Call Me by Your Name

Beauty in the midst of all the ugliness we're living in, it's like a shock. I wept like I hadn't wept in a movie since I was very young. It made me think and remember summers of my own life. It made remember sounds and smells. I was transported. The smartness, candor and gentleness of this unexpected love story goes beyond anything I've ever seen. Luca Guadagnino is rapidly becoming one my favorite directors working today. Armie Hammer completely demolished my preconceptions with a performance that is total perfection and I haven't mention Timothee Chalamet yet. No I need to dedicate the lasts paragraphs to him because his performance goes beyond perfection. I didn't know him at all. Now I' a fan. It reminded me of the first time I saw Daniel Day Lewis playing a gay punk in "My Beautiful Launderette" An explosion of beauty when you least expected. Thank you for that.

This film is pure sensuality and emotion. You can see through the character's eyes, taste through their mouths but most importantly you feel, by God how you feel. Luca Guadagnino manages to extract the very best out of his actors: Armie Hammer's performance shows unprecedented depth and Timothee Chalamet is the essence of awe inspiring acting, this film will land him an Oscar nomination at the very least.

Call Me By Your Name is the kind of movie that makes you sit through the credits with tears rolling down your face, staring blankly at the screen with a lump in your throat and tightness in your chest.

Call Me By Your Name is not a tragic movie. It's not a sad movie. It's not a pretentious movie. It's a movie about love, and love, and love. A beautiful love that will leave you longing to find your own love and drown in it.

Timothée Chalamet is an absolute force of nature. Elio will make you want to love, and hurt, and piece yourself back together with absolutely no regrets whatsoever. Elio will make you want to live your life to the fullest. Elio will make you want to break your own damn heart. It's so rare that a performance truly shows the depth of longing, and despair, and passion a character conveys through written words without the internal monologue. Timothée is truly a revelation and his last scene during the credits will have a lasting impact on everyone.

Armie Hammer is absolutely brilliant in the way he humanizes Oliver who is somewhat glorified through Elio's lens in the first part of the book. In the movie, Oliver is endearing and human and sexy and caring. He cares for Elio, and his love for him is so tender and so touching

Michael Stuhlbarg's monologue delivered nearing the end of the film is a complete masterpiece, and without a doubt that monologue with be taught and quoted for many years to come. A raw and beautiful scene.

Watch this movie. Watch it, and love it, and don't let it fall victim to over-hype. Watch this movie. Fall in love in two hours and twelve minutes, then question every single time you didn't allow yourself to feel just because you were afraid of getting hurt. Was avoiding a possible heartbreak that might have shattered you worth never getting a taste of the heavens? Was killing the potential pain and heartache worth it? Was it worth it?

It's hard to put into words exactly the way I felt watching this film. Hours later it's hard to even begin to write my opinion on it. To put as simply as I can, the film perfectly captures its setting and atmosphere in a way few films do. The biggest credit needs to be given to director Luca Guadagnino, who is able to capture the smallest of details. Technically, the film is a marvel and I struggle to think of one flaw. It's beautiful, sensual, luscious in its execution, with absolutely marvelous pacing. In terms of pure directorial achievements, it's definitely one of the best of the year. The performance of Timothée Chalamet is also a pretty perfect portrayal of the character in the novel, and a completely internal performance that is reminiscent of Rooney Mara's wonderful work in Carol. Armie Hammer is also quite strong in the role, although it's a tricky character to get completely right. The novel is told completely through Elio's eyes and so we only imagine and see Oliver from a distance. He's more of an enigmatic figure in the novel than a real, tangible person. So much of that is due to the writing and the way Elio sees him as, so in terms of difficulty, I can imagine how Hammer had quite a task on his hands. Due to the literal nature of film, it's a type of character that always had to lose some of its mystery to its translation from the page, and it's as good one as can be.

I have so much I want to say about this but still can't find the right words, but the one thing I will say is that while the story here is pretty simple, the film really does capture, more than any other in recent memory, the feeling of that fleeting force of love and passion that can come to define one's life. It does so in a melancholic, beautiful way that makes it stand out from others of its kind. I can see why some people wouldn't take to it (and in fact the almost-unanimous positive reviews surprise me) because at the end of the day, the technical aspects work to create a film that can only be defined by a feeling that some people will experience watching the film and that others won't. All that sounds incredibly enigmatic, but it's a difficult feeling to pinpoint and considering the film, I think it's fitting.

« Call me by your name » is a beautiful movie about first love. The atmosphere is dreamy and I have been taken on an emotional journey for two hours. Timothée Chalamet and Armie Hammer give remarkable performances. There is a great chemistry between them. The charming landscapes, the good soundtrack and the delicate direction also contribute to this achievement. I like the way homosexuality is portrayed: being gay is normal; there is no drama queen and no pathos. This is a touching story that makes me want to fall in love.