Der Österreicher Franz Jägerstätter, ein Kriegsdienstverweigerer, weigert sich, im Zweiten Weltkrieg für die Nazis zu kämpfen.Der Österreicher Franz Jägerstätter, ein Kriegsdienstverweigerer, weigert sich, im Zweiten Weltkrieg für die Nazis zu kämpfen.Der Österreicher Franz Jägerstätter, ein Kriegsdienstverweigerer, weigert sich, im Zweiten Weltkrieg für die Nazis zu kämpfen.
- Auszeichnungen
- 8 Gewinne & 27 Nominierungen insgesamt
Karl Markovics
- Mayor Kraus
- (as Karl Marvocics)
Empfohlene Bewertungen
Terence Malick has made some unique and wonderful films. This time, I feel he's reached a 'style over substance' moment that can't be overlooked. The story of a conscientious objector during WWII is certainly a workable topic. But this movie seems determined to be another ethereal art piece that's sort of a movie. The narrative is kept simple, not reaching the soulful depths i was expecting. The cinematography is fine but it's not life-changing. I mean, the location is really the star, and the angles and shots are merely relaying a background of beauty; in other words, filming in the Bavarian Alps you tend to get a lot of breathtaking shots. So what you end up getting is three hours of overindulgence in movie-making, and not a satisfying experience. I think Malick's deepest fan base will like it, but objectively, I don't see the greatness in this film, but perhaps great material to debate in a college classroom.
Malick at his best. The actors, some of them well known in the German speaking world, shift between English end German. I did not believe this could work, but it does. Cinematic poetry, powerful. a film worth 3 hours.
"Better to suffer injustice than to do it..."
I don't have many words tonight. A lot of thoughts and emotions. I didn't expect a perfect score from me this year, but I am just floored and overwhelmed by the visual poetry and spiritual magnitude of it all. It feels transcendent. With a beauty that permeates all the way to one's own relationship with God.
Based on true events, A Hidden Life is Malick's most direct exploration of faith since To the Wonder, and perhaps his most fully realized work yet. It is an allegorical story about a man of extraordinary faith. A real-life parable of perseverance and free will. A spiritual journey centered in not just our humanity, but on what it means to truly walk the steps of Christ. And on what it means to choose what we believe is right and just, when we are given every reason not to.
Malick doesn't glorify the central character's ideals or deeds. Rather we focus on the humble threads of love and the storm they weather--and the romantic chemistry is perfect. August Diehl & Valerie Pachner are both exceptional and so incredibly in love. Seconds into the film and you already know it. Pachner gives a particularly moving performance deserving of an Oscar nomination (she is in SF this week doing Q&A's!). Every touch, glance, or embrace between these two is personal, powerful, believable. You can see the stress leave their shoulders each time they first see each other. Sincerity fills the screen as their thoughts, worries, desires, and personal bond resurface in the context of God.
The cinematography is superb, with DP notably credited to Jörg Widmer and not Emmanuel Lubezki. There is a rare seamless quality achieved blending in old footage as well as in choosing to entirely forgo subtitles in a film spoken in equal parts English and German. The music is the best I've heard all year. A beautiful traditional theme by James Newton Howard (Blood Diamond, TDK) with Handel, Dvorak, and other great classical works mixed in.
A Hidden Life is a film that may stay with you for some time. This is quintessential Malick, joining the ranks of The Thin Red Line and The Tree of Life. Go in with an open mind and heart, ready for a spiritual experience.
I don't have many words tonight. A lot of thoughts and emotions. I didn't expect a perfect score from me this year, but I am just floored and overwhelmed by the visual poetry and spiritual magnitude of it all. It feels transcendent. With a beauty that permeates all the way to one's own relationship with God.
Based on true events, A Hidden Life is Malick's most direct exploration of faith since To the Wonder, and perhaps his most fully realized work yet. It is an allegorical story about a man of extraordinary faith. A real-life parable of perseverance and free will. A spiritual journey centered in not just our humanity, but on what it means to truly walk the steps of Christ. And on what it means to choose what we believe is right and just, when we are given every reason not to.
Malick doesn't glorify the central character's ideals or deeds. Rather we focus on the humble threads of love and the storm they weather--and the romantic chemistry is perfect. August Diehl & Valerie Pachner are both exceptional and so incredibly in love. Seconds into the film and you already know it. Pachner gives a particularly moving performance deserving of an Oscar nomination (she is in SF this week doing Q&A's!). Every touch, glance, or embrace between these two is personal, powerful, believable. You can see the stress leave their shoulders each time they first see each other. Sincerity fills the screen as their thoughts, worries, desires, and personal bond resurface in the context of God.
The cinematography is superb, with DP notably credited to Jörg Widmer and not Emmanuel Lubezki. There is a rare seamless quality achieved blending in old footage as well as in choosing to entirely forgo subtitles in a film spoken in equal parts English and German. The music is the best I've heard all year. A beautiful traditional theme by James Newton Howard (Blood Diamond, TDK) with Handel, Dvorak, and other great classical works mixed in.
A Hidden Life is a film that may stay with you for some time. This is quintessential Malick, joining the ranks of The Thin Red Line and The Tree of Life. Go in with an open mind and heart, ready for a spiritual experience.
Saw this in Toronto and felt privileged to be in a world where a movie like this is made and a story like this is told. Based on letters written between a husband and wife while he is in jail for being a conscientious objector in Hitler's Austria. So heartbreaking to see how the village where he lived, all friends and neighbours for decades - all become his enemies as he is the only one willing to say No. And yet he is strong in his convictions and sustained by love.
Another Terrance Malick film but - thank God - it's not like his last ones. He is back.
I was bored of the idea of another Anti-Nazi film but I'm telling you it's not. This is a film about pride, bravery, principles, choice, humanity.
As usual from Malick: great shots and cinematography, great monologues, such an incredible soundtrack that deserved an Oscar nomination (also the cinematography). But still the editing got me confused at some scenes, it was a weakness point. The cast are all good especially August Diehl & Valerie Pachner.
No cliches, no heroes, just a simple man whose opinion won't affect the war and no one would listen to it, but he is still standing for his principles to make himself and his family proud of himself as a human. A Hidden Life of a hidden family.
Some people could get bored quickly so it's simply not for them. They have a lot of films for their taste. It's ok everyone has a taste. Just enjoy and let people enjoy.
Wusstest du schon
- WissenswertesTerrence Malick spent almost three years editing this film.
- Zitate
Closing Title Card: ...the growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs. -George Eliot
- Crazy CreditsThe title card at the end of the picture comes from the final sentence of George Eliot's "Middlemarch".
- SoundtracksSt Matthew Passion, BWV 244, Kommt, ihr Töchter
Written by Johann Sebastian Bach
Performed by Bach-Collegium Stuttgart (as Bach Collegium Stuttgart) and Gächinger Kantorei (as Gächinger Kantorei Stuttgart) with Helmuth Rilling
Courtesy of Sony Music Entertainment (Germany) GmbH
By arrangement with Sony Music Entertainment
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Una vida oculta
- Drehorte
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Box Office
- Bruttoertrag in den USA und Kanada
- 1.730.597 $
- Eröffnungswochenende in den USA und in Kanada
- 50.383 $
- 15. Dez. 2019
- Weltweiter Bruttoertrag
- 4.645.140 $
- Laufzeit
- 2 Std. 54 Min.(174 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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