Rom, 1973. Johannes Paul Getty III., der Erbe und jüngere Teil der Saga der Ölmagnaten, wird von der italienischen Mafia entführt, um Lösegeld zu erpressen.Rom, 1973. Johannes Paul Getty III., der Erbe und jüngere Teil der Saga der Ölmagnaten, wird von der italienischen Mafia entführt, um Lösegeld zu erpressen.Rom, 1973. Johannes Paul Getty III., der Erbe und jüngere Teil der Saga der Ölmagnaten, wird von der italienischen Mafia entführt, um Lösegeld zu erpressen.
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I recently saw the Ridley Scott version of this story (you know, the one that does not have Kevin Spacey in it any more) and I just had to post and say, this just totally blows that out of the water.
That was a mediocre movie, not even beautiful, which is the least I'd expect from Ridley, but this is just fantastic, on every level.
The sheer charisma of this film-making is an utter joy to behold and evident across the direction, the performances, thumps out of the soundtrack, every part of this production is innovative, dazzling, fizzing.
My only slight, slight criticism is that the 4th wall breaking stuff from Brendan Fraser is too inconsistent and should have either been ditched or made much more of, more often. I guess they thought it was gonna be a big 'feature' when they were writing it and filming it, but then in the cutting room found they just had so much gold, they just didn't know what to do with it all!
Jump on the ride here, its fab and you wont regret it.
That was a mediocre movie, not even beautiful, which is the least I'd expect from Ridley, but this is just fantastic, on every level.
The sheer charisma of this film-making is an utter joy to behold and evident across the direction, the performances, thumps out of the soundtrack, every part of this production is innovative, dazzling, fizzing.
My only slight, slight criticism is that the 4th wall breaking stuff from Brendan Fraser is too inconsistent and should have either been ditched or made much more of, more often. I guess they thought it was gonna be a big 'feature' when they were writing it and filming it, but then in the cutting room found they just had so much gold, they just didn't know what to do with it all!
Jump on the ride here, its fab and you wont regret it.
The first episode was a very well balanced blend of action, character development, humor, unpredictability and intensity. Also great scenery, and a nice incorporation of the culture of the 1970's.
I have absolutely no idea where this series is going, but it's easy to get invested in the characters - something that is often overlooked in new series.
I have absolutely no idea where this series is going, but it's easy to get invested in the characters - something that is often overlooked in new series.
8 reviews thus far, that surprises me. It also doesn't surprise me at all. It is not fast paced, semi-funny, cheap Netflix content, therefore not appreciated.
The synopsis is very interesting, the story-line intriguing. The acting rock solid, no-one exempted. Characters al have proper backstories and are interesting from the get go. The pilot had all the ingredients of a great show.
The synopsis is very interesting, the story-line intriguing. The acting rock solid, no-one exempted. Characters al have proper backstories and are interesting from the get go. The pilot had all the ingredients of a great show.
This series was artfully done, well directed and the acting was good throughout. Whole the series could've been shorter, it felt a bit drawn out, but it was also kind of incredible to see this story laid out so extensively. All in all I highly recommend it. I thought it was great. The show stealer for me was definitely Brendan Fraser as narrator in the role of Fletcher Chase. He was so good. Most definitely my favorite part of this. I've missed seeing him play leading roles. And now it won't let me post unless I've written 600 characters so here's the blah blah blah bs to meet that stupid rule. Whatever!!!!!!
I watched this on Netflix, and although it wasn't a Netflix production it follows the Netflix formula: ten hour long episodes per season. There was no need for this to be ten hours long. There was enough story to fill three, maybe four, episodes. The first couple of episodes were quite good. But then, true to the Netflix formula, there is an extraordinary amount of filler, like the butler storyline and one episode is spent almost exclusively on covering the confirmation of the son of one of the kidnappers.
I am sick and tired of the "slow burn" fad. Making something progress slowly does not automatically make it good.
That said, the acting is good, especially Sutherland and Brendan Fraser. Nice to see that he's back in the game. My main gripe is that the actor playing the main character, who is supposed to be 16 years old, looks far too old, like he's in his mid 20's.
If you have ten hours to spare, this is a good series to watch. Although I recommend having the fast forward button at the ready.
On a side note, one of the locations in the movie is the restaurant Sabatini in Trastevere, Rome. Whatever you do, do NOT go to that restaurant. They are famous for scamming tourists by adding "service" charges printed with minimal letters hidden away in the menu. Wildly expensive and garbage quality, a true tourist trap.
I am sick and tired of the "slow burn" fad. Making something progress slowly does not automatically make it good.
That said, the acting is good, especially Sutherland and Brendan Fraser. Nice to see that he's back in the game. My main gripe is that the actor playing the main character, who is supposed to be 16 years old, looks far too old, like he's in his mid 20's.
If you have ten hours to spare, this is a good series to watch. Although I recommend having the fast forward button at the ready.
On a side note, one of the locations in the movie is the restaurant Sabatini in Trastevere, Rome. Whatever you do, do NOT go to that restaurant. They are famous for scamming tourists by adding "service" charges printed with minimal letters hidden away in the menu. Wildly expensive and garbage quality, a true tourist trap.
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- WissenswertesThe English estate where J. Paul Getty spent the end of his life, Sutton Place, had been previously occupied by the Duke of Sutherland.
- VerbindungenFeatured in Sean Bradley Reviews: All the Money in the World (2018)
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