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Vox Lux

  • 2018
  • 12
  • 1 Std. 54 Min.
IMDb-BEWERTUNG
5,9/10
21.076
IHRE BEWERTUNG
Natalie Portman in Vox Lux (2018)
'Vox Lux' begins in 1999 when teenage sisters Celeste (Raffey Cassidy) and Eleanor (Stacy Martin) survive a seismic, violent tragedy. The sisters compose and perform a song about their experience, making something lovely and cathartic out of catastrophe - while also catapulting Celeste to stardom. By 2017, the now 31-year-old Celeste (Natalie Portman) is mother to a teenage daughter of her own and struggling to navigate a career fraught with scandals when another act of terrifying violence demands her attention.
trailer wiedergeben1:48
6 Videos
99+ Fotos
ErwachsenwerdenShowbiz-DramaDramaMusik

Eine ungewöhnliche Situation bringt einem Popstar unerwarteten Erfolg.Eine ungewöhnliche Situation bringt einem Popstar unerwarteten Erfolg.Eine ungewöhnliche Situation bringt einem Popstar unerwarteten Erfolg.

  • Regie
    • Brady Corbet
  • Drehbuch
    • Brady Corbet
    • Mona Fastvold
  • Hauptbesetzung
    • Natalie Portman
    • Jude Law
    • Stacy Martin
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,9/10
    21.076
    IHRE BEWERTUNG
    • Regie
      • Brady Corbet
    • Drehbuch
      • Brady Corbet
      • Mona Fastvold
    • Hauptbesetzung
      • Natalie Portman
      • Jude Law
      • Stacy Martin
    • 212Benutzerrezensionen
    • 202Kritische Rezensionen
    • 67Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 1 Gewinn & 11 Nominierungen insgesamt

    Videos6

    Official Trailer #2
    Trailer 1:48
    Official Trailer #2
    Official Trailer
    Trailer 2:17
    Official Trailer
    Official Trailer
    Trailer 2:17
    Official Trailer
    Teaser
    Trailer 0:48
    Teaser
    Vox Lux: Wrapped Up (Music Video)
    Clip 2:11
    Vox Lux: Wrapped Up (Music Video)
    How Natalie Portman Created 'Vox Lux' Chemistry
    Video 1:44
    How Natalie Portman Created 'Vox Lux' Chemistry
    The Trailer Trailer for the Week of Nov. 5, 2018
    Video 1:01
    The Trailer Trailer for the Week of Nov. 5, 2018

    Fotos131

    Poster ansehen
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    + 125
    Poster ansehen

    Topbesetzung72

    Ändern
    Natalie Portman
    Natalie Portman
    • Celeste
    Jude Law
    Jude Law
    • The Manager
    Stacy Martin
    Stacy Martin
    • Eleanor
    Jennifer Ehle
    Jennifer Ehle
    • Josie the Publicist
    Raffey Cassidy
    Raffey Cassidy
    • Young Celeste…
    Christopher Abbott
    Christopher Abbott
    • The Journalist
    Logan Riley Bruner
    Logan Riley Bruner
    • Cullen Active
    Maria Dizzia
    Maria Dizzia
    • Ms. Dwyer
    Meg Gibson
    Meg Gibson
    • Celeste's Mother
    Daniel London
    Daniel London
    • Father Cliff
    Sahr Ngaujah
    Sahr Ngaujah
    Micheál Neeson
    Micheál Neeson
    • The Musician
    • (as Micheál Richardson)
    Matt Servitto
    Matt Servitto
    • Celeste's Father
    Leslie Silva
    Leslie Silva
    • The Stylist
    Allison Winn
    Allison Winn
    • Therese
    Max Born
    Nikki Brower
    Nikki Brower
    Fred Hechinger
    Fred Hechinger
    • Aidan
    • Regie
      • Brady Corbet
    • Drehbuch
      • Brady Corbet
      • Mona Fastvold
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen212

