Zwei Mädchen der Oberschicht aus einem Vorort in Connecticut lassen nach Jahren der Entfremdung ihre Freundschaft wieder aufleben. Gemeinsam hecken sie einen Plan aus, um ihre Probleme zu lö... Alles lesenZwei Mädchen der Oberschicht aus einem Vorort in Connecticut lassen nach Jahren der Entfremdung ihre Freundschaft wieder aufleben. Gemeinsam hecken sie einen Plan aus, um ihre Probleme zu lösen - koste es, was es wolle.Zwei Mädchen der Oberschicht aus einem Vorort in Connecticut lassen nach Jahren der Entfremdung ihre Freundschaft wieder aufleben. Gemeinsam hecken sie einen Plan aus, um ihre Probleme zu lösen - koste es, was es wolle.
- Regisseur/-in
- Autor/-in
- Stars
- Auszeichnungen
- 1 Gewinn & 26 Nominierungen insgesamt
Jack Damon
- Phil
- (as Jackson Damon)
Kristen Annese
- Waitress
- (Nicht genannt)
Stephanie Atkinson
- Knitting Therapist
- (Nicht genannt)
Jason Beckett
- Party Guy
- (Nicht genannt)
Chhoyang Cheshatsang
- Party Goer
- (Nicht genannt)
Xavier Dillingham
- Partygoer
- (Nicht genannt)
James Lawyer
- Partygoer
- (Nicht genannt)
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I'm not sure this movie classifies as a comedy film. It's a light movie, but it's more serious than funny if you ask me. I really love this indie movie, and I watched it because of Anya Taylor-Joy. She did phenomenal and so did Olivia Cooke.
More indie films like this! (:
More indie films like this! (:
Some films you know within moments of them beginning that they are going to be something special. 'Thoroughbreds' was very much one of those films for me. The opening shot containing the character of 'Amanda' looking around a home - something so simply and yet done in such a way that you can't take your eyes off the screen - told me everything I needed to know about the film I was about to watch. And I was right. The next 90 minutes were some of the best cinema of 2017.
The movie is a lot darker than I expected it to be. There is a comedy genre tag attached to the film but it really is in no way a comedy. I think I maybe lightly chuckled twice throughout the film, and both of those chuckles were at some quite dark jokes. The acting in the film is amazing. The two lead girls Olivia Cook and Anya Taylor-Joy were in outstanding form and played a huge part in making the film as brilliant as it was.
The fact that this is a debut film written and directed by Cory Finley is quite incredible. The class with which he made this was well beyond his experience. The music in the film is haunting and absolutely perfectly selected. The dialogue is captivating to listen to. Kevin Smith or Quentin Tarantino could easily have written this film it's that good. In particular the final line of the movie will stick with me for a long time to come. I absolutely loved 'Thoroughbreds' and I couldn't recommend it strongly enough.
The movie is a lot darker than I expected it to be. There is a comedy genre tag attached to the film but it really is in no way a comedy. I think I maybe lightly chuckled twice throughout the film, and both of those chuckles were at some quite dark jokes. The acting in the film is amazing. The two lead girls Olivia Cook and Anya Taylor-Joy were in outstanding form and played a huge part in making the film as brilliant as it was.
The fact that this is a debut film written and directed by Cory Finley is quite incredible. The class with which he made this was well beyond his experience. The music in the film is haunting and absolutely perfectly selected. The dialogue is captivating to listen to. Kevin Smith or Quentin Tarantino could easily have written this film it's that good. In particular the final line of the movie will stick with me for a long time to come. I absolutely loved 'Thoroughbreds' and I couldn't recommend it strongly enough.
Apparently it was very upsetting to a lot of reviewers here that they found this in the comedy section of their local Red Box or whatever, saw two peppy looking teen girls on the cover, and had severe overreactions when they discovered that this movie "misled". It seems so strange to me that people continue to blind-watch movies and then get mad at the movie for not being what they convinced themselves the movie was about. You would have spent just as long watching a trailer or reading a one paragraph synopsis or review as you did coming back here to leave an awful review trashing a movie for your own mistake, but then I guess you'd have to admit that the problem was on your end.
Look, this is NOT a comedy. There are a few dry laughs here and there, but this is absolutely not a movie you want to watch for the laughs. This is a drama and it's one that deals with some pretty dark subjects. Unfortunately, it's hard to talk about what the point of this movie is without giving everything away. Let's just say it's the story of a friendship that forms between two very disturbed young women which takes a look at the darker side of human nature along the way. It's surprising, disturbing, and also surprisingly touching at times.
If you're not a complete fool that's looking for teen comedy in all the wrong places, give this a try, you might find yourself very surprised. I'd give it an 8 or a 9, but I'm going to go ahead and give it a 10 just to balance out all the triggered whiners giving it 1's for no good reason.
