Film Stars Don't Die in Liverpool

With such a great cast (Annette Bening, Jamie Bell, Julie Walters, Kenneth Cranham, Stephen Graham, Vanessa Redgrave and Frances Barber) and a fascinating subject matter detailing a passionate true-life romance concerning film noir icon Gloria Grahame and jobbing actor Peter Turner, 'Film Stars Don't Die in Liverpool' intrigued me.

On the most part, while not perfect, 'Film Stars Don't Die in Liverpool' did not disappoint and did its subject justice. There wasn't much to criticise for me actually, though the quality of the production values left me torn. On one hand, there's lovely costumes and very handsome photography. On the other, some of the sets are garish and lack authenticity and some of the wigs are a fright. Especially Stephen Graham's that looked like it came from an old comedy sketch on loan.

'Film Stars Don't Die in Liverpool' however is anchored by Bening at her most fearless and vulnerable and her passionate chemistry with Bell giving the most mature work of his career.

Walters, Cranham and Graham are as expected first class support, particularly Walters. Redgrave and Barber have a terrific scene. Paul McGuigan directs with class.

The elegiac music score adds enormously. The nostalgic atmosphere is evoked beautifully, and the story, while slight, was easy to get behind thanks to the performances, the romance having the passion it does and the emotional resonance of when Grahame's career and health ails. Can't fault the script either, which is full of wit and poignancy.

In short, very intriguing and well done. 8/10 Bethany Cox

"Film Stars Don't Die in Liverpool" (2017 release; 107 min.) is a movie about the last years in the life of actress Gloria Grahame. As the movie opens (and Elton John's "Song For Guy" plays in the background), we are told it's "Liverpool, England, 1981" and we see Gloria applying make-up and getting ready for a theater performance. But she falls ill. She reaches out to Peter Turner in nearby Liverpool and asks if she can come stay at his mum's house. Peter agrees. We then go back in time to "Primrose Hill, London, 1979", and we see Peter running into Gloria for the first time. At this point we are 10 min. into the movie, but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: this is latest from Scottish director Paul McGuigan, best known for "Victor Frankenstein". Here he brings the real life memoir of Peter Turner to the big screen. Turner met faded film star in the late 70s when he was 28 and she was twice that age. i shan't say more (biting my lips). Let's be very clear about one thing: leading actress Annette Bening is absolutely fantastic in this movie. You might think that, having been criminally overlooked in last year's Oscar nominations for he outstanding work in "20th Century Women", the Academy would be a bit more careful this time around. But no. Bening is once again robbed by the Academy, which instead once again lazily gave another nomination to Meryl Streep for her ok (but by no means outstanding) work in the very medicore "The Post" (an "All President's Men" wanna-be that is nowhere close to that gold standard). Jamie Bell is equally up to the task, but has nowhere near the stature or screen presence of Bening. Vanessa Redgrave appear in one scene. The movie's set production (recreating the late 70s/early 80s) is immaculate. Last but not least there is a lot f great music in the film, both as to the score and the song placements.

"Film Stars Don't Die in Liverpool" has been gradually expanding over the last 2 months, and it finally opened last weekend at my local art house theater here in Cincinnati. The Sunday early evening screening where I saw this at was attended okay (about 15 people or so). Other than the very basic premise of an older woman's relationship with a younger guy, I knew nothing about the movie beforehand, and I ended up enjoying this quite a bit more than I had expected. But it the end, this film is really about Annette Bening's outstanding performance, and that alone is worth checking this out, be it in the theater, on VOD, or eventually on DVD/Blu-ray.

One of the most overlooked, exquisitely sensitive films of 2017 somehow slipped past all attention to awards. Based on a true story - published by Peter Turner in 1986 - of a late in life affair between screen icon Gloria Grahame and young actor Peter Turner - this film is radiantly beautiful. The screenplay adaptation is by Matt Greenhalgh and the sensitive direction is the work of Paul McGuigan.

The story covers the years 1979 - 1981. In 1979 Gloria Grahame (Annette Bening) is in England starring on stage in The Glass Menagerie and flirts with young actor Peter Turner (Jamie Bell), a bisexual young actor who falls under the spell of the femme fatale and despite the significant age difference they fall in love and begin and affair that is real, tender, and meaningful to both. As their mismatched romance waxes and wanes over time, events conspire to keep them in each other's lives even when it proves difficult and demanding. Ultimately, they find that they must each come to terms with whatever fate they face in the future whether they are together or apart. Grahame has breast cancer, a fact she conceals from Peter, and as she becomes close to Peter's family - mother Bella (Julie Walters), father Joe SR (Kenneth Cranham), and brother Joe Jr. (Stephen Graham) - she reveals her illness. On a trip to Los Angeles Gloria and Peter live together in Gloria's house trailer by the Pacific ocean, and are visited by Gloria's mother (Vanessa Redgrave) and sister Joy (Frances Barber) before they return to Peter's home in Liverpool. Gloria grows weaker and ultimately decides to return to her American physician for chemotherapy, escorted by one of her real sons Tim (Tom Brittney) from one of her four marriages, leaving Peter with love and concern that he care for his own family. The story is an affectionate, moving, and wryly humorous memoir of friendship, love, and stardom.

