A Small Fortune

Acting is a bit so-so (especially Andrea Bang who is utterly terrible and tends to ruin every scene where she opens her mouth and 'acts').

The plot is pretty predictable.

Cinematography was ok.

I'd say maybe watch it while you fold your laundry as there is nothing here to keep your attention.

3/10.

I wanted to like this movie more than I did, but there's just so much dumb by so many people in this movie that you just can't reward it too highly. Honestly, absolute stupidity abounds.

A man who is struggling financially with an expectant wife trolls the beach off rural Canada for seaweed to sell. One night he notices money embedded in one of the piles. He then finds an entire bag of money and decides to keep it. The next day a boat washes up with bloody bills in it. For some reason, he decides to set the boat on fire which brings the attention of the police, who notice money sticking out of the seaweed pile right next to it. Everyone knows who harvests seaweed, so an obvious connection is made. In the meantime, a vicious crook is looking for the money and his friend who had been in the boat. Then the seaweed guy is riding along the beach and finds the body of the friend and his response is to take the body away and bury it! WHY?? At this point pretty much everyone in the movie makes stupid decisions which get people killed and make NO sense and neither does the ending.

Now, had I not been so annoyed by the complete dumpster fire of foolishness that is the script, I'd have given this a much better rating. Because everything else is pretty well done. Great cinematography, most of the acting was well done, pleasing score, good direction. Give it an actual decent script and this would have been a 6 or 7, but I'm afraid the best I can do is a 5. I'd like to see what the director can do with better material.

Earning his money raking kelp from the shores a man finds money, much money. Despite bestest intention he does what - let's be honest - everybody does two weeks after finding a treasure.

The movie provides us an unbelieving look into modern small town life without being dramatising, showing you the unworldly in the middle of the world who hold up labour and value heritage, with some effords at times, but eventually sucessful. A neat afternoon movie.

Pour gagner sa vie en ramassant du varech sur les côtes, un homme trouve de l'argent, beaucoup d'argent. Malgré ses meilleures intentions, il fait ce que - soyons honnêtes - tout le monde fait deux semaines après avoir trouvé un trésor.

Le film nous offre un regard incrédule sur la vie moderne des petites villes, sans dramatiser, en nous montrant les gens du peuple au milieu du monde qui défendent le travail et la valeur du patrimoine, avec quelques efforts parfois, mais qui finissent par réussir. Un bon film d'après-midi.

This is writer and director Adam Perry's second-only full length feature film, and although far from perfect, for a newb filmmaker, it's better than some disappointments I've seen lately from seasoned filmmakers.

Perry's directing was actually impressive, to the point you'd think it was a Coen brothers' production. The story did have some plot and technical issues, and the pacing was a little slow, but the screenplay was tight, original and very well laid out and shot. A little more action and suspense would've gone a long way, and I would've loved to see more of the beautiful PEI landscapes.

All casting and performances were spot on, although I felt old man Omer was a little too much. The cinematography was great, and the score amazing, especially for a low budget indie B-film. It's a very decent 91 mins one-time watch, especially considered this was a novice low budget film. It's a well deserved 6.5 rounded up to a 7/10 from me.

Relatively formulaic crime caper. The best thing the movie has going for it is the setting; PEI certainly lends itself to some beautiful cinematography. The story has some interesting elements but overall it doesn't rise above a made-for-TV cheap production feel.

The dialogue is a bit ham-fisted at times and you've got some overly stereotypical characters: the disgruntled old cop, the bad guy with tattoos, etc.

"Deus ex machina" I think is the term for the introduction of a major new character toward the end of the movie. Well, it happens here and is a tad annoying. There are various "convenient coincidences" that happen such as a character finding an important bag at a rock that he just happened to randomly crouch down near. Some suspension of disbelief is OK but a few too many of them here.

The "wrap things up nicely" monologue at the end was a bit too pat while leaving various things unexplained.