American Violence

This movie had potential, but takes itself way too seriously and it's cast of budget-friendly actors turn in uneven performances. Denise Richards is trying too hard to shed her bimbo persona in a highly intellectual role as a renowned criminal psychologist. Kaiwi Lyman is uneven, veering into melodramatic overstatement in his scenes with Richards, but is much better in flashback scenes of his life of crime, especially when paired with Micheal Pare as his former small time criminal partner. Bruce Dern phones one in for the paycheck and the rest of the cast is varying degrees of bad, from unwatchable to to just ok. The story is all over the place, trying in places to be a character study of small time criminals-which would have been interesting, then trying to be a slick action-y heist movie, then trying to be political with it's socially conscious anti-death penalty message. It never hits the mark with any of it and winds up just being a mess.

Possibly uses every cliché in this genre and still plays like a poorly written country and western song. Acting is shallow and hackneyed, dialogue is stilted and amateur. Can't make its mind up if it wants to be Bonnie and Clyde or just a generic bad guy who is really a good guy but life done him wrong flick. This is just MTV fodder, better off watching We Need to Talk about Kevin.

Film is generally average, not bad or great. But in the execution chamber the priest is holding a copy of 'The New World Translation of The Holy Scriptures'. A bible internationally recognized for the accuracy of translation from the original language by bible scholars around the world, produced by Jehovah's Witnesses. The priest in the witness room was either Catholic or Protestant and they refuse to use accurate this bible, what gives??????

Greetings again from the darkness. Making a political statement is nothing new for movies; however, if a filmmaker takes a stance on a controversial issue, the final product needs to be insightful and compelling in order to make a difference. Seemingly intent on making a mockery of the Death Penalty, director Timothy Woodward Jr delivers little more than a B-movie with a hyper-serious tone, but a script that is at times laughably off the mark.

Even before the opening credits roll, we get our first brutal murder … just moments after persnickety Bruce Dern belittles his wife over the sandwich she made for him. Next up, Dr. Amanda Tyler (Denise Richards) is being asked by the Assistant District Attorney to consult on the case of a death row inmate, to determine if a stay of execution should be granted. See, Dr. Tyler is a criminal psychologist. Yes, she's played by Denise Richards. If this causes you frightening flashbacks to Ms. Richards' role as a physicist in The World is Not Enough, then you begin to have some idea what this movie is like.

The inmate is Jackson Shea (a formidable Kaiwi Lyman-Mersereau) and as he tells his life story, we are provided scenes that explain how he got to this point. It's a pretty interesting backstory starting with sleazy Uncle Mike, an alcoholic mother, and a seemingly endless array of circumstance that might have formed the basis of a better movie. You will note many familiar faces along the way: Michael Pare as Shea's partner, Patrick Kilpatrick as a criminal kingpin, Johnny Messner as a fellow criminal, and Emma Rigby as Shea's love interest. For you football fans, you'll likely reminisce about Brian Boswell when you witness Rob Gronkowski as a gun-toting bodyguard.

All of this could have been good criminal fun if we weren't being incessantly slapped upside the head with the anti-Death Penalty message … how trading death for death isn't appropriate, and for tilting the scales to show how criminals are basically good guys who accidentally end up in a bad spot thanks to a broken system and culture of violence. It's all a bit too heavy-handed and self-righteous, taking away some of the joy in chuckling at Ms. Richards playing it straight as an intellectual idealist.

This movie was presented beautifully (i.e. visual, editing and soundtrack) and written horribly. With more care in writing Denise Richard's character could have been much more three-dimensional and worth watching. She tried her best to dress up poor dialogue. The whole thing felt extremely rushed, plastic, and the story is superficial. Missed opportunities in writing made for a big miss overall. Every scene snowballs and falls apart under careful watch. For example: A scene involving a priest reading from a bible. A PRIEST... is holding a New World Translation (Jehovah's Witness) bible... and reading King James words. I'm not even religious. The writing is the foundation of the art... this is built on mud.