Victoria & Abdul

My wife and I attended a preview screening last night with no preconceived ideas about the movie, not having even seen a trailer.

We were immediately drawn in and pleasantly surprised by the story, even though we thought it may have been a little far fetched. Until we found that it is a biography and mostly fact. That made the story even sweeter.

Dame Judy Dench's acting was peerless as usual, but by far the biggest revelation was Ali Fazal, who put in a wonderful performance from comedic through emotionally intense.

There was so much I didn't know about Queen Victoria's twilight years that this movie put into perspective, in a way that was consistently entertaining. We laughed and cried. Highly recommended.

Greetings again from the darkness. Director Stephen Frears has enjoyed a long career by focusing on the interesting stories of people, rather than the salient specifics of history or politics. He received Oscar nominations for THE QUEEN and THE GRIFTERS, and helmed other crowd-pleasers such as MRS. HENDERSON PRESENTS, PHILOMENA, HIGH FIDELITY, and FLORENCE FOSTER JENKINS. While purely entertaining movies are always welcome, it's important to note the filmmaker's approach when the story is entwined with historical importance.

"Based on real events … mostly" is Mr. Frears' cutesy way of kicking off the film and asking us to enjoy the unusual story of connection between a Queen and a servant, and cut him some slack on the historical depth. For most of us, the real enjoyment will be derived from watching yet another standout performance from Oscar winner (and 7 time nominee) Dame Judi Dench as the longest-reigning monarch, Queen Victoria in her elderly years. It's a role she played twenty years ago in MRS. BROWN, and her relationship with John Brown (presented in that film) has some parallels to what we see here with Abdul Karim (Ali Fazal). Dame Judi is the rare actress who can capture both the loneliness and tiresome burden of six decades of rule and the re-invigorated woman we see learning a new language and new religion. She plays weary and spunky with equal believability.

Victoria was Queen of the United Kingdom of Great Britain and Ireland and Empress of India, and in 1861 her beloved husband Prince Albert died. This film picks up in 1887 with the pomp and circumstance of the Golden Jubilee – a celebration of her 50 years of rule. The early scenes tease us with obstructed views, and the comedic element becomes quite obvious as we see her so carelessly slurping her soup at the formal lunch. Part of the celebration includes the presentation of an honorary coin by two Indians peasants Abdul (Fazal) and Mohammed (Adeel Akhtar), the first chosen because of his height, and the second as a last minute fill-in.

Lee Hall (Oscar nominated for BILLY ELLIOT) wrote the screenplay based on the book by Shrabani Basu. The journals of Abdul Karim were only discovered in 2010, a hundred years after his death. Some of the less favorable moments of this era are mentioned, but most of the Queen's lack of knowledge or awareness is attributed to the "boring" reports from her advisers. This leads to some awkward moments later in the film regarding the Muslim mutiny and the subsequent Fatwa.

Rather than dwell on history, the film prefers to focus on the unconventional friendship and the re-awakening of the Queen. Abdul becomes her "Munshi" – a spiritual adviser and her teacher of Urda and the Koran. As you would expect, this is all quite scandalous and frustrating for those such as Prime Minister Lord Salisbury (Michael Gambon), Lady Churchill (Olivia Williams), Victoria's son Bertie (Eddie Izzard), and the royal staff: Sir Henry (the recently deceased Tim Pigott-Smith), her physician Dr Reid (Paul Higgins), and her quivering maid Miss Phipps (Fenella Woolgar). There is even a comical sequence with the great singer Puccini (Simon Callow) as the Queen herself belts out the Gilbert and Sullivan song "I'm Called Little Buttercup".

Balmoral, the Isle of Wight, and Windsor Castle are all part of the breath-taking scenery, while the absurdity of the royal status is viewed through the eyes of the Indian servants. Most of the focus is on Victoria's transformation from joyless, isolated monarch to the anything-but-insane (an Oscar worthy scene) and eager to engage elderly woman (one who has an entire era named after her) falling back in love with life as she fights off "the banquet of eternity". Come for the laughs and the performance of Dame Judi … just not for a history lesson.

2/4/18. What a beautiful and true story of a very unlikely friendship that crosses many cultural borders at the time. Of course, today, this would be just as unlikely as it was then, but it is a true wonder that this story was ever told at all. Does not paint a good picture of Queen Victoria's children who mistreated the aging queen with such disrespect and Abdul with such racist disdain. The true story of what Victoria's children did, expunge any trace of the friendship Victoria had with Abdul, is a cautionary tale of how adult children should not treat their aging parents. It's called parental abuse. Today such a friendship would be fodder for the tabloids, but at least it would have been told. Well done and worth seeing.

Some good performances to support another superb performance by Judy Dench. Izzard was a revelation.

Good pace, good camera work - More history well told than masterpiece, but a good night out.

More comedic lines than I was expecting. Is the racism at the core of the film as much about class as religion?

This movie is a treat for the eyes with gorgeous Scottish locations, stylishly detailed costumes, stately summer palaces, and consists of many professional performances. It's good to see Dame Dench give a strong performance following some by-the-numbers of late. It also holds the attention for most of its run time by offering a tell-tale story of a little known relationship between this long reigning Queen, with a randomly selected Indian - who was one of two 'local subjects' brought to England to present her with a specially minted gold coin - as token of appreciation from British ruled India. The close relationship that follows between her and one of the guest presenters tends to become perhaps a little too romanticised for the level of believability expected of its audience. Victoria's Burqa comments made at her first sight of Abdul's wife - seem far too 'fanciful' if not highly doubtful.

It's more like a case of this older woman maybe being mesmerized by the mystical East or the BBC perhaps, following a mandate to sell a political message of Muslim cleansing to the British populace and the world. Either way there's a feeling that, at its core, maybe lays a major thread of PC manipulation. If you can brush this aside you'll enjoy a well-made tale of highly unusual interracial fascination but, there remain other odd facts to overcome. As head of the Church of England this Queen is allowed to slowly die - without a representative of her church being in attendance - highly suspect if this is being claimed as true! The introductory credits tell us; "This story is based on real events...well, mostly". Make of that what you will.