IMDb-BEWERTUNG
6,2/10
3173
IHRE BEWERTUNG
Nichts als Stille. Nichts anderes als ein revolutionäres Lied. Eine Geschichte in fünf Kapiteln wie die fünf Finger einer Hand.Nichts als Stille. Nichts anderes als ein revolutionäres Lied. Eine Geschichte in fünf Kapiteln wie die fünf Finger einer Hand.Nichts als Stille. Nichts anderes als ein revolutionäres Lied. Eine Geschichte in fünf Kapiteln wie die fünf Finger einer Hand.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 4 Gewinne & 6 Nominierungen insgesamt
Jean-Luc Godard
- Narrator
- (Synchronisation)
Anne-Marie Miéville
- Narrator
- (Synchronisation)
Wallace Beery
- Un acteur
- (Archivfilmmaterial)
- (Nicht genannt)
Jules Berry
- Un acteur
- (Archivfilmmaterial)
- (Nicht genannt)
Gaby Bruyère
- Une actrice
- (Archivfilmmaterial)
- (Nicht genannt)
Roberto Cobo
- Un acteur
- (Archivfilmmaterial)
- (Nicht genannt)
Jean Cocteau
- Un acteur
- (Archivfilmmaterial)
- (Nicht genannt)
Eddie Constantine
- Un acteur
- (Archivfilmmaterial)
- (Nicht genannt)
Danielle Darrieux
- Une actrice
- (Archivfilmmaterial)
- (Nicht genannt)
Josette Day
- Une actrice
- (Archivfilmmaterial)
- (Nicht genannt)
Douglas Fairbanks
- Un acteur
- (Archivfilmmaterial)
- (Nicht genannt)
Jean Gabin
- Un acteur
- (Archivfilmmaterial)
- (Nicht genannt)
Jean Galland
- Un acteur
- (Archivfilmmaterial)
- (Nicht genannt)
Buster Keaton
- Un acteur
- (Archivfilmmaterial)
- (Nicht genannt)
Jean Marais
- Un acteur
- (Archivfilmmaterial)
- (Nicht genannt)
Empfohlene Bewertungen
My immediate reaction to this film was: a modern, edgy and less focused film comprable to Tarkovsky's "The Mirror."
I genuinely don't know what to rate this film. I'm pretty indifferent towards it. Throughout watching, I noticed my mind regularly wandering, and, unlike how I normally respond to that observation, I let it continue to happen. I feel like Godard would appreciate that because, at the end of the day, isn't that what film is? Visual and sonic stimulus that leads to inward thought? With allowing myself to drift came a meditative quality. The difference with this film is that inward thought inspired by the screen was incredibly immediate but far less direct. I say it's indirect because there doesn't seem to be any complete or clear idea throughout the film that I could have used to inwardly springboard off of.
Like the film, this review doesn't seem grounded in much concrete thought, and I think that's an appropriate response to have. That sounds like a negative statement but it truly isn't. The whole thing felt like an unabashed visual stream of consciousness into Godard's various woes with the world in which meaning can be more drawn from the form than the substance. It was a unique experience to say the least.
I genuinely don't know what to rate this film. I'm pretty indifferent towards it. Throughout watching, I noticed my mind regularly wandering, and, unlike how I normally respond to that observation, I let it continue to happen. I feel like Godard would appreciate that because, at the end of the day, isn't that what film is? Visual and sonic stimulus that leads to inward thought? With allowing myself to drift came a meditative quality. The difference with this film is that inward thought inspired by the screen was incredibly immediate but far less direct. I say it's indirect because there doesn't seem to be any complete or clear idea throughout the film that I could have used to inwardly springboard off of.
Like the film, this review doesn't seem grounded in much concrete thought, and I think that's an appropriate response to have. That sounds like a negative statement but it truly isn't. The whole thing felt like an unabashed visual stream of consciousness into Godard's various woes with the world in which meaning can be more drawn from the form than the substance. It was a unique experience to say the least.
Complex, very complex, different, very different, many images, few sounds, a lot to say in few words, film clippings, reports, animations, war, pain, suffering, sometimes disconnected, but always very intense...
First work by Jean-Luc Godard that I watch, and I started with the most subjective, profound and strange... "The world is not interested in Arabs and Muslims, while Islam has political attention." Is about. That, about generalization, about Islamophobia, generalization, xenophobia, wanting to silence a nation...
The director suggested that not all scenes were translated, so that the image and sound would speak for themselves... Amazing...
You can very well like Godard, and "Goodbye to Language" and still find this absolutely pretentious and meaningless. To me, in this "work" ( or "book" if you want to call it, it's definitely not a "movie") the substance does not justify the framework.
I looked at my watch trying to figure out how much longer I'd have to sit through, and realized we're 9 minutes into the movie! NINE!!! I left the theatre after 40 minutes realizing I can find better things to do in the next 45 minutes.
I've seen a lot of weird movies. But this is too weird for me. Maybe a few years, or a few more bizarre movies, will lead me to appreciate this one. Right now it's not gonna happen.
I give it a 5, simply because I found it aesthetically pleasing, and it seems like something I could like.
In this movie Godard made a Video collage, images are exhausting for audience you will watch a cycle of images. The subject is; is this a movie or an audiobook? If you have chance to watch it twice you should only watch and in other watching you should listen what he is saying. Ideas, speeches are in every second of movie and you haven't got any time for thinking what Godard said. It's unregular for Godard the way he made this video. If you are really interested in his works you should watch but if you aren't you will probably bored while watching movie.
Wusstest du schon
- WissenswertesThe 45th and last feature film of French director Jean-Luc Godard.
- VerbindungenFeatures Ankunft eines Zuges in La Ciotat (1896)
- SoundtracksQuintet with Piano, Op. 18
Composed by Moisey Vaynberg
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- The Image Book
- Drehorte
- Tunesien(Some scenes according to Vincent Maraval)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 94.153 $
- Eröffnungswochenende in den USA und in Kanada
- 13.854 $
- 27. Jan. 2019
- Weltweiter Bruttoertrag
- 132.015 $
- Laufzeit
- 1 Std. 28 Min.(88 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.78 : 1
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