    5,921K
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    Empfohlene Bewertungen

    7ThomasDrufke

    A Haunting Version of A Star is Born

    I waited nearly 4 days to write this review/reaction because I genuinely wasn't sure how I felt after seeing Vox Lux. I'm not the first one to say this but it's quite the pairing with A Star is Born for what could be the best double feature of 2018, with both portraying such a vastly different take on rise to stardom. Much like other 2018 films Hereditary and 22 July, there are a few scenes in Vox Lux that I will never forget in that they are some of the most haunting and terrifying sequences I have ever seen on film. However, a film like 22 July had an easier plot to follow and a much more direct narrative, whereas Vox Lux is a dark interpretation of fame, and an interpretation that doesn't give the clearest clues as to how your supposed to feel after viewing. The performances are extraordinary, including yet another star-making turn from Raffey Cassidy and expectedly great turns from Jude Law and of course, Natalie Portman. Even if I'm not totally sure on how I feel about this film, I know that I want more films to be this bold and daring.

    7.4/10
    7bastille-852-731547

    Interesting, Artsy Drama Headlined by Natalie Portman

    The reviews and trailer for this film promised a strong performance by Natalie Portman as a troubled pop star. While some of the praise for her role in "Vox Lux" may be somewhat overhyped, she does give a generally good performance in this drama directed by Brady Corbet. She plays Celeste, a now-famous pop star who survived a school shooting in 1999. The film gives viewers a grip on how those who get too all-consumed in the superficiality of pop music culture can lose control over their lives, although sometimes the dialogue and writing during these scenes can sometimes feel almost too on-the-nose to be truly impactful on the viewer.

    The film is stunningly shot, and its score is often stirring and potent. Jude Law's supporting performance is outstanding, providing a powerfully subdued complement to the main narrative as Celeste's manager. With the exception of the memorial song sung by a young Celeste at a vigil for the shooting victims about ten minutes after film's commencement, the rest of the film's songs (which are pop-based) are generally not too appealing. However, this is likely intentional, as Corbet's direction is intended to make the viewer critique popular culture and its effects on music and society, as well as the possibility that our social obsessions may breed tragic and wretched acts. Despite such potentially-thoughtful commentary, it's not clear by the end of the film what Corbet really wants to say or offer as a message to the narrative besides simply saying that excess tackiness is bad. While superficiality is an important topic, for a film that poses far deeper, existential and angst-filled questions, the film's attempts to thread loose ends of its messaging before the film's finale (a pop concert) feel somewhat skimpy. The film's stronger elements would make it worth of recommending to those who like Natalie Portman and can appreciate sometimes-audacious and challenging films. 7/10
    7PotassiumMan

    Edgy, allegorical depiction of social decadence

    Natalie Portman stars in this very unusual, intriguing but flawed film that explores several different genres in tackling pop culture and its sordid grip on the national consciousness at the dawn of the new millennium. Is this a satirical bombardment? One could argue. Is it a tragic indictment? Definite possibility. One thing it is not is straightforward.

    This film gets by on the strength of its performances and its committed portrayal of the poisonous celebrity lifestyle and the emotional toll it exacts. Portman is explosive as the grown-up pop star who came from humble beginnings and found her survival of a horrific school shooting catapulting her into national prominence when she performed a song at a televised vigil. Jude Law is sharp as her gruff, street-smart manager who early on helps transform her from a victim of tragedy into a gaudy, commercialized monstrosity. Raffey Cassidy shines in dual roles as the pop starlet in her younger days, and as her teenage daughter in the film's second half.

    There are drawbacks. A dry, detached voiceover narration by Willem Dafoe is more often a glaring distraction than an enhancement. And the film's simplistic juxtaposition of acts of terrorism and concert tours only tentatively conveys the theme of the intertwining of tragedy and pop culture. The film is obviously trying to echo its plot thread that takes hold in the beginning but it seems so faint by comparison.

