Lumina

I went to watch this movie 'lumina' in a theatre in Wahington DC. The movie was very good as it's cast was very good, the main chracter tatiana (Eleanor Williams) is very good actor has she was very good in this role, I was amazed to watch this movie I have watched a sci fi movie after a long time which has both good chracters, good story, and good animations. This movie was totally good as I felt that it is not a movie it's all happening in real world, Out of all odds the director, writer, producer Gino McKoy is very good man as it is very difficult in current time to make a sci fi movie during this time.

Even in a world where sharknado and its ilk are made, I find it difficult to believe that someone would invest in and produce this.

The "plot" simultaneously is all over the place and goes absolutely nowhere. It is truly baffling that someone paid for this script and said, "I HAVE to make this".

You may think, "Well at least there must be some decent acting in it". You would be incorrect. Small town theaters provide more convincing performances than anyone involved in this delivers.

It is so very bad that I'm almost convinced that someone in charge decided early on that they were going to go for a Razzie or something.

The movie does not even have enough substance to be considered for a Golden Raspberry.

I've seen better things made by kids with cheap equipment on YouTube.

Gino McKoy's Lumina is a shining example of what science fiction can achieve when it's handled with care, creativity, and an eye for detail. From the moment the film begins, it's clear that McKoy has a strong vision, one that combines stunning visuals with a narrative that challenges the viewer to think deeply about the nature of reality and existence. This isn't just another sci-fi movie filled with flashy special effects and shallow plotlines. Instead, Lumina offers something much more substantial and thought-provoking. The story of Lumina revolves around complex themes of consciousness, identity, and the fabric of reality itself. These are heavy topics, but McKoy handles them with a deft touch, weaving them into a narrative that is both engaging and emotionally resonant.

Alien films are tricky because so much has been covered. There is little fertile ground save for the reshuffling of previous material. Here in Lumina, there is a soft effort to make a personal connection between the conspiracy and the characters. However, the film's path is full of never-ending twists in the road, unexpected turns, and revelations that keep the audience more distracted than engaged. By the time the film ends, there is a feeling of being off-balance caused by the rapid surprises and shifts in the narrative.

The biggest challenge for Lumina is the scope of its ambitions. The film tries to spin off into a myriad of directions, ranging from government secrets to alien menaces. These are all valid angles, but the problem lies in the execution, which is sloppy and, at times, distracted. Audiences will likely guess the ending before the end of the first act. The lack of subtlety is to the detriment of the film. While there are some twists, they arrive a little too late to make any real contact.

Full Review at Geek Vibes Nation.

In the vast cosmos of science fiction cinema, where imaginative storytelling and visual spectacle often collide, "Lumina" attempts to carve out its own niche. However, it tragically falls short, earning its place in the annals of film history as one of the worst sci-fi movies ever made.

At its core, "Lumina" revolves around a dystopian future where humanity has harnessed a mysterious energy source known as Lumina, which promises to solve the world's energy crisis. Unfortunately, the film's premise is one of its few redeeming qualities. The narrative quickly devolves into a muddled mess, with plot holes so vast they could swallow entire planets. Characters are introduced with little to no development, leaving audiences struggling to connect with their motivations or stakes. The protagonist, a lackluster hero named Zara, played by an uninspired actress, is a prime example of this failure. Her journey from a disillusioned scientist to a reluctant savior feels more like a series of obligatory tropes than a coherent arc.

Visually, "Lumina" is a mixed bag. The film boasts some ambitious set designs and special effects, yet they are undermined by a glaring lack of coherence in execution. The CGI, which could have elevated the film's otherworldly aesthetic, often appears unfinished or poorly integrated. In one particularly egregious scene, a supposed alien landscape looks more like a poorly rendered video game from the early 2000s, pulling viewers out of the narrative and into a realm of unintentional comedy.

The dialogue is another significant flaw, with cringe-worthy lines that are more likely to elicit laughter than emotional engagement. The attempts at philosophical musings on energy consumption and environmentalism feel forced and preachy, lacking the subtlety that great sci-fi often employs to provoke thought. Instead, they come off as hollow platitudes, further distancing the audience from the film's already flimsy narrative.

Despite its shortcomings, "Lumina" does offer a few moments of unintentional humor and absurdity that may appeal to audiences seeking a so-bad-it's-good experience. However, these fleeting moments are not enough to redeem the overall experience.

In conclusion, "Lumina" serves as a cautionary tale about the pitfalls of sci-fi filmmaking. With a weak script, poor character development, and lackluster visuals, it's a film that squanders its potential. While some might find enjoyment in its flaws, for most viewers, it will remain a forgettable entry in the sci-fi genre-an unfortunate reminder that not all journeys through the stars are worth taking.