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I Am Not Your Negro

  • 2016
  • 12
  • 1 Std. 33 Min.
IMDb-BEWERTUNG
7,9/10
24.314
IHRE BEWERTUNG
I Am Not Your Negro (2016)
Writer James Baldwin tells the story of race in modern America with his unfinished novel "Remember This House."
trailer wiedergeben2:02
6 Videos
71 Fotos
GeschichtsdokumentationGeschichteDokumentarfilm

Schriftsteller James Baldwin erzählt mit seinem unvollendeten Roman "Remember This House" die Geschichte der Rassenverhältnisse im modernen Amerika.Schriftsteller James Baldwin erzählt mit seinem unvollendeten Roman "Remember This House" die Geschichte der Rassenverhältnisse im modernen Amerika.Schriftsteller James Baldwin erzählt mit seinem unvollendeten Roman "Remember This House" die Geschichte der Rassenverhältnisse im modernen Amerika.

  • Regie
    • Raoul Peck
  • Drehbuch
    • James Baldwin
    • Raoul Peck
  • Hauptbesetzung
    • Samuel L. Jackson
    • James Baldwin
    • Martin Luther King
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,9/10
    24.314
    IHRE BEWERTUNG
    • Regie
      • Raoul Peck
    • Drehbuch
      • James Baldwin
      • Raoul Peck
    • Hauptbesetzung
      • Samuel L. Jackson
      • James Baldwin
      • Martin Luther King
    • 96Benutzerrezensionen
    • 218Kritische Rezensionen
    • 95Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 1 Oscar nominiert
      • 36 Gewinne & 53 Nominierungen insgesamt

    Videos6

    Official Trailer
    Trailer 2:02
    Official Trailer
    Teaser Trailer
    Trailer 1:05
    Teaser Trailer
    Teaser Trailer
    Trailer 1:05
    Teaser Trailer
    I Am Not Your Negro
    Trailer 1:06
    I Am Not Your Negro
    Janelle Monáe, Laverne Cox, and More Share Their Must-Watch Picks for Pride
    Clip 3:40
    Janelle Monáe, Laverne Cox, and More Share Their Must-Watch Picks for Pride
    I Am Not Your Negro
    Clip 1:08
    I Am Not Your Negro
    I Am Not Your Negro
    Clip 1:02
    I Am Not Your Negro

    Fotos70

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    + 64
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    Topbesetzung68

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    Samuel L. Jackson
    Samuel L. Jackson
    • Narration
    • (Synchronisation)
    James Baldwin
    James Baldwin
    • Self
    • (Archivfilmmaterial)
    Martin Luther King
    Martin Luther King
    • Self
    • (Archivfilmmaterial)
    Malcolm X
    Malcolm X
    • Self
    • (Archivfilmmaterial)
    Medgar Evers
    Medgar Evers
    • Self
    • (Archivfilmmaterial)
    Robert F. Kennedy
    Robert F. Kennedy
    • Self
    • (Archivfilmmaterial)
    Harry Belafonte
    Harry Belafonte
    • Self
    • (Archivfilmmaterial)
    Paul Weiss
    • Self
    • (Archivfilmmaterial)
    Dick Cavett
    Dick Cavett
    • Self
    • (Archivfilmmaterial)
    H. Rap Brown
    H. Rap Brown
    • Self - Black Panther Party
    • (Archivfilmmaterial)
    Bob Dylan
    Bob Dylan
    • Self
    • (Archivfilmmaterial)
    Leander Perez
    • Self - White Citizens Council
    • (Archivfilmmaterial)
    Sidney Poitier
    Sidney Poitier
    • Various Roles
    • (Archivfilmmaterial)
    Ray Charles
    Ray Charles
    • Self
    • (Archivfilmmaterial)
    Doris Day
    Doris Day
    • Various Roles
    • (Archivfilmmaterial)
    Gary Cooper
    Gary Cooper
    • Frank Flannagan
    • (Archivfilmmaterial)
    Tony Curtis
    Tony Curtis
    • John 'Joker' Jackson
    • (Archivfilmmaterial)
    Clinton Rosemond
    Clinton Rosemond
    • Tump Redwine (clip from They Won't Forget (1937))
    • (Archivfilmmaterial)
    • Regie
      • Raoul Peck
    • Drehbuch
      • James Baldwin
      • Raoul Peck
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen96

    7,924.3K
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    Empfohlene Bewertungen

    9evanston_dad

    An Eloquent and Angry Examination of the Racial Divide

    James Baldwin began a book called "Remember This House" but died before completing it. It intended to weave together the stories of Martin Luther King Jr., Malcolm X, and Medgar Evers into a tapestry of the black American experience. In "I Am Not Your Negro," Samuel L. Jackson reads the finished portion of the manuscript, and filmmaker Raoul Peck sets the words to images from the Civil Rights Movement and the current Black Lives Matter movement. The result is a bracing and deservedly angry film that captures better than anything I've read or seen yet the reasons behind the frustration and outrage of American blacks.

    There's a marvelous moment in the film when a philosophy professor challenges Baldwin on the Dick Cavett Show for his attitudes, and basically holds Baldwin (and by extension black people) responsible for the continuing racial divide. His message seems to be "you're the one making an issue out of this, not me." Baldwin's take down of him in eloquent words that I won't even begin to try to replicate captures the essence of the entire film and the black struggle for equality.

    And Baldwin's criticism doesn't stop at racial issues. He also denounces American popular and material culture in general, accusing Americans of letting consumerism anesthetize them into a false sense of happiness and contentment that allows them to ignore all that is wrong with the American way of life.

    This is a movie that made me furious at America for continuing to stick its head up its ass when it comes to the subject of race. Watching Baldwin's heartfelt distress over the Civil Rights Movement juxtaposed to recent images from the news made it crystal clear that America has not progressed as much as it would like to think it has.

