IMDb-BEWERTUNG
6,7/10
11.028
IHRE BEWERTUNG
Zwischen einem jungen Schauspieler und einer Hollywood-Schauspielerin entwickelt sich eine Romanze.Zwischen einem jungen Schauspieler und einer Hollywood-Schauspielerin entwickelt sich eine Romanze.Zwischen einem jungen Schauspieler und einer Hollywood-Schauspielerin entwickelt sich eine Romanze.
- Regie
- Drehbuch
- Hauptbesetzung
- Nominiert für 3 BAFTA Awards
- 3 Gewinne & 19 Nominierungen insgesamt
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With such a great cast (Annette Bening, Jamie Bell, Julie Walters, Kenneth Cranham, Stephen Graham, Vanessa Redgrave and Frances Barber) and a fascinating subject matter detailing a passionate true-life romance concerning film noir icon Gloria Grahame and jobbing actor Peter Turner, 'Film Stars Don't Die in Liverpool' intrigued me.
On the most part, while not perfect, 'Film Stars Don't Die in Liverpool' did not disappoint and did its subject justice. There wasn't much to criticise for me actually, though the quality of the production values left me torn. On one hand, there's lovely costumes and very handsome photography. On the other, some of the sets are garish and lack authenticity and some of the wigs are a fright. Especially Stephen Graham's that looked like it came from an old comedy sketch on loan.
'Film Stars Don't Die in Liverpool' however is anchored by Bening at her most fearless and vulnerable and her passionate chemistry with Bell giving the most mature work of his career.
Walters, Cranham and Graham are as expected first class support, particularly Walters. Redgrave and Barber have a terrific scene. Paul McGuigan directs with class.
The elegiac music score adds enormously. The nostalgic atmosphere is evoked beautifully, and the story, while slight, was easy to get behind thanks to the performances, the romance having the passion it does and the emotional resonance of when Grahame's career and health ails. Can't fault the script either, which is full of wit and poignancy.
In short, very intriguing and well done. 8/10 Bethany Cox
On the most part, while not perfect, 'Film Stars Don't Die in Liverpool' did not disappoint and did its subject justice. There wasn't much to criticise for me actually, though the quality of the production values left me torn. On one hand, there's lovely costumes and very handsome photography. On the other, some of the sets are garish and lack authenticity and some of the wigs are a fright. Especially Stephen Graham's that looked like it came from an old comedy sketch on loan.
'Film Stars Don't Die in Liverpool' however is anchored by Bening at her most fearless and vulnerable and her passionate chemistry with Bell giving the most mature work of his career.
Walters, Cranham and Graham are as expected first class support, particularly Walters. Redgrave and Barber have a terrific scene. Paul McGuigan directs with class.
The elegiac music score adds enormously. The nostalgic atmosphere is evoked beautifully, and the story, while slight, was easy to get behind thanks to the performances, the romance having the passion it does and the emotional resonance of when Grahame's career and health ails. Can't fault the script either, which is full of wit and poignancy.
In short, very intriguing and well done. 8/10 Bethany Cox
"Film Stars Don't Die in Liverpool" (R, 1:45) is a romantic drama based on a couple of years in the life of Gloria Grahame, an Oscar winner and veteran of such classic films as "It's a Wonderful Life" and "Oklahoma". Multiple Oscar-nominee Annette Bening plays Grahame, mostly during her time in Liverpool, England, where she met, had an affair with and was ultimately nursed through a serious illness by much younger man (and local Liverpool actor), Peter Turner (BAFTA Award winner Jamie Bell).
Peter meets Gloria when she moves into his apartment building. They quickly go from being neighbors to friends to lovers. Peter doesn't seem bothered by their age difference and Gloria seems to cherish it, but it inevitably leads to hurt feelings and conflict between them. Nevertheless, they work through the rough patches and Gloria becomes very friendly with Peter's family. When Gloria returns to Liverpool after living in New York for awhile and she is obviously ill, she reaches out to Peter and ends up staying with his family, who all pitch in to take care of the ailing actress. As Gloria's illness progresses and she begs Peter not to take her to any doctors or notify her adult children in the U.S., Peter and his family struggle to find the best way to help Gloria... while Peter deals with his lingering feelings for her.
