Er folgt Superman auf seinem Weg, sein Erbe mit seiner menschlichen Erziehung in Einklang zu bringen. Er ist die Verkörperung von Wahrheit, Gerechtigkeit und dem American Way in einer Welt, ... Alles lesenEr folgt Superman auf seinem Weg, sein Erbe mit seiner menschlichen Erziehung in Einklang zu bringen. Er ist die Verkörperung von Wahrheit, Gerechtigkeit und dem American Way in einer Welt, die Freundlichkeit als altmodisch ansieht.Er folgt Superman auf seinem Weg, sein Erbe mit seiner menschlichen Erziehung in Einklang zu bringen. Er ist die Verkörperung von Wahrheit, Gerechtigkeit und dem American Way in einer Welt, die Freundlichkeit als altmodisch ansieht.
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The film don't really feel like a superman film. Throughout the film, everything felt ok. Superman was in danger, but he was ok and even gave off that vibe. He's choking, but he's ok. Every time superman was in any kind of danger, he always felt like he was fine. He got hurt, then visits some sun shine. Repeat 5 times.
Hawkgirl was cool. But really none of the characters felt like the characters from the comics. Their attitudes didn't even fit the character. It was almost like watching a toned down version of peacemaker.
One thing I noticed is you can tell james put in a lot of input on hot girls with big ones. They are everywhere. Sucks to complain on something like that. But its a superman film. Everyone just happens to be tall, skinny with big gunns other than hawkgirl? Most of them were annoying, even the lead. Hope james didn't take that attitude from his wife, cause that'd be hard to deal with on a daily basis.
There was a couple of times, where superman done good and they had to try and pose him in the background with light or have an iconic shot, drop some music so it felt epic. . But that fell so flat. Cause nothing that happened felt epic coming from superman. His moments all fell pretty flat.
One last thing. The "control" of ultra man has to be one of the lamest things I've seen in any dc or marvel film. Hated everything about it and took away from the film and character.
This is an ok start to the reboot. But really dont see it getting much better until it starts getting darker and there is a better story involved.
The film also did not waste other characters. Lois Lane, Jimmy Olsen, the Justice Gang played important parts. Hoult's performance was Lex Luthor was insane! The Fortress of Solitude was also not sidelined. And there's Krypto! Man Krypto definitely stole the show! Brosnahan's Lois Lane was really well executed and Corenswet as Clark Kent / Superman was really amazing!
The film also had its surprises but overall, it is very well made. James Gunn, you outdid yourself again this time! Thank you for bringing this to life. Probably the best film this year so far! A definite worth the watch!
Unfortunately, this time James Gunn left me disappointed. The biggest issue is the script. For some reason, the director chose to throw the audience straight into the middle of the action, with almost no background or introduction for the main character. Some might argue that Superman's origin story is no longer necessary, but in my view, it's absolutely essential for a full-fledged reboot. This is David Corenswet's first appearance as Clark Kent, and the film clearly lacks at least 30 minutes of emotional buildup to help us connect with him. Without that foundation, it's hard to truly care about his character.
The same goes for the rest of the cast. Lex Luthor lacks a clear motivation: he wants to destroy Superman right from the start, but there's no deeper reasoning behind it. Clark's relationship with his adoptive parents is barely shown - they appear only in a few short scenes. His connection with Lois Lane also feels shallow. There's no real chemistry between them, and their relationship seems to develop entirely off-screen. As a result, it feels more like we're watching the second installment in a franchise rather than the first.
Another serious flaw is the overload of secondary heroes. The audience is thrown into a new world packed with characters: Green Lantern, Mister Terrific, Hawkgirl, Metamorpho, The Engineer, Ultraman - all of whom show up, but almost none receive meaningful screen time (Mister Terrific is arguably the most developed). They're hard to remember, let alone care about. For the average viewer unfamiliar with the DC Universe, it's genuinely overwhelming. «BATMAN V SUPERMAN» was heavily criticized for a similarly chaotic structure, yet despite sharing the same flaws, Gunn's latest film is somehow receiving mostly positive reviews. I just don't get it.
So, for the first film in the rebooted DC Universe (DCU), I expected a more coherent, emotionally rich, and self-contained story. For many viewers - especially newcomers - this movie might feel chaotic and overcrowded. And, in essence, that's exactly how it is. In just two hours of runtime, Gunn packed in so much that it could have easily been stretched out into an entire season of a TV series.
6/10
P. S. I'm not a Zack Snyder fan, even though I'm aware of his massive fanbase. Personally, I see him as a strong visionary but a weak writer and director. Still, I have to be honest: his «MAN OF STEEL» left a far deeper impression on me than James Gunn's new «SUPERMAN». As disappointing as that is - especially given how much I admire Gunn's previous work - I have to speak frankly about how I feel.
In a time where the world feels more exhausted than ever, this film reminds us why Superman matters.
With Superman , James Gunn delivers the most emotionally resonant and thematically mature version of this beloved hero to date. The result is a film that dares to reimagine the Last Son of Krypton not as a god among men, but as a man who just happens to be a god. And it works. Beautifully.
Thanks to a nuanced script and David Corenswet's pitch-perfect performance, Superman is-dare I say-relatable. Charming, earnest, even a little naïve, Corenswet captures the essential contradiction at the heart of the character: an alien more human than most of us. He's the best portrayal of Clark Kent since Christopher Reeve. Don't get me wrong, Cavill was good and had the look of Superman, but Corenswet has the soul-the farm-raised, kind-hearted boy who just wants to do what is good.
