Shinobi no kuni

In Iga, called the "land of stealth," ninjas spend all their time fighting and killing, with no more regard for humanity than animals have. The imperious warlord Oda Nobunaga has been invading and taking over province after province, but even he is wary of attacking Iga. The greatest ninja in Iga is Mumon, whose name means no-gate because no gate can be held against him; but Mumon (Satoshi Ohno) himself is quite a light-hearted guy whose main question about doing anything is "who will pay me?" When he is paid enough to kill the younger son of the Iga ruler, the older son swears vengeance and sets in train a series of events to bring Iga and Oda to the battlefield…. Evidently Satoshi Ohno, beyond being an actor/ninja warrior, is a dj and the leader of a J-pop band, and his breezy style for much of this film provides a great sense of ease, even comedy, but the underlying message of the film is far more harsh and, well, sad. An interesting mix of style versus substance, and definitely a different take on the Japanese historical film. The ending just might break your heart, though.

If you like Ninja movie, then consider watching this one. It was not an ordinary Ninja we used to watch. With its historical background, Mumon showed us the side of Ninja colony that we might not know yet. It has fair amount of comical action, also hilarious facial expressions that even though you don't understand what they say, you'd laugh. The cast can't be better, their fluid move for fighting scene is superb. You'll understand their feeling without understanding what they're saying. Watch it till the end, you'll find Mumon not just giving you good laugh, but a deep thought in the end; 'are we human enough?' Give this movie a try if it showed in your country, since it was not made world wide, only to several Japanese movie event.

We are all familiar now with the nature of Japanese jidaigeki (period drama) epics set in the age of the samurai. By going back to what appears to be relatively simpler times when everyone knew their place in the social order, films like Yoji Yamamoto's Twilight Samurai (2003) and The Hidden Blade (2004) try to remind us that what is really important in life is respect for order, attention to duty, and acting with honour and loyalty. Director Yoshiho Nakamura, known for somewhat off-beat dramas, presents a more modern and comic outlook on the jidaigeki epic in Mumon: The Land of Stealth, where there is only one thing that is important to the citizens of Iga; it's all about the money.

Skirmishes are an everyday occurrence in Iga, the Land of Stealth, home of the ninja. Which makes you think that they would know by now that Mumon (named after the fact that 'No gate' is closed to him), the greatest ninja in the land, is pretty much invincible, so there's not really much point in taking him on. If they did that however, life would be fairly dull (and there wouldn't be much of a film), but life is cheap in 1579, and the ninja love nothing more than a good fight. As long as they are being paid for it.

The opportunity of a handsome pay-packet comes their way with the news that the warlord Nobunaga Oda has been conquering neighbouring provinces. Ise has just fallen and, vastly outnumbered, Iga is sure to follow. Rather than being concerned, Iga's Council of Twelve see it as an opportunity to make some money and decide to invite Nobunaga Oda into Iga, where - for a modest salary - they will even build a castle for him in the heartland of the country. Oda however has warned his son, who has taken up command of Ise - on no account to make war with Iga as it is nothing but a "swamp of rabid beasts", but headstrong junior thinks he knows better and ignores his father's advice...

Filled with comedy and irreverence, if Yoshihiro Nakamura's Mumon is not what you traditionally expect from a samurai film, it at least delivers where it matters most; in the spectacular fight scenes that inevitably ensue. Battle sequences and individual duels are thrillingly choreographed and intensely staged, with hordes of flying ninja warriors leaping around, appearing out of rocks, trees and from underground, without over-reliance on CGI. Just as importantly however, director Nakamura doesn't indulge in sepia-tinted nostalgia but rather - amidst all the comedy - has something relevant to say about the 'ninja warriors' of today, where it is indeed all about the money.

If you can get past the first half an hour (as a non native language speaker) you get a good old school romp.

It is difficult to be completely fair about a Japanese ninja film I saw with some of the most surreal subtitles possible, "We will attack Iraq soon", "this is money....Yongle hundred money". To add to the confusion whoever was translating names made a splendid job with often quite literal translations, Big Meal, Ah and No Door amongst others, names that blended almost unobtrusively with the generally confusing goings on.

It was however enough to follow a film that I suspect was filmed in 2017 using 1950's script and technology, what was produced can be described as full ninja anime. To make up for the somewhat obscure start the film transitioned into what was an excellent portrayal of an archetypal ninja culture, warmongering, money hungry and fun hungry, martial art living badasses.

There were some sublime parts of this film that made it worth the watch.

A 7 for trying damn hard :D

Mumon is a great movie. I think everyone should watch this movie. It contains a great message. Watching this movie can give you a clear view of ninja life.their dark life and how they survive, their status in community of Japan in 1500s~

All casts played their roles very well. Talk about the lead character: Ohno Satoshi who played Mumon, his role was spectacular...i was mesmerized with his acting...from the start until the end. His playful side, emotion, fighting skills made me go speechless.

Ishihara Satomi, Iseya, Suzuki Ryuhei, Chinen Yuri had a very strong character too...marvelous.

Thanks to Ryo Wada for a great ninja story...and Yoshihiko Nakamura for a excellent movie.

Watching one time is not enough.