    Thought-provoking but more for the thesis that it tackles than for its actual achievement, this film is worth watching. How well it succeeds depends on how you view Portman's performance. Does she eviscerate the entertainment industry as immoral with a lightning-rod portrayal of wasted youth? Or does she dilute the film's impact by giving a performance that is too much of a caricature to constitute an allegory? Decide for yourself.

    I freely admit that this film is not for everyone while acknowledging that I myself found it quite compelling. Finally, a splendid array of well-performed songs and a sterling soundtrack add to the film's favor. Recommended.
    2peedur

    Yikes - starts really well - a narcisstic mess by the end

    This film suffers from the same kind of poor choices which would cause someone to, say, make a 9/11 disco musical. It wields an enormous subject and chooses to focus on the most irrelevant aspects of any reaction to that subject.

    It doesn't really matter what you want to say - the bizarre, unresolved context for the setup feels faintly obscene and eventually bankrupt. If the point of the film is to illustrate the shallowness of reactions to terror and violence, then it failed to say that. Instead, it looks more like a statement about the parallels between self-expression, terrorism, self-obsession, or losing your identity to celebrity, or something... By the end of the film I was deeply annoyed.

    Hats-off the all of the professionals who clearly know how to make an impressive film here. But this story however, is a mess of intensity looking for a point. I believe that it fails eventually because of the indigestible premise.
    6kosmasp

    Fame - what is it good for?

    Especially when it comes through being a literal survivor of a despicable act - something I had no idea was going to happen, but sets quite the mood for the movie. We have different stages here and this might work as a good double bill to a documentary called "F... Fame". Well I don't think I have to spell the F word out for you to understand.

    This works as criticism about how society views celebrities, fame and how this might change everyone involved. But it is quite slow in its pace and it is rather subtle in its message too. So while the performances might seem over the top at times, that does not go for the understanding of the movie or what it represents. Which might and will feel frustrating to watch for quite a few people - I'm split too on my verdict as you can see. Can't blame the actors who really do their best

    How Natalie Portman Created Chemistry in 'Vox Lux'

    How Natalie Portman Created Chemistry in 'Vox Lux'

    Natalie Portman and her Vox Lux co-star Raffey Cassidy discuss playing the same complex character and how they created chemistry with director Brady Corbet.
    Watch our interview
    Editorial Image
    1:44

    Verwandte Interessen

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    Drama
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    Musik

    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      Natalie Portman shot her part in only 10 days.
    • Patzer
      During the sequence showing the road to Stockholm airport, multiple cars made after 2000 (the year that scene is supposed to be set) are visible.
    • Zitate

      Young Celeste: That's what I love about pop music. I don't want people to have to think too hard. I just want them to feel good.

    • Crazy Credits
      End credits roll downwards which only include post-production credits, score and music credits and business credits.
    • Verbindungen
      Referenced in Front Row Flynn: VOX LUX: Natalie Portman, Brady Corbet, moderator Scott Mantz (2018)
    • Soundtracks
      Mistress Mary
      Traditional

    Top-Auswahl

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    FAQ19

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    Details

    Ändern
    • Erscheinungsdatum
      • 25. Juli 2019 (Deutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizielle Standorte
      • Official Facebook
      • Official site
    • Sprachen
      • Englisch
      • Kroatisch
      • Chinesisch
    • Auch bekannt als
      • Vox Lux: el precio de la fama
    • Drehorte
      • New York City, New York, USA
    • Produktionsfirmen
      • Bold Films
      • Killer Films
      • Andrew Lauren Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 11.000.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 727.119 $
    • Eröffnungswochenende in den USA und in Kanada
      • 155.714 $
      • 9. Dez. 2018
    • Weltweiter Bruttoertrag
      • 1.444.547 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 54 Min.(114 min)
    • Farbe
      • Color
    • Seitenverhältnis
      • 1.66 : 1

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