Füge eine Handlung in deiner Sprache hinzuDuring the Tang Dynasty's during the era of "Zhen Guan" (era name during rule of Emperor Taizong), the young Xuan Zang monk, in his quest for the knowledge in Buddhism, embarked on a journey... Alles lesenDuring the Tang Dynasty's during the era of "Zhen Guan" (era name during rule of Emperor Taizong), the young Xuan Zang monk, in his quest for the knowledge in Buddhism, embarked on a journey to India, that is fraught with perils and dangers, natural disasters, and sees the suffer... Alles lesenDuring the Tang Dynasty's during the era of "Zhen Guan" (era name during rule of Emperor Taizong), the young Xuan Zang monk, in his quest for the knowledge in Buddhism, embarked on a journey to India, that is fraught with perils and dangers, natural disasters, and sees the sufferings of the common people. Soldiers gets in his way, his disciples betrays him, he struggl... Alles lesen
- Auszeichnungen
- 14 Gewinne & 13 Nominierungen insgesamt
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But I was immensely irritated by the slow incomplete English subtitles. Cheap little fantasy or kung-fu movies do a much better job.
Much of the time, there was a subtitle in Chinese ideograms, but no clue to the context for an English-speaker. And more than half the world does not no Chinese or Indian languages. An amazing failing.
When there was something in English, it often seemed to pop up well after the events it related to.
A silly waste for a high-budget film with some noted actors.
If anyone decides to re-do it and have a proper version that might be popular outside of China and India, it would be good to give more context. We do get the bad translations explained, but people would wonder why Tang China is not letting people travel.
They also need to be told that this was before the rise of Islam, so a mix of Buddhism and Hinduism was the norm on the path the man followed.
Looking more widely, I noticed that when the man gets a follower, he has this servant carry his pack. Buddhism when institutionalised tends to be as bad as Christianity at rendering practical service to oppression.
Likewise I was unimpressed by an admired guru sitting well above everyone else, assembled to admire them. Not what I'd see as holiness.
I did see it as an excellent rendering of some interesting cultures. Which is why the sloppy English subtitles. And why I still give it a decent mark.
The story depicts the 17 years long legendary seventh century spiritual journey of Buddhist monk Xuan Zang (Hsüan-tsang), who dissatisfied with the translations of Buddhist texts available in china and wanted to collect originals from Nalanda, from China to India during the Tang dynasty and whose famous journey served as an inspiration for Chinese fantasy classic "Journey to The West."
Eyes are not enough to see the splendor of this masterpiece. Those picturesque and unseen Chinese landscapes are breath-taking. This lavish and high budget spiritual adventure epic is memorable and rare kind. A film must not miss.
This film was selected as the Chinese entry for the Best Foreign Language Film at the 89th Academy Awards but it was not nominated.
This film is about a monk's journey. The why of the journey is really not the main focus, it's about the journey itself. It's about pilgrimage. One can learn about the historical Xuan Zang (and the subsequent fictionalized versions of his life) elsewhere. What this movie captures is more along the lines of films such as the 2006 Russian movie Ostrov (The Island). It is about the character's spiritual journey and the effects he has on those he encounters, as well as how his faith carries him through both hardships and triumphs.
Gorgeously filmed with a beautiful soundtrack, this is a quiet, reflective movie which will not appeal to everyone, and certainly not to people looking for anything fast-paced or action oriented.
After three long years, travelling through modern-day Kazhakstan, Kyzhegistan, Uzbekistan, Afghanistan, Lahore and Delhi, he reached his destination. He is the first person to have described the Hindu kingdom to be extending as far as Afghanistan.
He describes all the places that he visited within India. He told about how people live, the social norms and their dietary peculiarities. After learning at Nalanda University, he makes his teachers proud by winning an interfaith debate organised by King Varsha during Kumbh Mela in the holy city of Prayag (modern-day Allahabad). After 19 long years, traversing through 110 countries and walking 25,000 km, Xuanzang returned to Chang 'An with a wealth of knowledge and scriptures.
The film is recommendable for its infotainment value. It brings to light of mesmerising natural landscapes and buildings that most of us will not have a chance to witness in our lifetimes. Many of the magnificent shrines and temples that existed at the time of his visit are still standing today. One such majestic structure is Ajanta Caves.
In the early 5th century AD, another Buddhist scholar from China named Faxian made a similar trip to India. He visited India during the reign of a Hindu dynasty, Chandragupta II, and reached Gautama Buddha's birthplace of Lumbini to obtain Buddhist scripts. He also visited Pataliputra, a Buddhist stronghold (Maurya's kingdom). Faxian, however, continued his journey to Ceylon. He described the island as a land of demons. He returned to China via sea. His boat went off course to Java and again swept off to Shandong on a second trip back to China.
With so much ease of acquiring knowledge through the plethora of portals available to us, we still have the inertia to go the extra mile. These two extraordinary figures risked their time and life to acquire and disseminate the wealth of knowledge to generations after them. Holding on to compasses in their hands, faiths in their heart as well as the stars above their heads as markers, they ventured into unknown territories. Come what may!
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Box Office
- Weltweiter Bruttoertrag
- 5.023.106 $
- Laufzeit1 Stunde 30 Minuten
- Farbe