband is suspected of terrorist sympathies.
The stories take many a twist and turn as you'd imagine over six episodes, involving a female mysterious American "fixer" with her own reasons for keeping the convicted "murderer" in jail, a senior British Whitehall mandarin in on the cover-up and in particular a new, young rising-star Labour politician who they seem to be helping to the top of the so-called political greasy pole, for their own ends. The fixer will stop at nothing to cover her tracks, including blackmail and attempted murder as she reports back to her ruthless U.S. Intelligence bosses and seems to keep one step of Banfield and her investigation until the latter's persistence pays off and the whole house of cards falls down in a dramatic conclusion outside the by-now new Labour leader's house.
While much of the story seemed to credit Banfield with detective instincts of which Sherlock Holmes would be proud, as well as the usual unbelievable coincidences and fantastic high-level connections, the action was fast-moving and carried forward by a fluid production acted out well by a mostly quality cast with Michael Gambon in particularly fine form as the oily, senior British link in the American chain of deception although quite what comedian John Bishop was doing as Banfield's "bit-of-rough" current boyfriend, I'm not quite sure but it didn't have much to do with acting skills.
It didn't look like there were markers laid down for future series featuring the Banfield character which would be a shame as her character is a strong one and one can easily imagine her returning a la "Prime Suspect's" Helen Mirren or "Happy Valley's" Sarah Lancashire, but be that as it may, this was superior small-screen drama well worth viewing.
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- WissenswertesThis show was included in a list of ITV shows, published in the broadcaster's annual report, that had not performed as well as hoped and would therefore not return in 2018.
- SoundtracksBack From the Fire
Performed by Gold Brother
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