Look, this is NOT a comedy. There are a few dry laughs here and there, but this is absolutely not a movie you want to watch for the laughs. This is a drama and it's one that deals with some pretty dark subjects. Unfortunately, it's hard to talk about what the point of this movie is without giving everything away. Let's just say it's the story of a friendship that forms between two very disturbed young women which takes a look at the darker side of human nature along the way. It's surprising, disturbing, and also surprisingly touching at times.
If you're not a complete fool that's looking for teen comedy in all the wrong places, give this a try, you might find yourself very surprised. I'd give it an 8 or a 9, but I'm going to go ahead and give it a 10 just to balance out all the triggered whiners giving it 1's for no good reason.
I decided to check this film out because the premise sounded very interesting but it was told in a way I didn't expect.
Thoroughbreds follow two teenage girls, Amanda and Lily, who both scheme to kill Lily's stepfather.
This is a very strange film. Cory Finley has a background in plays and it clearly shows in Thoroughbreds. There are a lot of scenes where characters just talk in one location but what makes it fun to watch is the dialogue and performances. The humour may not appeal to everybody but I found a lot of the lines to be pretty funny. It reminded me of American Psycho a lot. The humour is very dark and subtle and if you're on board with that then you may like this film. Alongside that, Olivia Cooke and Anya Taylor-Joy are pretty fantastic in this film. They have great chemistry with one another and suit their roles really well. Unfortunately this is Anton Yelchin's final performance but he shines during the scenes he's present in.
The cinematography and production design was really good. The score is what really stood out to me. It's filled with all sorts of strange sounds that fit well with the overall style of the film. The ending does feel underwhelming and it could be due to budget constraints or Finley's background in plays.
For the most part I enjoyed the deadpan humour and I thought Finley's approach to this kind of film was quite refreshing but I feel the story and the stakes could have been elevated more to make it even more entertaining.
Thoroughbreds follow two teenage girls, Amanda and Lily, who both scheme to kill Lily's stepfather.
This is a very strange film. Cory Finley has a background in plays and it clearly shows in Thoroughbreds. There are a lot of scenes where characters just talk in one location but what makes it fun to watch is the dialogue and performances. The humour may not appeal to everybody but I found a lot of the lines to be pretty funny. It reminded me of American Psycho a lot. The humour is very dark and subtle and if you're on board with that then you may like this film. Alongside that, Olivia Cooke and Anya Taylor-Joy are pretty fantastic in this film. They have great chemistry with one another and suit their roles really well. Unfortunately this is Anton Yelchin's final performance but he shines during the scenes he's present in.
The cinematography and production design was really good. The score is what really stood out to me. It's filled with all sorts of strange sounds that fit well with the overall style of the film. The ending does feel underwhelming and it could be due to budget constraints or Finley's background in plays.
For the most part I enjoyed the deadpan humour and I thought Finley's approach to this kind of film was quite refreshing but I feel the story and the stakes could have been elevated more to make it even more entertaining.
This film is incredbily entertaining and intriguing from beginning to end. Our two lead actresses both give fantastic performances, as wealthy teenage girls from suburban Connecticut. The story unfolds in a very interesting way and the ending left me satisifed. The cameraweork is stunning, and the direction is great, especially for a directorial debut. It manages to be both comedic and dark and balances the tone quite well. There is one plot line including Anton Yelich that I would have liked to see wrapped up a little better, but it definietely does not take away from the overall enjoyment of the film. This film is intriguing and brings a much-needed spin to a genre that often produces subpar films. You should definitely go watch Thoroughbreds, you will not be dissapointed.
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- WissenswertesOriginally written for the stage.
- Patzer(at around 00:35:00) When Lily opens her eye the cameraman and camera are clearly visible in her pupil's reflection.
- Crazy CreditsThe title is shown at the beginning of the credits, followed by a dedication to Anton Yelchin.
- VerbindungenFeatured in Half in the Bag: 2018 Catch-Up (part 1 of 2) (2018)
- SoundtracksSila
Written by Ian Campeau, 2oolman (as Timothy Hill), Bear Witness (as Ehren Thomas) & Tanya Tagaq (as Tanya Tagaq Gillis)
Performed by The Halluci Nation featuring Tanya Tagaq
Courtesy of The Greater Goods Co.
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Vollblüter - Gute Mädchen können auch böse
- Drehorte
- Wellesley, Massachusetts, USA(final sene)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 6.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 3.072.605 $
- Eröffnungswochenende in den USA und in Kanada
- 1.224.430 $
- 11. März 2018
- Weltweiter Bruttoertrag
- 3.187.255 $
- Laufzeit
- 1 Std. 32 Min.(92 min)
- Farbe
- Seitenverhältnis
- 2.39 : 1
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