Padmaavat - Ein Königreich für die Liebe

From the very beginning, this movie will try to buy you out with its lavish sets, costumes and visual effects but as it proceeds futher it only seems like a show-off; how they have spent so much money. This movie is one dimensional like its characters and the writing is too lazy: both for the character developement and screenplay. The dialogues were pathetic, self-glorifying and at places they were quite absurd. Its quite funny actually when you see the close-ups come after a dialogue and these are apparently meant for you to clap or shout or blow whistles in the theatre. Amongst the lead trio, Shahid was pretty convincing but Ranveer's role was seemingly over stretched and Deepika had literaaly the same expression on her face throughout the movie. This movie was long and filled with shots showing the shallow depth of the background to make you notice its vastness. And don't forget some really good plot holes, and these are many in number too.

However, the cinematography was good. Some visuals were great but the dance nubers were the ones to rescue. They were very well choreographed and the music was great( These reminded me me of watching a Bhansali movie).

If you sum the movie all up, then its nothing more than a mediocre treatment to an epic tale and you will feel that showing great pieces of art on screen doesn't make it a great art itself.

Duration : 164 minutes Genre : Period Drama

Shahid Kapoor... As Ratan Singh, the last Rajput ruler. Shahid looks kingly and worthy for his role, he shows immense power and bravery as a Rajput emperor. Deepika Padukone... As Padmaavati, the legendary Rajput queen. Deepika as known to be an artist who is beautiful and equally talented, she mesmerizes with her beauty, brains and emotions. Ranveer Singh... As Alauddin Khilji, the Afghan ruler of the Delhi Sultanate. Ranveer unveils his monstrous and vicious character; he immediately makes you hate him in his first few scenes, Definitely his best performance till date! Absolutely applause worthy... Both Jim Sarbh as Malik Kafur, the general slave of Alauddin and Aditi Rao Hydari as Mehrunisa, the wife of Alauddin blend in their characters well.

Story : Based on the epic poem Padmaavat (1540), the journey of a Rajput queen who performs Jauhar (self immolation) to protect herself from Khilji. The mastermind Sanjay Leela Bhansali turns poetry into motion in a very majestic way. His vision on the locations, props, lighting, battle scenes, costumes, background score is admirable.

Music : Unlike the much celebrated music of Bajirao Mastani, the music of Padmaavat is weak and unpromising. However the track Ek Dil Ek Jaan is beautiful and Ghoomar's choreography is worth a praise.

Overall Padmaavat is history of the Rajputs unveiled, and undoubtedly a Must Watch!

Ok then! After a long controversy Padmavati finally releases and that too with a slight name change.

What I really loved about this movie is that along with the performances it is actually a very rare piece of beauty even in the technical aspect.It is never easy to get the audience a feel as if they are actually living in the same time as shown in the movie and Padmaavat achieves it very well.

Surely one of the best from Sanjay Leela Bhansali.Background score is very intriguing.Climax fight very short.However the last scene does feel a little rushed.

Shahid shines even though many may say he was under used , but that was his role and he performed like a seasoned guy.Deepika shines in the lead. Ranveer is seriously very awesome and his villainous act will go down along with list of Gabbars and the Mogambos.Jim Sarbh plays his part well as a side kick to Ranveer and yes, his entry scene is the best one.

All in all, it is a movie to be experienced in the cinema hall. Go for it.

#Padmaavat is an epic film which ensures that u stay interested throughout the proceedings. Every scene, every frame, every character is larger than life. Bhansali's able direction n music will stay with u for a long time after u exit the theater. The rajputs r supposed to be brave n righteous. But Ratan Singh completely ignores his first wife as soon as he eyes Rani Padmavati. So where is true love? Khiljis character seems to be highly exaggerated. Wonder why hes shown as a maniac n a monster. There is nothing objectionable tho. Watch it. Rating 3.5/5.

Ironically, the movie is obsessed with Rajputana "Aan-Baan-Shaan" most of which got lost in protests.

Bhansali unabashedly depicts a stark contrast between 'righteous' Hindu and 'dastardly' Muslim warfare cultures, and due to deficiency of shades of grey the movie greatly suffers from lack-of-depth syndrome. However, Bhansali tries to make up for it with magnificent visual poetry and his typical OCDness in set design.

Unlike Rajamouli, Bhansali doesn't invent laws of motion. Instead, he rewrites Indian geography. Chittorgarh looks like Pushkar crossed with Asgard and Valhalla, and Delhi looks like Agrabah from Arabian Nights. Moreover, Khilji's march to Chittorgarh seems easier than commuting to Gurugram from Delhi.

Shahid's Ratansingh doesn't have to do much apart from showing his righteousness and sinewy torso. Had he been born in the British Raj, he would have played a princely cricketer who could contribute little with bat and ball but had the Wisden memorized by heart. Time for Shahid to return to Mr Bharadwaj.

Deepika's Padmaavati is adorned to such an extent that her jewelry would outweigh her hubby's chain-mail. She's the reason why men must take caution in watching this movie with their beloved as V-Day looms by. She manages to boil the pot in the first half but comes on her own in the second. Her chemistry with Shahid is lukewarm at best.

Ranveer's Khilji is the reason why we all watched Jurassic Park - to see the T-Rex. He gobbles up meat with the same intensity and dwarfs everything around. His narcissism, grandiosity and menacing grin can give Gabbar Singh an inferiority complex. Compound it with a beefed up physique, dark soulless eyes and sexual monstrosity which is way more intense than that of rapists depicted in 90s flicks. His moments with Malik Kafur are the best this movie has to offer.

Had Bhansali named this movie as "Khilji Ka Aatank", he could have had lesser problems with CBFC and Karni Sena.