Oscar worthy performances by Bening, Bell, Walters and the entire cast make this film luminous - one that needs to be seen more than once to fully appreciate all the fine qualities - acting, photography, musical score, and direction. Highly recommended

Greetings again from the darkness. Old Hollywood glamour is merely something we read about or reminisce about these days. Part of the reason is that we are almost as likely to see a favorite star on TV as in a new movie, and a bigger cause is that we simply know too much about them as people ... the mystique has been replaced by (too many) personal details and divisive political influence.

Classic movie lovers always have favorite performers, and there were certainly some great ones in the Golden Era: Bogart, Gable, Hepburn, Davis, etc; however, I've always felt there was one actress who time seems to have forgotten. Gloria Grahame never seemed to choose the easy route (either on screen or real life), and she turned in some terrific performances in the 1940's and 50's. You might only know her as Violet in IT'S A WONDERFUL LIFE, but she was also an Oscar winner for THE BAD AND THE BEAUTIFUL (1952), and had standout roles in OKLAHOMA! (1955), THE BIG HEAT (1953), and IN A LONELY PLACE (1950). Her talent allowed her to fit as well for a musical or family film, as in the Noir Thrillers for which she seemed to thrive.

So why all the background on a mostly forgotten actress from a bygone era? Because Annette Bening magically channels the late actress in her role as Ms. Grahame in the final stages of her life. Director Paul McGuigan's film is based on the memoir of Peter Turner, a young man who had a relationship with the actress in her later years. Turner is played here by Jamie Bell (BILLY ELLIOT) and he and Ms. Bening are so believable, that we are fully drawn in by their characters and their touching story.

Opening with the actress in her dressing room prepping for a dinner theatre version of "The Glass Menagerie", the film conveys much in these few minutes. Clearly, this is an actress far removed from the Hollywood spotlight. We also sense her immense pride is still present, and the glass of milk is for relief from her discomfort ... later self-diagnosed as "gas".

We start in 1981 and flashback to 1979. Creative transitions between scenes and times add a stylish element to a story that is ultimately about human relationships, aging and loneliness. The need to be cared for when sick is as crucial as the importance of being a dependable caregiver for loved ones. The film's script from Matt Greenhalgh allows for an empathetic look at these topics through the eyes of people we quickly care about.

Julie Walters (Bell's dance teacher in BILLY ELLOT) is exceptional as Turner's mother and Ms. Grahame's caregiver. Other supporting roles include Kenneth Cranham as Turner's dad, Stephen Graham as his fiery brother, and Vanessa Redgrave as Ms. Grahame's mother. We never get the back story on why Ms. Grahame feels so connected to the Turner family - only that the 28 year age difference between herself and Peter didn't much matter to either of them.

There is a sexually-charged disco dance with Ms. Grahame and Peter in her hotel room that makes clear why any young man might fall for her, but it's really in the quieter moments where the film and Ms. Bening and Mr. Bell shine. The emotions and pain are palpable, and yet neither her spirit nor his devotion will quit. The music from Jose Feliciano and Elvis Costello is terrific and comfortably fits a story of love and aging and illness, while also reminding us ... once a starlet, always a starlet, even when the star has faded.

The bulk of Academy season hopefuls have come and gone but I see one last one with Film Stars Don't Die in Liverpool. I was immediately interested in what the film was offering. A relationship portrayed by Annete Bening and Jamie Bell? Very interesting. If anything I could see a possible Oscar nomination for Bening. After watching I did enjoy the film for what it was. Its well acted and fairly emotional.

The film is based on the real life memoir by Peter Turner (of the same name as the film), where he recollects the relationship he had with the famous Hollywood actress, Gloria Grahame. He encounters Grahame in the later stages of her life, when she is working at Liverpool in stage plays. Grahame and Turner begin a relationship which is marred by Grahame's spreading breast cancer, which she eventually succumbs to. From what I've read after the film, the events of the film seem to cover the incidents of real life pretty accurately.

Annette Bening kind of disappears into the role of Gloria Grahame. Its a really good performance from her. Same with Jamie Bell. The film is really carried by these two and their wonderful relationship. The film does have periods that drag and could have been portrayed in a more straightforward fashion, but the film never really loses its charm which is actually a strong selling point.

I loved Elvis Costello's "You Shouldn't Look at Me That Way", made specially for this film. Its a gorgeous theme and the parts that were included in romantic moments between Gloria and Peter made their relationship seem magical. Overall I don't the film is excellent, though the performances and romance and the film make it worth a watch. You can't help put feel sad for Gloria and Peter by the end of the film.

7/10