Die Parapsychologin Dr. Elise Rainier steht vor ihrer bisher furchterregendsten und persönlichsten Situation, als sie in ihr geisterhaftes Elternhaus zurückgezogen wird, wo der Terror begann... Alles lesenDie Parapsychologin Dr. Elise Rainier steht vor ihrer bisher furchterregendsten und persönlichsten Situation, als sie in ihr geisterhaftes Elternhaus zurückgezogen wird, wo der Terror begann.Die Parapsychologin Dr. Elise Rainier steht vor ihrer bisher furchterregendsten und persönlichsten Situation, als sie in ihr geisterhaftes Elternhaus zurückgezogen wird, wo der Terror begann.
- Auszeichnungen
- 6 Nominierungen insgesamt
Empfohlene Bewertungen
The Last Key is filled with recycled ideas and imagery from the previous Insidious films. Characters will make decisions in one scene, only to inexplicably decide the exact opposite in the following scene. Most of the suspenseful scenes feel ripped straight from the previous entries in the franchise (or from other similar series like the Conjuring or Ouija). Worst of all, The Last Key seems to feel the need to remind of you of the other Insidious films and previous scenes with needless flashbacks and reincorporation. The humor is often misplaced, pacing is disjointed, but at least the score will be sure to remind you of when you're supposed to be scared.
Despite some cool looking sets, there is little to enjoy in this film. The Last Key is a bland entry in a tired series.
Despite some cool looking sets, there is little to enjoy in this film. The Last Key is a bland entry in a tired series.
My scores:
Horror/Mystery/Thriller: 7.5 Movie Overall: 6.0
LIKES:
Characters Story Creep Factor
Dislikes: Dropped plot points Anticlimactic Ending Missing Trailer scenes
Summary: A fourth installment usually means a low-quality movie that is strictly for merchandising and money making. However, Insidious 4, while not the best of the series, keeps the tradition of horror storytelling alive by focusing on plot and character development rather than just plain old scares that the genre is famous for. Elise's backstory is fascinating, and helps connect some elements that were once shrouded in the mists of the unknown, and is presented nicely as past is integrated with present. In addition, while not the scariest, the group does a fantastic job utilizing shadows, make-up, and sound editing to establish a creep factor that will keep you on edge. All of this come together to make a nice mystery/horror that is worthy of the series. Yet, the fourth installment still has its flaws primarily in the scare tactics, (e.g. jump scare tactics) have gotten old despite their attempts to tune it up. In addition, the plot had some dropped and rushed elements, alongside an anticlimactic wrap up, that took away from the story overall. In addition, there are a lot of scenes from the trailers missing, some of which really could have added on to the story, or allowed for more creepy makeup to be used. Overall, this movie is a solid entry in the series and answers some of those lingering questions we have had since the whole prequel component was started. Yet, it does establish new questions and drops on the finish that could have really made the story exponentially better. And while the scare tactics are getting somewhat stale, Insidious is at least managing to keep things creepy and relevant to a point instead of just a super scare fest that this genre is famous for. It's worth a trip to the theater for the franchise fans, however, you can wait this out for the home cinema to save yourselves money.
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Https://robbiesmoviereviews.wordpress.com/last-key-unlocks-more-answers-more-questions-and-fewer-scares/
Horror/Mystery/Thriller: 7.5 Movie Overall: 6.0
LIKES:
Characters Story Creep Factor
Dislikes: Dropped plot points Anticlimactic Ending Missing Trailer scenes
Summary: A fourth installment usually means a low-quality movie that is strictly for merchandising and money making. However, Insidious 4, while not the best of the series, keeps the tradition of horror storytelling alive by focusing on plot and character development rather than just plain old scares that the genre is famous for. Elise's backstory is fascinating, and helps connect some elements that were once shrouded in the mists of the unknown, and is presented nicely as past is integrated with present. In addition, while not the scariest, the group does a fantastic job utilizing shadows, make-up, and sound editing to establish a creep factor that will keep you on edge. All of this come together to make a nice mystery/horror that is worthy of the series. Yet, the fourth installment still has its flaws primarily in the scare tactics, (e.g. jump scare tactics) have gotten old despite their attempts to tune it up. In addition, the plot had some dropped and rushed elements, alongside an anticlimactic wrap up, that took away from the story overall. In addition, there are a lot of scenes from the trailers missing, some of which really could have added on to the story, or allowed for more creepy makeup to be used. Overall, this movie is a solid entry in the series and answers some of those lingering questions we have had since the whole prequel component was started. Yet, it does establish new questions and drops on the finish that could have really made the story exponentially better. And while the scare tactics are getting somewhat stale, Insidious is at least managing to keep things creepy and relevant to a point instead of just a super scare fest that this genre is famous for. It's worth a trip to the theater for the franchise fans, however, you can wait this out for the home cinema to save yourselves money.
