Saat Uchakkey

The only inspiration to consider this comedy was Vijay Raaz, but the film is so lifeless that even the huge list of cast members it boasts of cannot do anything to save it.

I will not go into details as to what the film is about because I myself couldn't fully understand it. There is apparently a plan masterminded by Pappi (Manoj Bajpayee) to rob rich merchant Diwan's (Anupam Kher) mansion of whatever gold he has stashed there. For this purpose, Pappi hires a group of men, who all have to then kick Inspector Tejpal (Kay Kay Menon) out of the way to succeed int he heist. The sequences surrounding this plan makes no sense. Kher is shown once in the first half and then disappears. Raaz comes around after 40 minutes and then the film starts spewing expletives like the script had nothing better to include.

There is no single scene anywhere in its 140-minute running time that will attract you to consider the film closely. It is just a bunch of characters fooling around without a clue as to their existence or the purpose. The makers have only relied on the structural old Delhi props and the cheesy language to attract the niche who may also be disappointed by the film's sheer incapability to produce entertainment or induce even a single chuckle.

BOTTOM LINE: Sanjeev Sharma's "Saat Uchakkey" is one of the highly disappointing films in recent times not because the poor film has no story but because so many good actors have wasted their time on it. You better don't waste yours on this garbage. Skip for life!

Can be watched with a typical Indian family? NO

'Saat Uchakkey' boasts an ensemble cast so strong, its barely surprising how splendidly they invest themselves into their respective parts. Sadly, the only strong merit of this comic caper are its performances, as the film is just an okay watch!

'Saat Uchakkey' Synopsis: A team of good-for-nothing people team up to steal treasure from an eccentric old man, but face opposition in the form of a cop.

'Saat Uchakkey' is a fine idea, but the execution is underwhelming. The first-hour, to begin with, barely leaves a mark. Its in the second-hour, when things fire up & the laughs come in. The comic touches work well in the second-hour, despite profanity, but the first-hour, is weak from every angle.

The Writing needed to be more persuasive. The Dialogue are realistic & at times, laugh-out-loud funny. Sanjeev Sharma's Direction is decent. Cinematography & Editing are standard.

Performance-Wise: The Actors are uniformly excellent! Vijay Raaz takes the lead with a terrific act. The supremely talented actor takes center stage & comes up with the film's funniest moments. Manoj Bajpayee is first-rate, as always. Kay Kay Menon shines. Aditi Sharma is fantastic & proves her potential, once again. Anupam Kher is hilarious in a cameo. Annu Kapoor is perfectly over-the-top. Aparshakti Khurrana supports very well.

On the whole, 'Saat Uchakkey' is a mixed bag.

This movie contains some great actors, who gave good performances but unfortunately this stands out a comic movie. No seriously I mean it. Comic in sense of directorial nonsense. No Story, No Screenplay just stretching the scenes. The only reason I watched this movie till end because the performances. Just it.

This movie is underrated and killed by censor board, every character has given nice performance. not a cup of everyone's tea. Nice concept.

Old ghosts and new dreams survive side by side in this Manoj Bajpayee, Vijay Raaz film as we get to see Old Delhi like we have never seen it before.

God who may be mad, an Anupam Kher who lives in a Havel a Muslim woman claims is hers, and a Kalawati who exists only in dreams. There is more going on in Sanjeev Sharma's Saat Uchakkey than meets the eyes and, yes — despite the Censor's objections — the ears. Sift through the abuses, those that have survived 90 cuts and a three-year wait for release, and the film is a delightful slice of life from that new pet haunt of filmmakers, Old Delhi.

However, it's not the Old Delhi of just pigeon contests, closely knit houses and kite- flying, with Red Fort and Jama Masjid alternatively peeping over the horizon. Sharma's Old Delhi is rather about the old ghosts and new dreams which co-exist here so organically, one feeding off the other, one fuelling the other. It's about men who make a living "making antique idols", or keys for "90-year-old iron locks"; the men who hawk wooden snakes alternatively as "engineering craft" or "sexual toy" to hassled but polite foreigners; the lawyers who fix cases through skinny, knife-wielding boys barely standing upright; and cops who must find order amidst this all. It's also about the women who find their way through this, giving back as good as they get. There are few ways out of this maze of narrow lanes, kachauris, card games, and hand-to-mouth survival. And one of the first offered to Pappi (Manoj Bajpayee) and company is a blithe deal: "bijli churani hai", they are told over roadside tea. The second is more esoteric, in the form of a lunatic, Bichchi (Annu Kapoor), of mythical reputation. In Bichchi's mutterings, Pappi sees the promise of a hidden treasure in that contested Havel of the diwan (Anupam Kher). Where gods co-exist snugly with "item numbers" organised for Purnima, day begins with a flower-seller setting shop for Kaali puja, a dacoity must take into account the neighbourhood mosque, mourners break into a dance, and havelis come with Mughal lineage, nothing is impossible. Manoj Bajpayee as Pappi; Aditi Sharma as Pappi's resourceful love and the neighbourhood heartthrob Sona; Vijay Raaz as Jaggi, the lawyer with a waistcoat, a ponytail, and that undulating henchman; and Kay Kay Menon as daroga Tejpal keeping the order while nursing a secret love for Sona, are all excellent. Annu Kapoor as the narrator/god can't help his dramatics, but Anupam Kher is just over-the-top.