"Film Stars Don't Die in Liverpool" is a sweet and sad story of star-crossed lovers in an especially unusual May-December relationship. It's terrifically acted and creatively shot and edited. It's a wonder why this hidden gem didn't garner more accolades during the 2017-2018 movie awards season. "A-"
Peter meets Gloria when she moves into his apartment building. They quickly go from being neighbors to friends to lovers. Peter doesn't seem bothered by their age difference and Gloria seems to cherish it, but it inevitably leads to hurt feelings and conflict between them. Nevertheless, they work through the rough patches and Gloria becomes very friendly with Peter's family. When Gloria returns to Liverpool after living in New York for awhile and she is obviously ill, she reaches out to Peter and ends up staying with his family, who all pitch in to take care of the ailing actress. As Gloria's illness progresses and she begs Peter not to take her to any doctors or notify her adult children in the U.S., Peter and his family struggle to find the best way to help Gloria... while Peter deals with his lingering feelings for her.
"Film Stars Don't Die in Liverpool" is a sweet and sad story of star-crossed lovers in an especially unusual May-December relationship. It's terrifically acted and creatively shot and edited. It's a wonder why this hidden gem didn't garner more accolades during the 2017-2018 movie awards season. "A-"
A middle-aged American actress (Annette Benning) turns to her young ex-lover (Jamie Bell) and his family in Liverpool when her health problems take a turn for the worse. Oh and by the way, the actress is screen legend Gloria Grahame, and the film is based on the real-life memoir of her lover, Peter Turner.
Told in flashbacks and memories, director Paul McGuigan keeps the pace of the film up, which helps offset the depressing aspects of the story, which of course involves the inevitable decay to the body, even with those immortalized as such bright stars in the universe of movies. The scene of an argument the pair have, shown first from his perspective and then later from hers, is excellent. It reminds us to consider that there may be all sorts of things in another person's thoughts that may explain their actions which we don't understand. The scene where the pair go on the stage of an old empty theater to recite from 'Romeo and Juliet' is very touching. It reminds us that the romance and feelings of one's heart don't disappear, even if the skin wrinkles and looks fade.
Benning received accolades for her performance and is certainly solid, displaying a lot of range and honesty, but I'm not sure if she quite captures Gloria Grahame. Bell is fine too, particularly in scenes with his family, where we see the moral force of his parents (Julie Walters and Kenneth Cranham), as well as his wonderfully combative brother (Stephen Graham). The film is not meant as a complete biography by any means, focusing on these last few years of her life and her relationship with this young actor, but at the same time, it would have been nice to see more clips from her films, even if they had been just interspersed with the credits rolling. All in all though, it's a touching film whether you know Gloria Grahame or not.
Told in flashbacks and memories, director Paul McGuigan keeps the pace of the film up, which helps offset the depressing aspects of the story, which of course involves the inevitable decay to the body, even with those immortalized as such bright stars in the universe of movies. The scene of an argument the pair have, shown first from his perspective and then later from hers, is excellent. It reminds us to consider that there may be all sorts of things in another person's thoughts that may explain their actions which we don't understand. The scene where the pair go on the stage of an old empty theater to recite from 'Romeo and Juliet' is very touching. It reminds us that the romance and feelings of one's heart don't disappear, even if the skin wrinkles and looks fade.
Benning received accolades for her performance and is certainly solid, displaying a lot of range and honesty, but I'm not sure if she quite captures Gloria Grahame. Bell is fine too, particularly in scenes with his family, where we see the moral force of his parents (Julie Walters and Kenneth Cranham), as well as his wonderfully combative brother (Stephen Graham). The film is not meant as a complete biography by any means, focusing on these last few years of her life and her relationship with this young actor, but at the same time, it would have been nice to see more clips from her films, even if they had been just interspersed with the credits rolling. All in all though, it's a touching film whether you know Gloria Grahame or not.
Enjoyed this love story revolving around a young actor named Peter Turner and aging Hollywood movie star Gloria Grahame. They meet at a boarding house in England and begin a May-Dec romance despite their age differences. After years apart when the actress develops cancer Turner cares for while she stays at his families home in Liverpool.
Annette Benning is mesmerizing in her portrayal of former Hollywood royalty and to me the love story really kicks in after Gloria gets sick, Jamie Bell is so tender and heartbroken. That Romeo and Juliet scene. Good and clever way of using flashbacks, character will walk out of a memory or into memory through a door. Neat. This did drag a bit in parts but gave me all the feels at the end and is worth watching for fantastic performances from Benning and Bell.
Annette Benning is mesmerizing in her portrayal of former Hollywood royalty and to me the love story really kicks in after Gloria gets sick, Jamie Bell is so tender and heartbroken. That Romeo and Juliet scene. Good and clever way of using flashbacks, character will walk out of a memory or into memory through a door. Neat. This did drag a bit in parts but gave me all the feels at the end and is worth watching for fantastic performances from Benning and Bell.
