IMDb-BEWERTUNG
5,6/10
23.685
IHRE BEWERTUNG
Die Ehefrauen der New Yorker Gangster in Hell's Kitchen in den 1970er Jahren betreiben weiterhin die Schläger ihrer Männer, nachdem sie im Gefängnis eingesperrt wurden.Die Ehefrauen der New Yorker Gangster in Hell's Kitchen in den 1970er Jahren betreiben weiterhin die Schläger ihrer Männer, nachdem sie im Gefängnis eingesperrt wurden.Die Ehefrauen der New Yorker Gangster in Hell's Kitchen in den 1970er Jahren betreiben weiterhin die Schläger ihrer Männer, nachdem sie im Gefängnis eingesperrt wurden.
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- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
Empfohlene Bewertungen
Violent crime drama.
Set in 1978, 3 wives of Irish mobsters take over after their husbands are imprisoned for armed robbery. After a weak start the movie progresses at a better pace although I couldn't help thinking Melissa McCarthy was badly cast and her rise to power was all too easy.
The movie made me think of 'Widows', which I didn't enjoy much either. The whole movie is pro extortion, murder, and corruption in the manner of Scorsese but not really made in a way that can be compared.
Probably not one to watch.
Set in 1978, 3 wives of Irish mobsters take over after their husbands are imprisoned for armed robbery. After a weak start the movie progresses at a better pace although I couldn't help thinking Melissa McCarthy was badly cast and her rise to power was all too easy.
The movie made me think of 'Widows', which I didn't enjoy much either. The whole movie is pro extortion, murder, and corruption in the manner of Scorsese but not really made in a way that can be compared.
Probably not one to watch.
I loved this film. The acting was great. The female leads perfect. It was so entertaining. Plenty of dark humour. I don't often leave reviews but quite honestly the negativity is totally unfounded and this movie is well worth a couple of hours of your life!
I hadn't heard of this movie before I watched it, but I was interested because of the 70's NYC setting and I'm a fan of the leading actresses. It's not perfect, but I really enjoyed it. I liked the story line of these women taking care of business while their husbands are away in a time period when that wasn't expected. There are a lot of dead bodies and murders, but it's a mob movie, so that's expected. I thought parts of the plot twist toward the end were a little anticlimactic, but otherwise a good movie. Excellent song choices, also.
Although I cannot fault the excellent performances of Melissa, Tiffany, or Elisabeth, who all do justice to characters that are way too complicated, the film itself left a lot to be desired. First of all the situations seemed so totally unlikely that it was hard to swallow the overall plot. Another thing that I found irritating was that there ended up being no one I felt like rooting for, and I do mean no one. Overall, not a complete waste of time, but certainly not very memorable.
Side note, I did not know that this film was based on a DC Vertigo comic book series. I wanted to see this because of the sheer star power in the film. Elisabeth Moss is steadily growing rightfully because of her recent role in A Handmaid's Tale. Tiffany Haddish has boomed in comedic roles recently. While Melissa McCarthy has been on the scene for a while and been in some really bad films, she has talent as evidenced in Can You Ever Forgive Me? Unfortunately, The Kitchen does not really live up to what it could have been.
The film is about three wives that come together when their mobster husbands are put in prison for three years. The women need to make a living so they start taking over the crime scene in NYC (particularly the Hell's Kitchen area) and start getting money from local businesses that they shake down, while butting heads with rival mobsters. They trio soon see an unprecedented rise in status, respect, and wealth but with that comes a great price as they make a lot of enemies.
Firstly, all three actresses are great in this. This is the strongest Tiffany Haddish performance to date as we've rarely seen her in a serious element. The writing in this film is messy, uneven, and somewhat bland. Its also hard to root for the characters. Sure, they have been put down in their relationships but they are full fledged criminals and murderers, are we meant to want them to succeed? After a while you just go through the motions and realize that what we see could have been a lot better and more engaging.
I feel like Widows does a similar story way better than The Kitchen ever could have. Its also too on the nose that this is about women coming out of the shadows of men and dropping ball jokes along the way. You can have strong female characters without having to make the gender statements. Overall, messy writing is the real downfall in a film that could have and should have offered a lot more for its viewers.
5/10
The film is about three wives that come together when their mobster husbands are put in prison for three years. The women need to make a living so they start taking over the crime scene in NYC (particularly the Hell's Kitchen area) and start getting money from local businesses that they shake down, while butting heads with rival mobsters. They trio soon see an unprecedented rise in status, respect, and wealth but with that comes a great price as they make a lot of enemies.
Firstly, all three actresses are great in this. This is the strongest Tiffany Haddish performance to date as we've rarely seen her in a serious element. The writing in this film is messy, uneven, and somewhat bland. Its also hard to root for the characters. Sure, they have been put down in their relationships but they are full fledged criminals and murderers, are we meant to want them to succeed? After a while you just go through the motions and realize that what we see could have been a lot better and more engaging.
I feel like Widows does a similar story way better than The Kitchen ever could have. Its also too on the nose that this is about women coming out of the shadows of men and dropping ball jokes along the way. You can have strong female characters without having to make the gender statements. Overall, messy writing is the real downfall in a film that could have and should have offered a lot more for its viewers.
5/10
Wusstest du schon
- WissenswertesWhen referring to a site for a planned convention center project, Alfonso Coretti mentions "some millionaire's kid, a little s**t-for-brains." The project would become the Javitz Center, and the millionaire's kid is Donald Trump who owned the option on the rail yard site that the Center would eventually be built upon.
- PatzerAt the 12:34 mark when Elisabeth Moss' character leaves the diner, an address number next door shows 6920. That shows that the shot was nowhere near Hell's Kitchen. (Actually it's 3rd avenue in Bay Ridge, Brooklyn.)
- Zitate
Kathy Brennan: Bunch of men that have forgotten what family means.
Ruby O'Carroll: So we remind them.
- Crazy CreditsRetro-style versions of the Warner Bros. and New Line Cinema logos are used, suiting the film's 1970s setting.
- SoundtracksIt's a Man's Man's Man's World
Written by James Brown and Betty Newsome
Performed by Etta James
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprachen
- Auch bekannt als
- The Kitchen
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 38.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 12.180.032 $
- Eröffnungswochenende in den USA und in Kanada
- 5.527.410 $
- 11. Aug. 2019
- Weltweiter Bruttoertrag
- 15.980.032 $
- Laufzeit1 Stunde 42 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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What is the Hindi language plot outline for The Kitchen - Queens of Crime (2019)?
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