Füge eine Handlung in deiner Sprache hinzuAs an outbreak of leprosy engulfs 19th-century colonial Hawai'i, a small group of infected Native Hawaiians resist government-mandated exile, taking a courageous stand against the provisiona... Alles lesenAs an outbreak of leprosy engulfs 19th-century colonial Hawai'i, a small group of infected Native Hawaiians resist government-mandated exile, taking a courageous stand against the provisional government. Inspired by real-life events.As an outbreak of leprosy engulfs 19th-century colonial Hawai'i, a small group of infected Native Hawaiians resist government-mandated exile, taking a courageous stand against the provisional government. Inspired by real-life events.
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10momohund
This movie is fantastic in so many ways. A brilliant story from dialogue to scenery to acting that focuses on the injustices done to the Hawaiians, through the main character Ko'olau and his family, by the newly formed government and what Hawaiians think about what is being done to them.
The director, who is from Hawai'i, also address, brilliantly I might add, what it is to be haole, which doesn't mean entirely being a white person. I think that was done so well. To the main characters, Westerners are seen as both villain and family (very similar to what it is like today). General McCabe the bounty hunter, who leads his mercenaries, is very much the villain and the type of haole Hawaiians despise. Ignorant, racist, and arrogant, he leads equally as ignorant mercenaries. Then there's Marshall Hitchcock, a locally born white person who is somewhere in the middle, neither good nor bad. He believes what he is doing is correct (forcing lepers to Molokai) regardless that he is conspiring with people who are enemy to the Hawaiians. Ko'olau who was once friends with him even challenges him on this. And then there's Eben Sinclair, a locally born white person, who is family to the main characters and does all he can, even risking his life, to help Ko'olau and his family. And the director brilliantly shows the strong bond between Hawaiians and this type of haole.
There's even dialogue between Ko'olau and his son on this issue of being haole. That the real haole isn't white, but the person with no 'breath' who is not in allegiance with the Hawaiians and their Queen and kingdom. A person that does not respect the laws and customs of Hawai'i and instead imposes their culture onto Hawaiians, including racism and classism, instead of adapting to their ways.
All this is done without the white savior complex we often see in films like this. These haoles are just kind of secondary characters. The director does this while still making Ko'olau the main character and hero, and he does it in a way that makes you focus mostly on Ko'olau and his family.
You walk away from the film angry about what those haoles did to Hawaiians, and understanding how to be good haole.
One hell of a film.
The director, who is from Hawai'i, also address, brilliantly I might add, what it is to be haole, which doesn't mean entirely being a white person. I think that was done so well. To the main characters, Westerners are seen as both villain and family (very similar to what it is like today). General McCabe the bounty hunter, who leads his mercenaries, is very much the villain and the type of haole Hawaiians despise. Ignorant, racist, and arrogant, he leads equally as ignorant mercenaries. Then there's Marshall Hitchcock, a locally born white person who is somewhere in the middle, neither good nor bad. He believes what he is doing is correct (forcing lepers to Molokai) regardless that he is conspiring with people who are enemy to the Hawaiians. Ko'olau who was once friends with him even challenges him on this. And then there's Eben Sinclair, a locally born white person, who is family to the main characters and does all he can, even risking his life, to help Ko'olau and his family. And the director brilliantly shows the strong bond between Hawaiians and this type of haole.
There's even dialogue between Ko'olau and his son on this issue of being haole. That the real haole isn't white, but the person with no 'breath' who is not in allegiance with the Hawaiians and their Queen and kingdom. A person that does not respect the laws and customs of Hawai'i and instead imposes their culture onto Hawaiians, including racism and classism, instead of adapting to their ways.
All this is done without the white savior complex we often see in films like this. These haoles are just kind of secondary characters. The director does this while still making Ko'olau the main character and hero, and he does it in a way that makes you focus mostly on Ko'olau and his family.
You walk away from the film angry about what those haoles did to Hawaiians, and understanding how to be good haole.
One hell of a film.
Director David Cunningham delivers another masterpiece in his new film The Wind and the Reckoning. The film is beautiful shot in Hawaii. The cast delivers a heartfelt performance. I loved the balance of English and the Hawaiian language. I left the theater contemplating the importance of Ohana and how far I would go to protect my own family. The Wind and the Reckoning is a powerful, moving and beautiful film. History is so important for us to learn from and than we can apply the lessons learned to our life today. Let's learn from the past and begin to heal. This is a must see movie that will entertain, inform and inspire.
I love the history of this film, and the use of the native Hawaiian language, not so familiar to many, but as powerful as it is beautiful. The scenery is great and the overall look of the film is wonderful. The storyline is so appropriate for today after COVID gave world governments more power then we've experienced for many years. Power in the wrong hands is treachery and courage is always inspiring!
Living in Hawaii has given me a new appreciation of the struggle the Hawaiians faced as the rest of the world descended on this beautiful island paradise. It grieves me that they had to put up with belittling attitudes and judgemental aggression. Change in the name of progress is not always kind, gentle, gracious nor righteous.
Living in Hawaii has given me a new appreciation of the struggle the Hawaiians faced as the rest of the world descended on this beautiful island paradise. It grieves me that they had to put up with belittling attitudes and judgemental aggression. Change in the name of progress is not always kind, gentle, gracious nor righteous.
Wow...just wow! What an incredible film. And beautifully shot as well. Jason Scott Lee and Lindsay Watson gave such powerful performances and Henry Ian Cusick was outstanding. I saw the film in Honolulu at The Consolidated Ward Theater during its opening week. Some of the actors were there to answer when it finished. When the movie ended, there was a group in the audience that actually stood up and sang a sort of a chant back to the filmmakers, like they were thanking them for making this film. I was speechless. I have to say I am a bit embarrassed that I had no idea this had happened to the Hawaiians.
Based on one of the most interesting stories in Hawaiian history! It's portrayed so beautifully and I love that it's spoken in 'olelo Hawaii (the Hawaiian language). Don't be afraid of the subtitles 🤙
I've read Ko'olau's wife Pi'ilani's book and I thought the heart of it was brought to life so honestly and vividly by the filmmakers.
My 8 and 11 year old kids enjoyed the film too; it wasn't too scary for them and they related to the boy in the story.
I live on Kaua'i, so I can tell it was not filmed in the actual locations; aside from establishing shots. What would have made it better for me would be to have seen the actual places where the events took place. Kalalau beach and valley is majestic in real life (though I'm sure it looks different now than it did in Ko'olau's time) and but also so very remote and protected I'm sure it would be nearly impossible to film out there with full cast & crew.
The filmmakers did a great job with the essence of the story and telling it in a way that can make Hawaii proud.
I've read Ko'olau's wife Pi'ilani's book and I thought the heart of it was brought to life so honestly and vividly by the filmmakers.
My 8 and 11 year old kids enjoyed the film too; it wasn't too scary for them and they related to the boy in the story.
I live on Kaua'i, so I can tell it was not filmed in the actual locations; aside from establishing shots. What would have made it better for me would be to have seen the actual places where the events took place. Kalalau beach and valley is majestic in real life (though I'm sure it looks different now than it did in Ko'olau's time) and but also so very remote and protected I'm sure it would be nearly impossible to film out there with full cast & crew.
The filmmakers did a great job with the essence of the story and telling it in a way that can make Hawaii proud.
Wusstest du schon
- WissenswertesFirst film role since 1995 for Lance Kerwin, who portrays Anderson, a break from acting roles of approximately 27 years.
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- 1 Std. 34 Min.(94 min)
- Farbe
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