    Grade: A
    10caitcahill

    Must see !

    This film should be required for every American. It is one of the most important films of our time. It is lyrical, profound, historic and of this moment. And, at the same time it is profoundly intimate. James Baldwin is right here with us, front and center, looking right at us, talking with us, imploring us to consider the urgent questions he raised 50 years ago that are as urgent today. Thank you Raoul Peck. This is a masterpiece. It is as poetic as it is a demand for white people to come to terms with how they have constructed blackness and what, indeed, this means about whiteness. Peck includes one of Baldwin's most famous statements on this in the film: "What white people have to do, is try and find out in their own hearts why it was necessary to have a n*#!er in the first place. Because I'm not a n*#!er. I'm a man, but if you think I'm a n*#!er, it means you need it. . . . If I'm not a n*#!er here and you invented him — you, the white people, invented him — then you've got to find out why. And the future of the country depends on that. Whether or not it's able to ask that question." This is it. Our future depends on it. Baldwin cannot say it more clearly.
    8view_and_review

    Brilliant

    I've been on a roll lately with my movie choices. I've seen one delight after another and I get to add this movie to the list.

    I Am Not Your Negro is a documentary based upon the writings of James Baldwin in which the essence is Black-White race relations in the U.S. James was an eloquent writer and speaker so I may be doing him a disservice by summarizing the documentary as such. He'd probably say it was a lot more than that--and it was. In it we got an ode to Medgar Evers, Malcolm X, and Martin Luther King Jr. These three iconic figures of the Civil Rights era were all killed within five years of each other and none lived to the age of 40.

    There was a lot of riveting and provocative imagery in this documentary and it certainly will not appeal to a lot of people. There are some ugly truths about the American past that we all want to move on from but we'd do well not to forget.

    I loved the film. If for no other reason than being treated to seeing and hearing James Baldwin speak. He was a brilliant and eloquent speaker and I had no clue. One thing mentioned was how Malcolm X, MLK and James Baldwin all had different view points and different approaches to the problems of Black people in America. They all spoke a truth as they had different backgrounds and different outlooks. But what is undeniable is that they all had the uplifting of their people in mind and all three personalities were invaluable to the African American cause.

    This is a documentary that is going to disturb you and wake you up out of your reverie. The film is replete with historical footage and photos as well as recent footage--there are clips as recent as present day Hilary Clinton and Donald Trump--so you can't just relegate the picture to "old news" or "stuff from the past". It is relevant and as James Baldwin alluded to: it is a problem that has to be fixed because the survival of the country depends upon it.
    10astrophysicistb-11237

    An amazing use of cinematography and historical footage

    Note that the reason this is 5/10 stars right now is that there is a large bloc of people who have given it 1 star (presumably the white supremacist crowd). There is no way that anyone who believes in the need to tell black history would give this anything less than an 8/10.

    This cinematography was absolutely incredible, the use of historical footage to stitch together a narrative of the Civil Rights movement combined with recent footage makes this movie incredibly timely. James Baldwin proves a brilliant orator, and the story takes you through both his life and his relationships with Martin Luther King Jr., Malcolm X, and Medgar Evers. This movie tells more black history than I learned in my entire public school education, and should be seen by everyone.
    Gordon-11

    Captivating

    This documentary tells the story of the horrible history of the United States of America just decades ago, when the law and the public openly allowed horrifying discrimination based on race. Three individuals who spoke out against this terrible and sustained crime against equality were murdered. This documentary focuses on these three brave souls who met their untimely death.

    It is almost out of this world to see how discrimination and abuse happened as if it was normal. The archival footage are plentiful and very well selected in this documentary. What people said in front of camera in support of discrimination was horrific. I could not believe there was even someone singing about the murder of the African American activist.

    This documentary captivates my attention and evokes my emotions.

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    Handlung

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    • Wissenswertes
      The film is based on James Baldwin's 30-page unfinished manuscript for a novel. In a way, it "finishes" the work by incorporating other interviews and writings by Baldwin, and expanding on the themes through archival footage.
    • Zitate

      James Baldwin: Not everything that is faced can be changed. But nothing can be changed until it has been faced. History is not the past. It is the present. We carry our history with us. We are our history. If we pretend otherwise, we literally are criminals.

    • Verbindungen
      Featured in Die 89. Oscar-Verleihung (2017)
    • Soundtracks
      The Ballad of Birmingham
      Written by Jerry Moore, Dudley Randall

      © Melody Trails

      Performed by the Tennessee State University Students (2006)

      Music and Arrangement by Bransen Edwards

      Piano by Steve Conn

      Vocals by Santayana Harris & Kameka Word

      Courtesy of Dr. Robert R. Bradley

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    FAQ

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    Details

    Ändern
    • Erscheinungsdatum
      • 30. März 2017 (Deutschland)
    • Herkunftsländer
      • Frankreich
      • Vereinigte Staaten
      • Belgien
      • Schweiz
    • Offizielle Standorte
      • Belgian co-production's official site
      • French distribution's official site
    • Sprachen
      • Englisch
      • Französisch
    • Auch bekannt als
      • Remember This House
    • Produktionsfirmen
      • Velvet Film
      • Velvet Films
      • Artémis Productions
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    Box Office

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    • Bruttoertrag in den USA und Kanada
      • 7.123.919 $
    • Eröffnungswochenende in den USA und in Kanada
      • 686.378 $
      • 5. Feb. 2017
    • Weltweiter Bruttoertrag
      • 8.345.298 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 33 Minuten
    • Farbe
      • Color
      • Black and White
    • Seitenverhältnis
      • 1.85 : 1

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