One of the most overlooked, exquisitely sensitive films of 2017 somehow slipped past all attention to awards. Based on a true story - published by Peter Turner in 1986 - of a late in life affair between screen icon Gloria Grahame and young actor Peter Turner - this film is radiantly beautiful. The screenplay adaptation is by Matt Greenhalgh and the sensitive direction is the work of Paul McGuigan.
The story covers the years 1979 - 1981. In 1979 Gloria Grahame (Annette Bening) is in England starring on stage in The Glass Menagerie and flirts with young actor Peter Turner (Jamie Bell), a bisexual young actor who falls under the spell of the femme fatale and despite the significant age difference they fall in love and begin and affair that is real, tender, and meaningful to both. As their mismatched romance waxes and wanes over time, events conspire to keep them in each other's lives even when it proves difficult and demanding. Ultimately, they find that they must each come to terms with whatever fate they face in the future whether they are together or apart. Grahame has breast cancer, a fact she conceals from Peter, and as she becomes close to Peter's family - mother Bella (Julie Walters), father Joe SR (Kenneth Cranham), and brother Joe Jr. (Stephen Graham) - she reveals her illness. On a trip to Los Angeles Gloria and Peter live together in Gloria's house trailer by the Pacific ocean, and are visited by Gloria's mother (Vanessa Redgrave) and sister Joy (Frances Barber) before they return to Peter's home in Liverpool. Gloria grows weaker and ultimately decides to return to her American physician for chemotherapy, escorted by one of her real sons Tim (Tom Brittney) from one of her four marriages, leaving Peter with love and concern that he care for his own family. The story is an affectionate, moving, and wryly humorous memoir of friendship, love, and stardom.
Oscar worthy performances by Bening, Bell, Walters and the entire cast make this film luminous - one that needs to be seen more than once to fully appreciate all the fine qualities - acting, photography, musical score, and direction. Highly recommended
The story covers the years 1979 - 1981. In 1979 Gloria Grahame (Annette Bening) is in England starring on stage in The Glass Menagerie and flirts with young actor Peter Turner (Jamie Bell), a bisexual young actor who falls under the spell of the femme fatale and despite the significant age difference they fall in love and begin and affair that is real, tender, and meaningful to both. As their mismatched romance waxes and wanes over time, events conspire to keep them in each other's lives even when it proves difficult and demanding. Ultimately, they find that they must each come to terms with whatever fate they face in the future whether they are together or apart. Grahame has breast cancer, a fact she conceals from Peter, and as she becomes close to Peter's family - mother Bella (Julie Walters), father Joe SR (Kenneth Cranham), and brother Joe Jr. (Stephen Graham) - she reveals her illness. On a trip to Los Angeles Gloria and Peter live together in Gloria's house trailer by the Pacific ocean, and are visited by Gloria's mother (Vanessa Redgrave) and sister Joy (Frances Barber) before they return to Peter's home in Liverpool. Gloria grows weaker and ultimately decides to return to her American physician for chemotherapy, escorted by one of her real sons Tim (Tom Brittney) from one of her four marriages, leaving Peter with love and concern that he care for his own family. The story is an affectionate, moving, and wryly humorous memoir of friendship, love, and stardom.
Oscar worthy performances by Bening, Bell, Walters and the entire cast make this film luminous - one that needs to be seen more than once to fully appreciate all the fine qualities - acting, photography, musical score, and direction. Highly recommended
Wusstest du schon
- WissenswertesThe real Peter Turner, on whose memoir this movie was based, has a cameo as Jack, the stage manager who brings out chairs before Peter and Gloria perform Romeo & Juliet.
- Zitate
Peter Turner: Has anyone ever told you that you look like Lauren Bacall when you smoke?
Gloria Grahame: Humphrey Bogart. And I didn't like it then either.
- SoundtracksSong for Guy
Written by Elton John
Performed by Elton John
Published by Universal Music Publishing Ltd
Courtesy of Virgin EMI Records Ltd
Under license from Universal Music Operations Ltd
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- Erscheinungsdatum
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Box Office
- Budget
- 10.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 1.026.124 $
- Eröffnungswochenende in den USA und in Kanada
- 36.048 $
- 31. Dez. 2017
- Weltweiter Bruttoertrag
- 4.047.917 $
- Laufzeit
- 1 Std. 45 Min.(105 min)
- Farbe
- Seitenverhältnis
- 2.35 : 1
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