Want more details? Please visit:
Https://robbiesmoviereviews.wordpress.com/last-key-unlocks-more-answers-more-questions-and-fewer-scares/
70U
Insidious: The Last Key is a very nice horror film. We are given a better insight of Lin Shaye's character as well as some really good moments in the film overall. Lyn Shaye is the best element, not only in this installment but in this whole franchise and her performance in The Last Key is fantastic. The jumpscares worked for me and the story seemed fine. I love how everything ties up to the original Insidious story at the end. All in all ths is a horror film which I really really enjoyed, being a fan of the series.Its a good horror film, it has its faults but Lin Shaye is the star of this movie.
Movie not so scary, but in some place you will jump out of your chair because of the sound effect, story quite confusing and completely varies from the previous versions, as usual not lengthy movie so acceptable to spend some time for entertainment portion of your daily life, DON'T MISS THE FIRST SCENE which is far good than other scenes.. Worth watch in BIG screen, so watch soon.
In 1953, Elise Rainier lives with her loving mother, her abusive prison guard father, and her young brother Christian next to the prison. Her father beats her for claiming to see the dead and locks her in the basement. She unlocks a forbidding red door allowing a demon to escape and getting her mother killed. In 2010 California, Elise Rainier (Lin Shaye) fights paranormal demons with Specs and Tucker. She gets a call for help from Ted Garza who lives in her childhood home in New Mexico. She reluctantly goes home and finds her estranged angry brother Christian (Bruce Davison) with two daughters Imogen (Caitlin Gerard) and Melissa (Spencer Locke).
There are some issues with clarity. This starts with the flashback to her childhood home. In retrospect, it doesn't make sense that her father would lock her in the basement so that she could easily find the secret entrance to the dungeon. The house layout is never that clear with a question of how the kids wouldn't figure things out sooner over the many years. The same can be said about Garza. Why would he call Elise for help unless he wants to be discovered? Is it self-sabotage? There is a great reveal but it needs to be the central take. It's all a bit messy. As for the characters, I like Elise but not the boys especially Tucker. The girls are fine. I do like The Further but I don't get why Imogen has to throw the whistle to Elise. Couldn't Imogen blow it herself? It's a lot of nagging little questions. In the end, I like it more than I have problems.
There are some issues with clarity. This starts with the flashback to her childhood home. In retrospect, it doesn't make sense that her father would lock her in the basement so that she could easily find the secret entrance to the dungeon. The house layout is never that clear with a question of how the kids wouldn't figure things out sooner over the many years. The same can be said about Garza. Why would he call Elise for help unless he wants to be discovered? Is it self-sabotage? There is a great reveal but it needs to be the central take. It's all a bit messy. As for the characters, I like Elise but not the boys especially Tucker. The girls are fine. I do like The Further but I don't get why Imogen has to throw the whistle to Elise. Couldn't Imogen blow it herself? It's a lot of nagging little questions. In the end, I like it more than I have problems.
Wusstest du schon
- WissenswertesVarious Further spirits within the Five Keys penitentiary complex, that prominently feature in the film's various trailers ended up omitted from the finalised film.
- PatzerIf Elise's father worked for a prison and the house was on the prison's grounds, it would belong to the state. Even if the state closed the prison, it would still own the property and it would likely close the housing down or demolish it.
It certainly wouldn't sell it with all of the personal furnishings and belongings from 40-50 years ago in the houses.
- Zitate
Gerald Rainier: Don't tell me how to punish her. I punish people for a living.
- VerbindungenFeatured in Chris Stuckmann Movie Reviews: Insidious: The Last Key (2018)
- SoundtracksLong Holidays
Written by Christopher Hall
Performed by Oak Street Blues Band (as Oak Street)
Courtesy of Spirit Production Music
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- La noche del demonio:La última llave
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 10.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 67.745.330 $
- Eröffnungswochenende in den USA und in Kanada
- 29.581.355 $
- 7. Jan. 2018
- Weltweiter Bruttoertrag
- 167.885.588 $
- Laufzeit
- 1 Std. 43 Min.(103 min)
- Farbe
- Seitenverhältnis
- 2.39 : 1
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