Gunn smartly skips the well-worn origin story and throws us into the thick of it-an Earth already grappling with the existence of Superman. It's a move that keeps the pacing lean and allows the story to dig deeper into the world around him. And this world feels real. In a classic Gunn fashion, he weaves in sharp, timely commentary on media weaponization, current foreign affairs, and public trust. Superman's challenges are not just physical-they're moral, political, philosophical. And yet, the film never feels like it's lecturing. It just feels-timely, relevant, necessary.
The emotional core is surprisingly affecting. Clark's dynamic with Lois Lane (Rachel Brosnahan, nailing the fierce, no-nonsense reporter) crackles with genuine tension and warmth. They bicker, they banter, they love. It's messy. It's real. Add to that the tender scenes with Clark's parents, and you have a superhero movie that somehow manages to be...intimate. When Superman tears up at a simple word from his stepdad, it hits harder than any CGI explosion.
Tonally, it's classic Gunn-light and fun, with moments that feel ripped straight out of a Saturday morning cartoon. But it's not all laughs. The humor is dialed back, used sparingly and smartly. There's surprising darkness here too-moments of genuine menace and even shocking to say the least.
As for the supporting cast, Nicholas Hoult's Lex Luthor is the best version we've seen on screen-cold, calculating, and utterly despicable. He's not a hammy businessman or a twitchy tech bro. He's evil, and chillingly rational about it. You want to punch him in the face. Repeatedly. That's a win. Rachel Brosnahan's Lois Lane is the definitive version-a relentless truth-seeker with zero time for nonsense. Nathan Fillion's Green Lantern is exactly what you'd expect from a James Gunn regular: a lovable asshole with some truly laugh-out-loud moments (creative use of his ring). Isabela Merced's Hawkgirl brings welcome edge, and Edi Gathegi's Mr. Terrific nearly steals the show with one of the most memorable fight sequences in the film.
It's not a perfect film, though. For all its triumphs, I found myself wanting more-particularly of the Clark and Lois interactions. The film's strongest moments are its quietest ones, and at times, those are sacrificed for screen time spent on less compelling side characters. The pacing is tight, but I would've gladly traded a few action beats for more of those humanizing character moments that made this version of Superman so special. That said, the inclusion of Krypto the Superdog is a delight. Watching a nearly all-powerful being struggle to handle a naughty superdog? Every pet owner can relate.
Still, by the time the credits rolled, I knew one thing: Superman is everything I wanted it to be-and then some. If this film is any indication of the direction James Gunn's DCU is heading, then DC is in very good hands. For the first time, I can honestly say that I want more of DC.
In a time where the world feels more divided, more cynical, and more exhausted than ever, this film reminds us why Superman matters. He's not just about flying fast, lifting buildings, or stopping Kaijus. He's about compassion. About kindness. About doing the right thing not for glory, but because it's the right thing to do. We need that now. We need him now. He made me believe once again that there is hope.
How Well Does the 'Superman' Cast Know Each Other?
How Well Does the 'Superman' Cast Know Each Other?
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- WissenswertesNathan Fillion insisted that Guy Gardner sport the same bowl cut he does in the comics despite early discussions about changing the hairstyle. He said, "There was some talk about different hairstyles. There was some talk about some different types of things we were going to go. I was team bowl cut the whole way. It's canon. It's set. I said, If we don't do a bowl cut, we're going to hear about it."
- PatzerSuperman's fortress is mentioned in the film to be in Antarctica. But in Metropolis, presumably in the northern hemisphere, it appears to be summertime, and at that time of year, it is perpetual night in Antarctica.
- Zitate
Lois Lane: We're so different. I was just some punk rock kid from Bakerline and you're... Superman.
Superman: I'm punk rock.
Lois Lane: [laughing] You are not punk rock.
Superman: I like the Strangle Fellows, the P.O.D.s, and the Mighty Crabjoys.
Lois Lane: Those are pop radio bands, they're not punk rock. The Mighty Crabjoys suck.
Superman: Ah, well, a lot of people love 'em.
Lois Lane: My point is I question everything and everyone. You trust everyone and think everyone you've ever met is, like... beautiful.
Superman: Maybe that's the real punk rock.
- Crazy CreditsThere is a scene at the end of the closing credits: Superman and Mr Terrific work on rebuilding Metropolis.
- Alternative VersionenIn India, the film was censored in order to achieve the U/A 13+ classification. The Central Board of Film Certification (CBFC) asked the studio to delete the foul words wherever they were mouthed. An eight-second shot involving a 'foul gesture' was asked to be removed. It was replaced by a two-second shot. Lastly, the CBFC's members deleted a 'sensual visual' lasting 33 seconds and spread across two scenes.
- VerbindungenFeatured in AniMat's Crazy Cartoon Cast: The End of a Pokémon Master (2022)
- SoundtracksOriginal Superman Theme
By John Williams
Top-Auswahl
Superman Through the Years
Superman Through the Years
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Superman: Legacy
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 225.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 320.310.209 $
- Eröffnungswochenende in den USA und in Kanada
- 125.021.735 $
- 13. Juli 2025
- Weltweiter Bruttoertrag
- 559.310.209 $
- Laufzeit
- 2 Std. 9 Min.(129 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1