Die Verführten

Sofia Coppola's capacity to create beautiful shots in incredible settings, and capture actors' specific beauty is unquestionable. Finding depth in her characters is a different story. A new take on a old tale, the actors in the Beguiled fail to get us to actually care about any of them and, as a consequence, their fate in the story.

Based on a book in which each female character expresses her point of view, holds dark secrets, and competes with her fellows, this movie offers many establishing shots and little more. Two primary characters from the book don't make it into the movie, but a nothing character, who adds nothing to the plot, is added. The secrets of one character are hinted at and never revisited. Of course readers of the book know why--the character was seriously miscast. The women and girls never open their hearts to the injured soldier they take in, so we as viewers have no idea as to their motivations. They try to relay all through meaningful looks, but fall short. Personalities that should evolve and shine are stunted and dull. This is a character-based story that has been so diluted it's shares only the title with the original work.

There are very few remakes that are better than the original. 3:10 to Yuma is the only one that comes to mind. This remake adds nothing and loses much of the original's feelings of intrigue. The ending is worse, as well. Don't bother - just watch the real movie with Clint Eastwood.

I have some lovely scenic videos on my camera, does that mean I can win Best Director at Cannes also? All seeing this film did was remind me of how much I enjoyed the trashy, tawdry original movie, which didn't even have to try half as hard as this one needed to to achieve atmosphere, characterization, and coherence.

Sofia took a simple story of love-starved ladies and adolescent girls alone with a handsome scoundrel who uses and abuses them until they turn the tables on him, and won an award for changing it into a confusing, dull, illogical mess of a movie with some pretty scenic views scattered here and there. Apparently this story was supposed to be told from the women's point of view, but there was no point at all.

There is also no point in viewing this film, so stick with the original.

There's no way to watch this film without remembering the power of the original Don Siegel 1971 version. And this very poor remake has none of the original's draw or intrigue. It's almost completely pointless in every respect and feels like a mere box-ticking exercise. Avoid this and watch the superior original instead.