Solange ich atme

If I may give an advice to you, don't read anything about this film. Just watch it: the less you know, the more you'll be wonderfully surprised.

Perhaps all you'd like to know is that it's a British top-notch production, based on a really interesting (true) story, with a flawless script and an excellent cast. A very entertaining 112 minutes.

And yes: Tom Hollander is playing the Blacker twins. Both of them. And they sing together 'Goodbye-ee'.

Enjoy.

Breathing is the most natural thing on earth, right? But when British tea broker Robin Cavendish contracted polio in Kenya in 1958, he found that he was paralysed from the neck down and could not breathe without the constant support of a mechanical ventilator. This true story is told with Andrew Garfield as Robin and Claire Foy as his wife Diana, both of whom give fine performances of nuanced emotion.

Inevitably the film will be compared with "The Theory Of Everything" but it is no bad thing to be reminded that people with disabilities can achieve remarkable things. In Stephen Hawking's case, he was still able to make great contributions to theoretical physics; in the instance of Robin Cavendish, he transformed the treatment of those with paralysis, both in the UK and much wider.

For first time director Andy Serkis, this is clearly a very personal project. His professional partner and producer on the film is Jonathan Cavendish, the son of Robin and Diana, while Serkis's sister has multiple sclerosis. Serkis is known for his acclaimed acting in performance-capture roles, but the only major use of special effects here is to enable Tom Hollander to represent both of Diana's identical twin brothers.

At the end especially, the heart strings are well and truly plucked, but it is gratifying to see such a well-made and life-affirming work on our screens.

I truly enjoyed this film that I saw at TIFF. Apparently a lot of critics were expecting something grittier from Andy Serkis. Jonathan and Diana Cavendish are 100% behind this film and I DO believe that what is shown is true. Perhaps some critics wanted more darkness, but I do believe with these peoples' zest for life, they didn't allow much darkness to cloud their love and triumph.

I believe that Robin, Diana, and Jonathan enjoyed their time together as much as humanly possible. It is a love letter, a tale of triumph over adversity, and most of all it is a wonderful love story. Sometimes there IS more light than darkness. Especially when you have talent like Andrew Garfield and Claire Foy. Both are excellent in their roles, allowing me to completely immerse myself in this uplifting story.

This film tells the story of a man who contracted polio while in Africa in 1950's. He became completely paralysed from neck down, and was given six months to live by the doctors. With the support of his pregnant wife and his many friends, he breaks all confines and expectations imposed on him.

I cannot quite imagine that the wheelchair is only such a recent invention! For something that is so vital and integral to modern day health care, it is a shock to me that it was only so recently that Cavendish came up with this transformative idea. The story is very touching. It is great that he had the support of so many loving people, which gave him the power to live and inspire and transform the lives of others. The technical aspects of this film is great as well. The scene in the German hospital is unbelievably effective, and provokes people to think what exactly is good for disabled people. The ending is very powerful, and it is augmented by the fact that it gives time for the profound events to set in. I really enjoyed this film. It is a truly touching film that makes you examine what you have in life.

The winner of the 2017 Heavy-Duty Tissues Award can now be announced. The beautifully produced British film Breathe (2017) is an inspirational bio-pic based on the short life of Robin Cavendish who was the longest survivor of polio in the pre-vaccination era. That description does little to prepare viewers for what is a multi-layered period drama, with themes about assisted dying, disability rights, medical innovation, personal triumph over adversity, and the all-conquering power of a woman's love. Amongst all of this are several good cries.

Set in the 1950s, Robin Cavendish (Andrew Garfield), a dashing young tea-broker, met the love of his life Diana (Claire Foy) at a cricket game. Before long, they are courting, married, and set for an idyllic yet modest life together until Robin is struck down by the paralysis of polio. At the time, the only prognosis was a short life tied to a hospital respirator. For the active Robin death was preferable to being tethered to an artificial lung, but Diana would have none of it. Close friend and inventor Teddy Hall (Hugh Bonneville) pioneered a wheel-chair with a battery powered respirator that freed Robin from a life inside hospital, despite advice that he would not survive outside for more than two weeks. The story traces their adventurous lives together, including a trip to Africa and a disability conference in Germany. Perhaps the film's most disturbing image is a German hospital where polio victims are laid out in morgue-like boxes, kept alive only by mechanical respirators.

It is impossible to imagine this film being bearable without Andrew Garfield's extraordinary performance, supported by Claire Foy in the equally demanding role of his wife. Garfield possesses one of cinema's most expressive faces which he deploys to full effect as the mostly prostrated polio patient who can only speak a short sentence at a time between breaths. From the depths of wanting to die to the joyful heights of feeling his baby son's skin against his face, Garfield communicates in a facial sign language that says more than the words of fine orators. Some viewers will fairly believe that Claire Foy is the film's real star. Where Garfield is an emotional roller coaster, Foy is a powerhouse of defiant strength who refuses to surrender to polio or to her husband's wish to die. If the film can be faulted, it may be in its polite sanitisation of what it means to depend on others for every bodily function.

This story is more about unconditional love than heroism. Robin was surrounded by caring and talented friends, including the inventor of the respirator wheelchair that gave him freedom. Most importantly, he had a wife whose stubborn loyalty forced him to push on where others may have given up. Robin became a high-profile disability spokesman because fate gave him the opportunity to advocate for others. This warm-hearted story illuminates a little-known episode of history that has been consigned to the archives of medical science. Take extra tissues, but you will leave feeling inspired.